Graeme Wilson began working in New Zealand television in the 1960s. Later he was one of the very first members of TVNZ's Natural History Unit (now NHNZ). Wilson stayed on in state television through many changes, revamps and alterations — a number of which he was asked to introduce— before heading up an international broadcasting network Jupiter Television in Japan.
Director Tony Hiles has been making films and documentaries since the mid 1960s; from helming TVNZ staples such as Country Calendar, to independent docos whose subjects have ranged from the making of Peter Jackson's Bad Taste to architect Bill Toomath, and an ongoing series of films involving artist Michael Smither. In 1996 he won an NZ Film best director award for his debut feature Jack Brown Genius.
Pat Robins has been active in the screen industry since the 1960s, across varied behind the scenes roles. In the early 70s Robins, her then husband Geoff Murphy and their children took to the road with musical collective Blerta. After production managing on classics like Goodbye Pork Pie, Utu, and Ngāti, she first stepped out on her own as a director in 1985, with her first short Instincts.
John Shrapnell began working in New Zealand television in the 1960s. His career as a journalist, reporter, director, editor, producer and actor spans nearly half a century.
Roger Hall began writing and acting on television in the late 1960s. In 1976 his debut play Glide Time became a sellout. Later Hall turned this satire of bureaucrats into Gliding On, arguably New Zealand's most successful sitcom to date. Play Middle Aged Spread became a film in 1979. Hall went on to write marital comedy Conjugal Rights for English television. He remains the country's most successful playwright.
Sometimes referred to as the Godfather of New Zealand music TV, Kevan Moore was behind some of the iconic entertainment shows (Let's Go, C'mon) of the 1960s and 70s. Joining television at its birth, Moore was also responsible for shaping early current affairs content (eg Town and Around), and devising popular astronomy show The Night Sky.
Yorkshire born and raised, Austin Mitchell began winning attention in New Zealand by hosting current affairs shows in the 1960s, while teaching history at Otago University. Back home in England, he began an eight year run as a television journalist, and wrote 1972's The Half-Gallon Quarter-Acre Pavlova Paradise, a love letter to New Zealand which became a Kiwi bestseller. Thirty years later Mitchell returned to see how the country had changed. The result was TV series and book Pavlova Paradise Revisited. Mitchell began a 46 year political career in 1977, as Labour MP in the English seat of Grimsby. He retired in 2015.
Alison Holst (DNZM, CBE, QSM) has been a household face since the early days of New Zealand television, when her debut show, Here’s How: Alison Holst Cooks, was an instant hit. Her mission was to cook for ordinary people, use uncomplicated ingredients and stick to a budget. Rejecting her unliberated image, she aimed to get women out of the kitchen by making cooking simple.
Tying David Stevens' career down to a single nation or genre is a challenge. Stevens grew up in Africa and the Middle East, studied acting in the UK, then began his screen career in NZ. In 1972 he directed award-winning drama An Awful Silence, then moved to Australia. There he was Oscar nominated for co-writing movie Breaker Morant, and forged a busy career directing (A Town Like Alice) and writing (The Sum of Us).
Canadian Joe Cote was travelling the world on his OE when love led him to New Zealand in 1965. He landed a job at the NZ Broadcasting Corporation soon after; initially he wasn't allowed on air because of his accent. In 1970 Cote moved into TV, presenting current affairs show The South Tonight. He also worked on Gallery and Inquiry. Cote became the inaugural presenter for National Radio's Morning Report in 1975.