Great adverts are strange things: mini works of magic, with the power to make viewers smile, cry, and even buy. Kiwi directors have shown such a knack for making them, they've been invited to do so across the globe. But this collection is about local favourites; dogs on skateboards, choc bar robberies, ghost chips. NZ On Screen's Irene Gardiner backgrounds the top 10 here.
Programmes featuring the immortal Count Homogenized are among the most-requested by visitors to NZ On Screen. Homogenized - a vampire with a white afro and cape and a lust for milk - made his debut in this children's show, ultimately going on to star in his own series. In this early episode the Count turns up at Major Toom's haunted house on his unending search for bovine liquid sustenance, and befriends Toom over some wine. Shark in the Park actor Russell Smith's mischievous Count has lodged itself in the hearts of many Kiwis of a certain vintage.
Florian Habicht shot Liebesträume ('love dream' in German) on a windup Bolex 16mm camera. His decision to record the dialogue separately enhances the surreal feel of this tale of suburban desire. A paper boy is invited in for a glass of milk by an elderly man (played by Habicht's father, photographer Frank Habicht). Then Frank's alluring partner Donna enters the scene. Habicht rejects traditional narrative in favour of juxtaposition and dark humour. The film is not to be confused with Habicht's 2000 feature Liebesträume - The Absurd Dreams of Killer Ray, about late entertainer Killer Ray.
In this 1982 short film, Harry (Goodbye Pork Pie's Kelly Johnson) and Pheno (Donogh Rees) are bored Wellington rebels on a crime spree: tagging, stealing art and hijacking a bus to the badlands of nearby Makara Beach. It was the era of Muldoon, Springbok Tour protests, spacies and dole queues. The film captures the disillusionment of its youth, especially in the outcome of the duo's pursuit by a tyro cop (Duncan Smith). Johnson was fresh from Pork Pie, and Donogh Rees a young actor on the rise. Director Richard Riddiford went on to helm features Arriving Tuesday and Zilch.
Director Chris Graham toys with black and white in this performance-based clip, which accompanies possibly New Zealand's best-known remix. Graham shoots Scribe and company in colour, but apart from skin tones makes every ‘colour’ used either black or white: including the hoodies, caps, milk bottles ... and the dog. Film speed is tweaked to the beat, and the result is monochrome magic. Scribe is joined by a crusading crew of Kiwi hip hop luminaries (Savage, P-Money, David Dallas/Con Psy). 'Not Many' originally topped the charts as half of a double A-side, alongside 'Stand Up'.
The set has a back-drop curtain made out of milk bottle top foil; the band are wearing plastic rubbish sacks fashioned into tunics, and have painted faces. The props include a disco mirror ball, a toilet seat sculpture, a giant bug, and umbrellas. It's all slightly off-beam, but the band's performance is deadpan sweet. There’s the requisite Flying Nun film scratching, and some literal-but-amusing image and lyric matching. It all combines to make a DIY delight, an effortless two decades before Flight of the Conchords or Mighty Boosh.
This classic ad was made on a shoestring budget: milk bottle silver caps stood in for soldier’s dog tags and a Wellington quarry apes a Korean War-zone of the evergreen MASH TV series (from the naming of “O’Reilly” at the top of the mail call through to the 1953 country and western tearjerker used in the soundtrack, sung by Jacqui Fitzgerald and adapted by Murray Grindlay). The anachronism of cassette tapes in Korea proved a charming twist on the traditional ‘Dear John’ letter; and the ad was later voted Best Australasian commercial of the 80s.
Barbara Magner won many fans when she brought her lively, personable style to 60s era magazine show Town and Around. Born in the Waikato, Magner began her broadcasting career on state radio, then in the 60s moved into continuity announcing on television. Further television gigs followed into the 70s. Magner passed away on 12 July 2014, at the age of 77.