This edition in Prime’s television history series surveys Māori programming. Director Tainui Stephens pairs societal change (urbanisation, protest, cultural resurgence) with an increasing Māori presence in front of and behind the camera. Interviews with broadcasters are intercut with Māori screen content. The episode charts an evolution from Māori as exotic extras, via pioneering documentaries, drama and current affairs, to being an intrinsic part of Aotearoa’s screen landscape, with te reo used on national news, and Māori telling their own stories on Māori Television.
Fresh from embarrassing the principal (Miranda Harcourt) on national television in season one of web series Lucy Lewis Can't Lose, Lucy Lewis (Thomasin McKenzie) discovers the school has gone Instagram crazy in series two. With her peers hooked on finding out who is labelled best and worst dressed, the fashion apathetic Lucy takes it upon herself to rid the school of this new cyberbullying…with some unintended results. When the whole school turns on her, Lucy's mates Ruby (Celia MacDonald) and Dave (Rāhiri Wharerau) help with a grand plan to set things right.
After being elected school representative against the odds — and certainly against her will — Lucy Lewis (Thomasin Mckenzie) must find a way to rid herself of the responsibility. Then she discovers an evil scheme by the principal (played by McKenzie’s real life mother Miranda Harcourt) to rake in cash at the students’ expense. Suddenly Lucy's new position provides an opportunity to foil the plot… if she can keep it. But winning over her peers could be tricky. McKenzie went on to co-star in American feature Leave No Trace, and act in Taika Waititi movie Jojo Rabbit.
The Governor examined the life of George Grey, providing a whole new angle on traditional portraits of him as the "Good Governor". The six-part historical blockbuster was hugely controversial, provoking a parliamentary inquiry and "test match sized" audiences. This episode — 'He Iwi Kotahi Tatou' (Now We Are One People)' — won a Feltex award for best script. War looms in the Waikato as Māori tribes band together; peacemaker and kingmaker Wiremu Tāmihana (the late Don Selwyn) agonises over the right course of action.
David Bellamy told Kiwis their old man’s beard had to go, Spike Milligan advised “Just put up a windmill Daddy!” … in 1977 the international celebrity counselling New Zealanders was Puerto Rican-born musician José Feliciano, telling Godzoners to “go easy” on power consumption. With the second oil shock looming, this was one of a series of 70s public service announcements produced to encourage energy conservation. The blind virtuoso — famous for songs like ‘Feliz Navidad’ and his cover of ‘Light My Fire’ — was filmed on 3 October, a few days before his Auckland show.
In the mid-70s New Zealand was on the edge of recession, and the petroleum-dependent economy was reeling from the first oil shock (the cost of importing oil had ballooned due to restricted supply). To help conserve power, Television One and the Government-run New Zealand Electricity teamed up for a series of public service announcements. In this 1975 slot, English actor Edward Woodward — fresh from starring as secret agent Callan, and playing the uptight sergeant in cult horror The Wicker Man — raises a toast to NZ, and counsels Kiwis to ‘save power’ in his inimitable style.
The first episode of Jam TV’s 2013 series on inspirational Kiwis follows Helena McAlpine’s journey as she deals with terminal breast cancer. The ebullient spirit of the ex-C4 presenter permeates the episode, as she talks about her mental health struggles, her bucket list, living in the fast lane, fishing with mate Clarke Gayford, leaving her daughter without a mum, advocacy work for cancer awareness campaigns, and the ‘McAlpine theory on life’ — choose to be happy. "I really don’t see myself as a sack of sadness". McAlpine died on 23 September 2015.
The birth of television in the 1960s meant that suddenly protests and civil unrest could be broadcast directly into Kiwi homes. This episode of 50 Years of New Zealand Television looks at many of those events — involving everything from the Vietnam War and the Springbok tour, to Bastion Point and the Homosexual Law Reform Act. It also examines how being televised altered their impact. Interviews with both protestors and reporters provide a unique insight into what it was like to be living through extraordinary periods of New Zealand history.
From early teleplay The Evening Paper to the edgy Outrageous Fortune, this episode of 50 Years of New Zealand Television talks drama and comedy. Key players, from actors to executives, recall a host of signposts in the development of storytelling on Kiwi TV screens. John Clarke recalls 1970s sitcom Buck's House; Paul Maunder remembers the drama that likely helped introduce the DPB; and TV executive John McRae recalls worries about the projected cost of global hit Hunter's Gold, and mentioning the word 'placenta' on the first episode of Shortland Street.
TV drama The Governor examined the life of Governor George Grey in six thematic parts. Grey's 'Good Governor' persona was undercut with laudanum, lechery and land confiscation. NZ televison's first historical blockbuster was hugely controversial, provoking a parliamentary inquiry and "test match sized" audiences. It won a 1978 Feltex Award for Best Drama. In first episode 'The Reverend Traitor', Grey arrives to colonial troubles: flag-pole chopping Hōne Heke, missionary Henry Williams, and rebellious Te Rauparaha. Writer Keith Aberdein goes behind the scenes here.