A Tagata Pasifika special looking at Pacific Islanders living in a Māori world. It celebrates the mingling of Polynesian cultures in Aotearoa through similarities (language, spirituality, land, extended family) and differences (clothes, food). Stories include: Samoan Beau Rasmussen who married Moana on the East Coast; Niuean Toa Luka who married a Māori woman from Northland; Tongan/Māori lawyer Kahungunu Afeaki and Whetu Fala, who grew up in Wanganui with a Samoan father and Māori mother.
Tony Fomison, one of NZ’s leading painters, is profiled in this 1981 episode of a series about notable artists, made for TVNZ. Interviewed by Hamish Keith, Fomison is an engaging but diffident subject — describing his often dark, brooding works as “illustrations of dreams”, but also ascribing human emotions to them. His powerful attraction to Pacific cultures is explored; it culminated in this Pākehā son of a working-class Christchurch family getting a pe’a (the traditional Samoan body tattoo). Tony Fomison died in 1990.
Tusi Tamasese’s first feature tells the story of a taro farmer (played by real life farmer Fa’afiaula Sagote) who finds the courage to stand tall for his family and culture, and stand up to sceptical villagers. Variety called it “compelling drama”. Though previous films (e.g. Flying Fox on a Freedom Tree) had told stories inspired by Samoan writers, The Orator was the first feature written and directed by a Samoan — and the first filmed in Samoan. When it debuted in September 2011 at the prestigious Venice Film Festival, it won a special jury mention in the Orizzonti (New Horizons) section.
Tattooing — "The world's oldest skin game" — is the subject of this documentary made by Geoff Steven who scored a major coup when he obtained the services of Peter Fonda as his presenter. Shot in NZ, Samoa, Japan and the United States, it traces the history of tattooing from Ancient Egypt through its tribal importance in the Pacific, to a counter culture renaissance that began in the 1960s. Leading practitioners (including superstar Ed Hardy) are interviewed and observed at work, while their clients wince their way towards becoming living canvasses.
When Robert meets his Samoan grandfather ('Granda') for the first time, things are awkward. He can't say Robert's name properly, and makes "rude" noises when he eats. Director Marina Alofagia McCartney's first short film is a gentle tale about reaching out across generations and culture. It focusses on Robert (Kahukura Royal) as his first impression thaws, and affection grows. In 2010 Granda was named audience favourite at Pollywood, a Kiwi festival for Pasifika Films. McCartney's follow-up Milk & Honey was nominated for Best Short at the 2012 NZ International Film Festival.
This 2005 documentary tells the story of four New Zealand-born women whose parents come from villages in Samoa, Tonga and Niue. Social worker and photographer Emily Mafile'o, students and mothers Pule Puletaua and Lanni Liuvaie, and playwright Louise Tu’u face the challenges of combining two cultures to forge an identity in Aotearoa — from family, language, food and religion, to flatting and hair cutting rituals. As narrator Sandra Kailali says, "to be true to both is hard work: success in one often comes at a cost to the other."
When TV began in New Zealand in 1960, posh English accents on screen were de rigueur. As veteran broadcaster Judy Callingham recalls in this sixth episode of Kiwi TV history: "every trace of a New Zealand vowel was knocked out of you." But as ties to Mother England weakened, Kiwis began to feel proud of their identity and culture. John Clarke invented farming comedy legend Fred Dagg, while Karyn Hay showed a Kiwi accent could be cool on Radio with Pictures. Sam Neill and director Geoff Murphy add their thoughts on the changing ways that Kiwis saw themselves.