Mai Time was an influential magazine show for Māori youth, exploring te ao Māori and pop culture (it was one of the first shows to screen local hip-hop), with presenters speaking in te reo and English. This one hour final looks back over the 12 years of the show, beginning with a roll call of hosts: including Stacey Morrison (nee Daniels), Quinton Hita, and Teremoana Rapley. Current hosts Olly Coddington and Gabrielle Paringatai look at the show’s impact and legacy, as well as Stacey’s “mad facial expressions”, Patara’s Stubbies and Quinton’s Peter Andre tribute.

Praising novel The Scarecrow, one critic argued that author Ronald Hugh Morrieson had melded genres together into “a brilliant, hallucinatory mixture distinctively his own". The movie adaptation is another unusual melding; a coming of age tale awash with comedy, nostalgia, and a touch of the gothic. Taranaki teen Ned (Jono Smith) is worried that the mysterious arrival in town (US acting legend John Carradine) has murderous designs on his sister. The masterful narration is by Martyn Sanderson. The result: the first Kiwi film to win official selection at the Cannes Film Festival.

In 1969 Kiwi music legend John Rowles was in his early 20s, and flush with UK success: appearing on Top of the Pops and celebrating a single – ‘If I Only Had Time’ – which got to number three in the British charts. This fly on the wall documentary records his homecoming tour, complete with cigars, turtlenecks, rehearsals, press interviews, dancing, hongi and a civic reception in Kawerau (where he’d been fired from a mill job five years before, for arriving late). Rowles launches single ‘M’Lady’, soon to top the NZ charts, and reflects on how he's changed since leaving Kawerau.

Kim Hill interviews comedy legend John Clarke at his home in Melbourne. In this excerpt, Clarke talks about how easily humour travels and how Kiwis can be funny, and looks back at the birth of his iconic Fred Dagg character in the early 70s, with his black singlet, a hat given to Clarke by his sister, and some torn-off trousers from state television's wardrobe department. Clarke talks about New Zealand being far from alone in claiming to have a laconic, understated style of humour, and how he thinks the country is seen overseas. 

Author Maurice Shadbolt went before the cameras to play father to the main character, in this adaptation of his acclaimed coming of age novel. Teen Nick (Paul O’Shea) is estranged from his family, and blaming himself for his Māori mate's climbing death. He runs away to his straight talking grandfather (Derek Hardwick) — who takes him bush — and loses his virginity to Sally (a first film role for Rebecca Gibney). Produced by Pacific Films legend John O’Shea, the NZ-German co-production was directed by Rolf Hädrich (Stop Train 349). The film debuted in NZ on television. 

When TV began in New Zealand in 1960, posh English accents on screen were de rigueur. As veteran broadcaster Judy Callingham recalls in this sixth episode of Kiwi TV history: "every trace of a New Zealand vowel was knocked out of you." But as ties to Mother England weakened, Kiwis began to feel proud of their identity and culture. John Clarke invented farming comedy legend Fred Dagg, while Karyn Hay showed a Kiwi accent could be cool on Radio with Pictures. Sam Neill and director Geoff Murphy add their  thoughts on the changing ways that Kiwis saw themselves.

This documentary follows the build-up by the Auckland Warriors to their first match in Australia’s National Rugby League competition (against the Brisbane Broncos). They are the first offshore club to compete in the NRL. The excitement and routines of a burgeoning pro sport franchise — from training to brand development — are captured alongside player profiles: Dean Bell is captain, coach is John Monie, and future Kiwi league legend Stacey Jones is an 18-year-old rising star. Presented by Temuera Morrison, the score is hard rock, and the jersey sponsor is DB Bitter.

In this first edition of the NFU’s monthly magazine series, the US Davis Cup team — featuring tennis legend Vic Seixas — plays a demonstration match in Wellington, en route to Australia. Further south Christchurch hosts the annual A&P Show. Motorbike-riding traffic cops keep the traffic moving on one of the busiest days of the year, and a shot of Cathedral Square is a reminder of pre-quake days. Then Ohakea farewells No. 14 Squadron, led by World War II air ace Johnny Checketts, as its de Havilland Vampires jet off to Cyprus and Cold War peacekeeping duties.

Former Velvet Underground member John Cale’s first visit to New Zealand in 1983 is marked with this Radio with Pictures special. Indie legends Tall Dwarfs opened for Cale, and part of their performance is captured too. The venue is Christchurch's Hillsborough Tavern, where the cameras catch Cale's intense solo readings of classic songs including VU's ‘Waiting for the Man’, and Cale’s own ‘Leaving it up to You’. The Welshman also reflects briefly on his early years in New York, meeting Lou Reed, and his then most recent album, Music For a New Society.

One of the most influential cars of the 20th century, the compact Mini attained Kiwi icon status in 1981 after it starred in movie Goodbye Pork Pie. In these clips from the 1980s Kiwi automobile series, reporter Islay McLeod (then Islay Benge) interviews Pork Pie stunt driver Peter Zivkovic about his "fun" experience; motor racing legend Chris Amon takes a Mini for a spin around Manawatu's Manfield race track; and ex newsreader  Dougal Stevenson talks to a mechanic about the pitfalls of the Mini, including a tendency to rust and slip out of gear.