Harold Kissin ran coffee bars, theatres and transport companies, and performed on stage and screen. From 1974 to 1981 he was a key force behind Auckland's New Independent Theatre, alongside acting roles on pioneering Kiwi soap Close to Home, and classic series Winners & Losers. His acting career continued after he moved to Australia in 1982. Kissin passed away on 8 September 2004. Image credit: Joel Kissin
Hugh Macdonald began his long, award-studded career at the National Film Unit, where at age 25 he directed ambitious three-screen spectacular This is New Zealand (1970). It was seen by 400,000 New Zealanders. In the 1980s he produced Oscar-nominated short The Frog, the Dog, and the Devil and set up his own company, continuing a busy diet of train documentaries, commercial films and animation.
Claude Wickstead started working at the Government Film Studios in 1938. After serving in WWll, he joined the National Film Unit’s sound department, where he contributed to the soundtracks of a great many films including the long-running series Weekly Review and Pictorial Parade. He was in charge of the NFU Sound Department from 1951 until his retirement in 1977.
New Zealand’s first left-wing documentary filmmaker, Cecil Holmes achieved notoriety in the late 1940s through the highly publicised exposure of his communist activity as a Public Service Association (PSA) delegate in the National Film Unit. He went on to become a significant film director in Australia.Image credit: Alexander Turnbull Library, 1/2-023573; F (detail)
Chairman of company Greenstone TV, Richard Driver first broke into television as host of music show Radio with Pictures. After directing documentary Hokonui Todd, the ex singer ran production company Visionary TV and produced music series Give it a Whirl and award-winner Love, Speed and Loss. He went on to create and programme Sky TV's Documentary Channel for four years, before selling it to the BBC.
Ted Coubray was one of Aotearoa's earliest filmmakers to sustain a full-time career. In the 1920s he began filming local events for screenings in town halls around the Manawatū. He went on to shoot a number of feature films, including his own hit Carbine's Heritage. When sound hit the film industry in the late 20s, the inventive Coubray pioneered his own sound on film system, Coubray-Tone. He died on 10 December 1997. Image credit: taken from Geoff Steven documentary Adventures in Māoriland
Selwyn Toogood hit the big time with It's in the Bag, a long running quiz show which he originated on radio and later took to television. His catch cry, "the money or the bag?" has become part of New Zealand folklore. He was also the self-described thorn between four roses, as host of daily panel show Beauty and the Beast.
Craig Little was one of the first local television stars created by the highly successful regional news shows in the 70s and 80s. In 1970, he took over the presenter’s role on Auckland’s This Day but resigned three years later, tired of constant public attention. He also presented Top Town and New Faces, and worked in radio. Little ran his own PR company, and held positions in Auckland local government.
Television veteran Robert Boyd-Bell's eclectic screen career includes 14 years in journalism, followed by time in academia, public service TV, and producing. Which is not to forget writing landmark book New Zealand Television – The First 25 Years. Boyd-Bell joined the state broadcaster in 1965, and later headed TV One's northern newsroom. He also has an extensive involvement in delivering programmes online.
Colin McKenzie joins Rudall Hayward and Ted Coubray as one of the earliest New Zealanders to make feature films on Kiwi soil. McKenzie was a technical innovator, responsible for a number of international filmmaking firsts. His unfinished epic Salome finally premiered in 1995, six decades after his death.