New Zealander Bill Gavin began his film career in the United Kingdom. After arranging finance for everything from The Killing Fields to Sid and Nancy, he returned home in the 90s to produce a number of features, including What Becomes of the Broken Hearted? and Jubilee. During two years as Head of Feature Films at South Pacific Pictures, he helped develop and finance 2002 hit Whale Rider.
Veteran producer and production designer Grahame McLean helped organise the shoots of a run of landmark Kiwi productions, from The Games Affair to Sleeping Dogs. Later he brought TV success Worzel Gummidge down under, and became the first — and will likely long remain one of the few — New Zealanders to direct two feature films back to back.
Presenter Lana Coc-Kroft has fronted a run of adventure shows, survived a near fatal infection on a Pacific Island, and been a longtime staple on hit show SportsCafe. The ex Miss Universe New Zealand began her screen career modelling on Sale of the Century and co-hosting Wheel of Fortune, before presenting On the Edge. She has also been a 91ZM radio host and World Vision spokeperson.
Don Selwyn, ONZM, was an actor, casting director and mentor to a host of talented Māori who went on to work in film and television. Selwyn’s long acting resume includes 1970s historical epic The Governor and police show Mortimer’s Patch. He also directed The Māori Merchant of Venice, the first feature film in te reo Māori.
The prolific Dale Bradley has produced and directed feature films on both sides of the Tasman. After setting up company Daybreak Pictures with his brother Grant, and directing his first feature, Gallipoli tale Chunuk Bair, Dale Bradley developed and directed movies in New Zealand and then Australia. In 2013 the Bradleys established NZ/UK-based company Aristos Films.
Producer Bridget Ikin has made a habit of championing Antipodean women filmmakers with original visions, from Alison Maclean (Kitchen Sink) to Jane Campion (An Angel at My Table) and Australian Sarah Watt (Look Both Ways). Since leaving New Zealand in the early 1990s, Ikin has been influential in Australian television and film, including programming public broadcasting network SBS.
A pioneer of New Zealand film and star of 1940 classic Rewi's Last Stand, Ramai Hayward is credited as Aotearoa’s first Māori filmmaker, camerawoman, and scriptwriter. At the 2005 Wairoa Māori Film Festival she received the inaugural Lifetime Achievement Award for her contributions to Māori filmmaking; the following year Hayward was made a Member of the NZ Order of Merit. She passed away on 3 July 2014.
Peter Sharp is one of New Zealand's most prolific directors of screen drama. Though his directing work covers the gamut from police shows and soap satires to live performance, Sharp is best known for his work helming kidult dramas - including Maurice Gee period tales The Fire-Raiser and The Champion. He also directed award-winning mini-series Erebus: the Aftermath.
Throughout his 50 year career, John O’Shea was a pioneer and a champion of the independent New Zealand film industry. His name was synonymous with Pacific Film Productions, which he ran for over 20 years after Pacific founder Roger Mirams left for Australia. O’Shea was involved in the establishment of the New Zealand Film Commission, Ngā Taonga and the Wellington Film Society.
In a career spanning four decades, director/producer Colin McRae has worked in news and current affairs, made documentaries and spent time as TV3’s Head of Sport. He conceived and produced award-winning series The New Zealand Wars. An association with Māori Television has seen him produce Native Affairs for six years, and play a leading role in its Anzac Day and election coverage.