Hello Sailor's time in the sun saw them spending time in Ponsonby, LA and Sydney, becoming a legendary live act, and releasing an iconic debut album. This collection features documentary Sailor's Voyage, founder member Harry Lyon's account of the birth of the band, and tracks from Hello Sailor, both together and apart. Some of the solo songs were incorporated into the group's live set after they reunited. Included are 'Blue Lady', 'New Tattoo' and 'Gutter Black’, later reborn on TV's Outrageous Fortune.
“You get the impression that Wellington wants an audience but doesn’t want to be seen to be trying too hard to get one”. This report surveys 1982's local music scene, framing tensions between an energetic politically-conscious underground, and commercial rock and pop (i.e. Auckland). Not all is positive, with complaints about lack of venues and promotion, and violence at gigs. Interviewees include Mocker Andrew Fagan, Nino Birch (Beat Rhythm Fashion), Dennis O’Brien, Ian Morris, promoter Graeme Nesbitt (in Radio Windy sweatshirt) and punk singer Void (Riot 111).
This NZ Music Month collection showcases NZ music television, spun from a playlist of classic documentaries and beloved music shows. From Split Enz to the NZSO, Heavenly Pop Hits to Hip Hop New Zealand, whether you count the beat or roll like this, there’s something here for all ears (and eyes). Plus music writer Chris Bourke gets Ready to Roll with this pop history primer.
More than 100,000 New Zealanders served overseas in World War l. Over 18,000 died; at least 40,000 more were wounded. Campaigns involving Kiwis, from Gallipoli to the Western Front, were identity-forming, and the war's effects on society were deep. The World War l Collection is an evolving onscreen remembrance. Military expert Chris Pugsley writes about the collection here.
For this Garageland video, British director Gina Birch filmed the band multiple times, before dissecting the footage and reconstructing it in segments. By splitting the screen equally into 12 squares, Birch creates some unusual distortions of time and space, including one head becoming two, and mirrors being used to dazzle the camera. The video was shot in London. Birch was a founding member of British post-punk band The Raincoats; she has gone on to direct videos for New Order, The Pogues, and The Libertines.
A bittersweet Auckland 'goodbye' from Kiwi post-punk band Blam Blam Blam, after bad luck stopped them in their tracks. In 1982 bassist Tim Mahon was seriously injured in a van accident and the band decided to call time. In 1984 they briefly reunited and recorded this Radio with Pictures special for a live album. The footage is intercut with reviews tracking their career, and a brief interview with Don McGlashan and Mark Bell. The euphonium takes centre stage for 'Don't Fight it Marsha...' and McGlashan takes over drums for alternative anthem 'There is No Depression in New Zealand'.
Beat Rhythm Fashion was a Wellington post-punk band formed in 1980 by brothers Dan and Nino Birch (who had grown up in Hong Kong). They were part of the “Terrace Scene” (centred on large, old flats near Victoria University) but the finely crafted, swirling sophistication of their sound set them apart from more aggressive musical neighbours. After signing with Mike Alexander’s Bunk label, they released three well received singles — but a projected move to Australia failed to eventuate and an August 1982 gig at Wellington’s Clyde Quay Tavern was their last.
Mike Chunn's post-Split Enz band was formed as a vehicle for his brother Geoff's songs and this single from their second album is the one they are best remembered for (placing 97th in APRA's 'Nature's Best' Top 100 NZ songs in 2001). It's a classic car-as-metaphor-for-love song (although the model in question sounds like it needs some work). The line "come and come get you" is apparently a sly reference to the very continental VW Kharmen Ghia. This TVNZ studio video captured their live energy but inexplicably put them in a graveyard set much to the band's dismay.
Band in the forest rock conventions rule, in this music promo from British video director Gina Birch (of post-punk outfit The Raincoats). Band parks their tour van in the forest; band gets out instruments, and plays song in and around (and on top of) van, and on nearby tree stumps; band clowns around and runs through the trees. It's all good natural fun, in the Flying Nun tradition of simple but effective music videos.
After the classic line-up of Sydney-based hitmakers Dragon reformed in 1982, the band found a new lease of life when anthemic single 'Rain' got to number two on the Australian charts (at a time of severe drought). 'Rain' was a departure — written by Todd Hunter and his wife Joanna Piggott, instead of Dragon's songwriter supreme Paul Hewson. The video offers more evidence of a new look, thanks to drummer Terry Chambers (fresh from XTC) and US keyboardist and producer Alan Mansfield. The video is one of three made for 'Rain' — the band rejected a post-apocalyptic version.