Summertime daylight saving was reintroduced in New Zealand on a trial basis in 1974, for the first time since 1941. In this NZBC clip newsreader Bill Toft announces that clocks will be put forward one hour on 3 November. Despite concerns — dairy farmers fretting about having to rise in the dark all year; worries about effects on young body clocks, chooks' egg-laying and carpet fade — the change became permanent in 1975. Citing benefits to recreation and tourism, the Government has since extended the daylight saving period twice, lastly in 2007.
This NZBC news item went to air the day after legendary Prime Minster Norman Kirk passed away. There are tributes (some off-screen) involving everyone from Kissinger, Muldoon and Trudeau to the Queen, and an interview with Deputy PM Hugh Watt. Reporter George Andrews outlines Kirk’s life and career, including footage of Kirk recalling his time working on the Devonport Ferry, and having to break a promise about a Springbok Tour. Andrews charts Kirk's rapid political rise, including becoming the country’s youngest mayor, and the mark he made on the international stage.
On 10 April 1968 the Lyttelton–Wellington ferry Wahine ran aground and sank at the entrance to Wellington Harbour. Fifty-three people died as a result of the accident, 51 on the day. These news features include aerial footage of the ship after the storm, and NZBC reporters conducting dramatic interviews with survivors, police and the head of the Union Steam Ship Company. Coverage was only seen by mainlanders after a cameraman rushed to Kaikoura and filmed a TV set that could receive a signal from Wellington, then returned to Christchurch so the footage could be broadcast.
This 1967 documentary offers a rare behind the scenes glimpse into the early days of Kiwi television, as a group of actors learn firsthand how the new medium differs from the stage. The actors' workshops were held in three cities as part of a push to create more local drama. After NZ Broadcasting Corporation producer Brian Bell introduces the actors to the camera, they try out some scenes. Five TV plays emerged, and two are seen getting made: The Tired Man, featuring Grant Tilly and Ray Henwood, and acclaimed Christchurch-shot drama Game for Five Players.
Beatlemania hit New Zealand in June 1964, as this footage makes clear. Welcoming 'the Fab Four' to Auckland after they arrive from Wellington, Mayor Sir Dove-Myer Robinson repeatedly asks the noisily enthusiastic crowd to "hold it please". He shakes John Lennon's finger, and the Beatles lark around with poi and attempt to hongi members of a Māori culture group. George Harrison also features in a short opening interview. Lennon threatened not to perform unless police protection was upgraded, after the Beatles encountered large crowds while arriving at their hotel.
Made six years after local TV broadcasting began, this wide-ranging 1966 documentary looks at the past and future of television in NZ. Political science lecturer Reg Harrison examines local content, a second channel, private enterprise, transmission challenges, editorial independence, sports coverage, and how TV’s expansion has affected other pursuits, and children. The doco includes interviews with privacy-keen Gordon Dryden and film legend Rudall Hayward, and MPs. Director Gordon Bick later argued that the NZBC had allowed "a good deal of criticism against itself" on screen.
This NZBC religious programme goes where TV cameras had never gone before: behind the walls of the Carmelite monastery in Christchurch. There, it finds a community of 16 Catholic nuns, members of a 400-year-old order, who have shut themselves off from the outside world to lead lives devoted to prayer, contemplation and simple manual work. Despite their seclusion, the sisters are unphased by the intrusion and happy to discuss their lives and their beliefs; while the simplicity and ceremony of their world provides fertile ground for the monochrome camerawork.
'Ship girls' are the subject of this episode of the NZBC’s Probation Service drama. Hapless Janice (Freda Costley), a 19-year-old with a father who moved to Whakatāne and a mother she doesn’t see if she can help it, is looking for love in the wrong places: sneaking onto the wharves to party with sailors in the hope she’ll find a boyfriend. Now the police have arrested her and, if she’s not careful, she’ll end up in borstal. Will the Probation Officers (Ewen Solon and Glynis McNicholl) be able to "stop her gangway habit becoming an addiction"?
This excerpt from the On Camera series sees Australian entertainer Rolf Harris recording in NZBC’s Christchurch studios for an episode of children’s TV show Kidset. In an ensuing interview — popping with sound effects made using only his voice — he talks about cracking his wobble board, his advocacy for aboriginal music, hit song ‘Two Little Boys’, and differences between children’s and adult audiences. Daughter Bindi drops in before Harris muses on being air-sick, and pounamu hunting in Hokitika. In 2014 Harris was convicted of numerous sex offences.
These behind the scenes shots of the NZBC's mid-60s flagship pop show offer a fascinating glimpse of TV studio production at the time (complete with fixed lens cameras). No broadcast footage from Let's Go survives, so this colour Standard 8 film — shot during a rehearsal by technician Clyde Cunningham — is also the only record of a series only ever seen in black and white. Peter Sinclair is the presenter (in his first TV job), the technicians are resplendent in white coats and the musicians are still in the thrall of Beatlemania with their suits and boots.