Sally Tran's characteristic attention to detail, a kooky concept and delightful fairytale flavour shrewdly enrich the artist's track, while conscientiously keeping the entire production largely recyclable. "There are four different sets in the video and we moved from one to the other in quick succession, shooting the whole thing in a few hours. Everything you see in the video is made of cardboard. Even the instruments (and our bow-ties!). The drums were particularly impressive." Matt Pender - Feb 09
Prolific music video director Jonathan King delivers a simple but finely-executed clip with this anthem for the jilted. Although the band act like nothing is wrong and pull off an artful mime, it soon becomes clear that they have no instruments. Shot in extremely narrow focus, singer Julia Deans' sometimes wistful, sometimes sneering performance matches the brooding tone of the song, which topped the Kiwi charts despite initial disinterest from mainstream radio. The clip was shot at Verona Cafe on Auckland's K Road. 'Lydia' marked the third single from the band's first album Pet.
This soulful invocation, sung in te reo, to Tangaroa — Māori god of the sea — comes from singer-songwriter Maisey Rika's third album. The instrumentation includes a string quartet and traditional taonga pūoro instruments played by Mahuia Bridgman-Cooper. Director Shae Stirling’s music video has a vibrant clarity. It places Rika in the bush and the forest, in the surf and on the smouldering, volcanic landscape of Whakaari/White Island as she hails Tangaroa as commander of the tides while dolphins and whales provide further evidence of his life force.
Director Justin Pemberton takes this love song by Paul Casserly and Fiona McDonald (from fourth Strawpeople album Vicarious) and transforms it into an exercise in noir influenced, brooding unease. His video takes place over a night at a rural motel (with McDonald as a receptionist, and Casserly up to no good with a range of medical equipment). A tarot card-reading, yoga-practising new-ager, a traveller with unexplained cages, and random appearances from stringed instrument-playing senior citizens contribute to the growing sense of disquiet.
Named after the German word for a type of gas chamber used in Nazi concentration camps, 'Gaskrankinstation' was the first single off Headless Chickens' second album Body Blow. Actor Peter Tait (Bogans, Kitchen Sink) stars as gas station attendant Ivan, whose desperate monologue drives the track, while the band play some comically tortured-looking instruments in the parking lot. Anita McNaught also makes a cameo appearance as the "lady newsreader" of Ivan's affections.
Winning Best Overall Video at the 2006 Radio Active Handle the Jandal Music Video Awards, Charlie ASH certainly made a splash with their debut video by director Sally Tran. The delightfully ramshackle clip for the raunchy number channels the DIY fantasy spirit of Michel Gondry as Rosie Riggir and the band inhabit a CASH-in-wonderland world of cardboard and cellophane sets, animation and colour. Caution: contains fondling of oversized instruments.
Band in the forest rock conventions rule, in this music promo from British video director Gina Birch (of post-punk outfit The Raincoats). Band parks their tour van in the forest; band gets out instruments, and plays song in and around (and on top of) van, and on nearby tree stumps; band clowns around and runs through the trees. It's all good natural fun, in the Flying Nun tradition of simple but effective music videos.
The Datsuns make international touring look so easy. Sporting a home movie look, Stuck Here For Days kicks off with a blues slide guitar riff as Dolf, Christian, Phil and Mat Datsun travel to new, exotic locations via vans and planes. A slightly sped up travelogue follows them around international cities, as the boys check into their rooms, set up their instruments and play frenzied gigs in sweaty venues and packed festivals. Look out for Dolf, cool as a cucumber, emerging from a beer fridge.
If the Wool Board rocked, Steriogram’s ‘Walkie Talkie Man’ video would be the result. It uses wool to create people, instruments and tall buildings. A King Kong-like character scales Hollywood’s Capitol tower to kidnap singer Tyson Kennedy: inevitably, this warm fuzzy has to unravel. The ingenious stop-motion animation was made in New York by Frenchman Michel Gondry (director of feature Eternal Sunshine of the Spotless Mind, and notable promos for Radiohead and Beck). The video – and the song’s use in an iPod advert – brought Steriogram worldwide exposure.
Bressa Creeting Cake's jaunty calypso romp, described by the band as "a very happy holiday song full of gaiety, summer, and love for one's fellows", gets a suitably madcap treatment in this video directed by Michael Keating and band member Edmund McWilliams (aka Ed Cake). Actor and comedian Jonathan Brugh (What We Do in the Shadows) gets to mug for the camera while the band lurks in the background in their "sinister suits". Auckland's Little Shoal Bay, near the Harbour Bridge, is the opening location, and elsewhere, a guitar is used as a percussion instrument.