Sixties talent show Have A Shot began as an Ian Watkins radio slot on 1ZB. The popular TV version began in Auckland in 1961, and expanded to include competitors in Wellington and Christchurch the following year. This final from 1964 sees eight regional winners compete for £300, by performing two prerecorded songs each. The judges are 200 voters from the four main centres. The listening is easy, across genres ranging from folk songs to country ballads. The host is radio veteran John Maybury. Note: the winner is not revealed. Have a Shot was replaced by New Faces in 1965.
TV One gave Aotearoa the chance to show it’s ‘got talent’ via two top-rating series of the UK-spawned format. This excerpt from the final of the 2013 season is the opening segment, where the last of the finalists are found, and host Tamati Coffey introduces the judges: model/actor Rachel Hunter, musician Jason Kerrison and international guest, choreographer Cris Judd (J.Lo's ex). The performers, ranging from a hip hop dance crew to an opera singer, compete for a Toyota RAV4 and $100,000 cash. The eventual winner was Renee Maurice from Wellington.
This Kiwi version of the Got Talent franchise scoured Aotearoa "on a mission to find a star". Topping the weekly TV ratings, the TV One series was hosted by weatherman Tamati Coffey, with Rachel Hunter, musician Jason Kerrison (Opshop) and UB40 frontman Ali Campbell as the judges. In this opening excerpt of the 2012 final, the last two contestants are chosen: people’s choice Dudley Fairbrass, and judge’s choice Logan Walker. They join 10 other finalists — including eventual winner, 15-year-old Clara van Wel from Blenheim — to compete for $100,000 and a Toyota Corolla.
New Zealand’s first global pop success story made one of its earliest screen appearances on this TV talent quest. The episodes are no longer preserved, but a family friend of the Finns pointed his Super 8 camera at the television screen. The clips are combined with the band’s memories from 2005 radio documentary Enzology. Split Ends (the ‘z’ came later) competed in the 18 November heat with ‘129’, and a week later in the final, miming ‘Sweet Talking Spoon Song’. They lost to Wellington's Bulldogs Allstar Goodtime Band, with a pre-Simon Cowell Phil Warren judging the lads “too clever”.
The very last grand final of Homai Te Pakipaki sees ten finalists from across the motu come together to sing their hearts out, with the hope of taking home a $20,000 cash prize (plus phone package). Broadcast live, the raw talent karaoke contest is hosted by Brent Mio and 2008 series winner Pikiteora Mura-Hita, with help from Pakipaki veteran Te Hamua Nikora. The winner is decided by whānau, iwi and the viewers at home via text vote. The guests include 2014 winner Lee Stuart, band Sons of Zion and IDentity Dance Company. There are also short clips of past show highlights.
DJ Neville (“Cham the Man”) Chamberlain hosts this episode from the first series of the NZBC’s nationwide search for stars. Judges Nick Karavias and Jim McNaught and guest Allison (“Queen of Pop”) Durbin preside over entries in the original song competition (all sung by Yolande Gibson); and the New Faces segment features vocal trio The Shevelles, a saxaphone quartet and 16-year-old country singer Brendan Dugan (the eventual winner of the series). A film clip of Wellington band The Avengers’ classic ‘Love Hate Revenge’ shows as the judges convene.
Launched on 5 April 1976, Winners & Losers heralded a new age in Kiwi screen drama. Indie talents Roger Donaldson and Ian Mune based their tales of success and failure on New Zealand short stories, after managing to negotiate funding from various government sources. Then the pair took the series to Europe, proving there was strong overseas demand for Kiwi stories. In the backgrounders, Mune recalls the show's origins. There are also pieces on its place in local screen history, and its 2018 restoration. Plus watch two video interviews on the series.
NZ On Screen’s Dunedin Collection offers up the sights and sounds of a city edged by ocean, and famed for its music. Dunedin is a bracing mixture of old and new: of Victorian buildings and waves of fresh-faced students, many of them carrying guitars. As Dave Cull reflects in his introduction, it is a city where distance is no barrier to creativity and innovation.
Great adverts are strange things: mini works of magic, with the power to make viewers smile, cry, and even buy. Kiwi directors have shown such a knack for making them, they've been invited to do so across the globe. But this collection is about local favourites; dogs on skateboards, choc bar robberies, ghost chips. NZ On Screen's Irene Gardiner backgrounds the top 10 here.
Billy Taitoko James is a Kiwi entertainment legend. His iconic ‘bro’ giggle was infectious and his gags universally beloved. This collection celebrates his screen legacy, life and inimitable brand of comedy: from the skits (Te News, Turangi Vice), to the show-stealing cameos (The Tainuia Kid), and the stories behind the yellow towel and black singlet.