Florian Habicht first won attention for 2003's Woodenhead, a fairytale about a rubbish dump worker and a princess. By then Habicht had already made his first feature-length documentary. Many more docos have followed: films that celebrate his love for people, and sometimes drift into fantasy. In this collection, watch as the idiosyncratic director meets fishermen, Kaikohe demolition derby drivers (both watchable in full), legends of Kiwi theatre and British pop, and beautiful women carrying slices of cake through New York. Ian Pryor writes here about the joys of Florian Habicht.
Programmes featuring the immortal Count Homogenized are among the most-requested by visitors to NZ On Screen. Homogenized - a vampire with a white afro and cape and a lust for milk - made his debut in this children's show, ultimately going on to star in his own series. In this early episode the Count turns up at Major Toom's haunted house on his unending search for bovine liquid sustenance, and befriends Toom over some wine. Shark in the Park actor Russell Smith's mischievous Count has lodged itself in the hearts of many Kiwis of a certain vintage.
Long before he became the stuff of nostalgia and t-shirts, Count Homogenized debuted on this pilot episode of A Haunting We Will Go. Made in 1977 but unscreened till 1979, this pilot follows Major Tooms and his long-suffering butler as they take the audience on an extended tour of their haunted house. In the second half, scene-stealing Homogenized (Russell Smith) appears, a vampire whose raison d'etre - an endless quest for milk - proves as ridiculous as it is delightful.
The immortal Count Homogenized, a vampire with a white afro and cape and a lust for milk, lodged himself in the hearts of a generation of Kiwi kids. After first portraying the vampire in A Haunting We Will Go, actor Russell Smith took centre stage in 1983's It is I Count Homogenized. This follow-up series transfers proceedings from the haunted house trappings of the original to a suburban dairy, where Homogenized continues his mission to get his teeth into what matters: the milk. Trivia: the series was made in association with the NZ Milk Promotion Council.
Filmmaking team Jason Stutter and Kevin Stevens plunge back into the paranormal with this feature, which sees three investigators arriving at a rundown farmhouse, to discover just how haunted it really is. The ghost hunters are played by screen veteran Jeffrey Thomas (Mercy Peak), Jed Brophy (The Hobbit) and Laura Petersen (Shopping). The Dead Room’s Halloween release saw a perfect storm of publicity, from a contest involving a special app which allowed contestants to photograph ghosts, to a video blogger who claimed to have tracked down the house where the movie was filmed.
In this award-winning short film Michael is a 17-year-old who gets the abattoir blues during his first day at 'the works'. Fitting in turns out to be the least of Michael’s worries as young blood is welcomed on the line in the old fashioned way, and rite of passage is interpreted literally to meaty effect. Meathead was filmed at the Wallace Meat plant in Waitoa. Based on the true story of a mate of his, director Sam Holst’s debut short was selected for Cannes and won the Crystal Bear in the Generation (14plus) section of the 2012 Berlin Film Festival.
Long fascinated by the idea of community, Florian Habicht (Love Story, Kaikohe Demolition) discovered one in an unexpected place while making his eighth feature. Spookers is the name of a live horror attraction south of Auckland, adjoining what was once Kingseat psychiatric hospital. Habicht got to know a number of the performers working there. Alongside engaging and sometimes emotional interviews — and scenes of the staff at work, scaring the punters silly with zombie brides and chainsaws — he created scenes inspired by the performers' dreams and nightmares.
Count Homogenized, the vanilla-clad vampire with a lust for milk made his debut on this ghost-flavoured children's series, before moving on to star in his own show. Russell Smith's portrayal of the mischievous The Count has lodged itself in the hearts of many Kiwi kids of a certain vintage and has become an — absolute original — icon of NZ TV. True Blood has nothing on The Count and his unending search for bovine liquid sustenance!
After taking over the retirement home formerly run by her late mother, a young woman (Jackie Kerin) starts to worry that a pattern of unexplained deaths and strange visitations is repeating itself. Tony Williams’ cult feature began development as a black comedy about murderous Kiwi caterers, before morphing into this moody gothic mystery — the first horror film directed and written by Kiwis (though it was ultimately shot and set in Australia). Years after winning best film at fantasy festivals in Sitges (Spain) and Paris, fanboy Quentin Tarantino praised it as “mesmerising”.
On a Tuesday evening in April 1968, the ferry Wahine set out from Lyttelton for Wellington. Around 6am the next morning, cyclone-fuelled winds surged in strength as it began to enter Wellington Harbour. At 1.30pm, with the ferry listing heavily to starboard, the call was finally made for 734 passengers and crew to abandon ship. The news coverage and documentaries in this collection explore the Wahine disaster from many angles. Meanwhile Keith Aberdein — one of the TV reporters who was there — explores his memories and regrets over that fateful day on 10 April 1968.