TVNZ journalist (and future Communicado founder) Neil Roberts does an ethnomusicologist turn in this edition of "established media tries to explain what the young people are doing". His subject is NZ's fledgling punk scene which is already on its way to extinction. Much of the focus is on Auckland but Doomed lead singer (and future TV presenter/producer) Johnny Abort (aka Dick Driver) flies the flag for the south. The Stimulators, Suburban Reptiles and Scavengers play live and punk fans pogo and talk about violence directed at them (from "beeries").
In Episode Two of this series of The Big Art Trip, hosts Douglas Lloyd-Jenkins and Fiona McDonald visit the Grey Lynn home of painter Jacqueline Fahey and the downtown studio of photographer and rocketeer Yuk King Tan. Next they drive west to Laingholm and meet singer/songwriter Victoria (Taus) Girling-Butcher and her band Lucid 3. Then it’s back to Grey Lynn to meet artist John Reynolds and his oil stick paintings, and into the city to see the iconic Bushells sign and meet photographer Natalie Robertson, who is shooting a collection of NZ tea towels.
This first episode of the popular TVNZ Pasifika youth show is presented by brothers Nainz and Viiz Tupai (aka Adeaze), who are heading back to Samoa to play a post-Tsunami fundraising gig in the village of Lalomanu. Elsewhere, Vela Manusaute hosts Brown’n’around and is MC at Manukau PI festival Strictly Brown, before teaming up with Bella Kololo and Jermaine Leef to judge Fresh talent. Actor Jason Wu gets ready for the premiere of movie Matariki; the Samoan myth of Sina and the eel gets fresh retelling; and Bill Urale (aka King Kapisi) talks tatau.
This edition of Prime TV’s history of New Zealand television looks at 50 years of entertainment. The smorgasbord of music, comedy and variety shows ranges from 60s pop stars to Popstars, from the anarchy of Blerta to the anarchy of Telethon, from Radio with Pictures to Dancing with the Stars. Music television moves from C’mon and country, to punk and hip hop videos. Comedy follows the formative Fred Dagg and Billy T, through to Eating Media Lunch and 7 Days. A roll call of New Zealand entertainers muse on seeing Kiwis laugh, sing and shimmy on the small screen.
This 2014 documentary celebrates Māori Television’s first decade. It begins by backgrounding campaigns that led to the channel (despite many naysayers). Interviews with key figures convey the channel's kaupapa – preserving the past and te reo, while eyeing the future. A wide-ranging survey of innovative programming showcases the positive depictions of Māoridom, from fresh Waitangi, Anzac Day, basketball and 2011 Rugby World Cup coverage, to Te Ao Māori takes on genres like current affairs and reality TV (eg Native Affairs, Homai Te Pakipaki, Kai Time on the Road, Code, and more).
This TVNZ documentary captures the early days of NewstalkZB, shortly after Radio New Zealand gambled on relaunching it with an all talk format. Previous breakfast host Merv Smith has taken most of his audience to rival Radio i; his replacement is Paul Holmes. The former king of the Wellington airwaves is soon grappling to make an impact in Auckland. Competition amongst the stations is cutthroat, but Holmes is the focal point here. He’s under pressure and surrounded by a battery of often conflicting opinions. By 1988 he'd hauled the show from ninth to second in the ratings.
Taufa'ahau Tupou IV was crowned King of Tonga on his 49th birthday. This NFU film covers the lead up to and the entire ceremony on 4 July 1967. It was the first coronation in the island kingdom since Tupou’s mother, Queen Sālote, in 1918. Tongans from the outer islands had been arriving in the capital Nuku'alofa for a month. Dignitaries included the Duke and Duchess of Kent and New Zealand’s Prime Minister Keith Holyoake, plus opposition leader Norman Kirk. Director Derek Wright covers the ceremony with decorum, reflecting the dignity of the occasion.
In his third interview for Funny As, comedian and 7 Days presenter Jeremy Corbett discusses more singular comedic pursuits, including his extensive career in radio and TV. On top of mentioning how his university degree ran a “distant third” to DJing on Radio Massey and the capping revue, he talks about: Being part of the team that established Energy FM in New Plymouth — including Steven Joyce in his pre-MP days — and being the only one to leave early and miss out on becoming a millionaire Spending 18 years as breakfast host on More FM, then losing interest when radio became homogenised: the “oh I put the coloureds in with the whites in the washing machine, have you ever done that? Text us” moment The awkward moment where he played a tasteless parody song to singer John Mayer in a radio interview Memories of a comedy pilot with Paul Holmes and Mike Hosking, which turned into “a pissing contest between the two of them to be either the most knowledgeable or funniest” 7 Days being his "dream show”, the importance of the writers' room, and getting goosebumps watching the first show go to air Changing a te reo comedy routine on The Project, after taking on board feedback that the routine was “not particularly woke” — and the challenge of delivering the routine in Māori
Richard O’Brien made his mark in the history of musicals — and cult movies — after creating the tale of a sweet transvestite from Transylvania. The Rocky Horror Picture Show has played on cinema screens for decades. The stage show continues to win new fans. O’Brien has gone on to a wide range of projects, including movie Dark City and hosting New Zealand’s DNA Detectives and UK hit The Crystal Maze.
Derek Wooster is a veteran producer, director, reporter and writer who made milestone mainstream and Māori programming — from Mastermind to Marae — throughout his 30-year career with Television New Zealand. As well as creating and producing the country's longest running Māori current affairs series, Wooster has worked on significant national broadcasts including the tangihanga of Dame Whina Cooper and the Māori Queen.