Nigel Latta is a clinical psychologist and popular TV presenter who has made a range of television shows exploring the human condition. His first foray into television was series Beyond the Darklands, which explored some of New Zealand’s worst crimes and the people behind them. He then hosted three series of Politically Incorrect Guides, which variously covered parenting, teenagers and grown-ups. His documentaries have taken him to Antarctica, up in helicopters, and led him to blow up various objects.
In this two-part Lookout documentary from 1983, critic Hamish Keith explores how New Zealanders have housed themselves over the 20th Century. This first part builds to 1935: it begins in Auckland War Memorial Museum, with Keith asking how Kiwis would represent themselves if they were curators in the future. He presents the state house as the paramount Kiwi icon, and examines the journey from Victorian slums and Queen Street sewers to villas, bungalows and suburbia; plus the impact on housing of cars, consumerism, influenza, war, depression, and new ideas in town planning.
One shaggy dog, dozens of humans, and a smorgasbord of Kiwi scenery: viewers were glued to the screen for this TV One promotional campaign, which began screening in August 1991. The six-part promo followed a lovable sydney silky poodle cross travelling the country by car, train and paw. En route, roughly 50 Kiwis make blink and you'll miss it appearances: including sporting figures, local townspeople, and 20+ TV personalities (see backgrounder for more info, and clues on who is who). The popular promos were directed by Lee Tamahori, before he made Once Were Warriors.
Recut from material shot at least five years before, this National Film Unit short appears to have been driven by the Tourist and Publicity Department. Coming in for praise are New Zealand’s primary exports (farm products), road and railways, and social security. In the 50s long distance air links were opening NZ up to the world but international tourism was not a major industry, and NZ was focused firmly on agriculture. People are shown farming, “a little unsmiling” on city streets, and at play (fishing, sailing and skiing). Kids drink milk and Māori are assimilating.
Six-part drama Ride with the Devil explores Auckland's boy racer culture — as experienced by a young Chinese car fanatic. Lin (Andy Wong) befriends ex-con car expert Kurt (Westside's Xavier Horan), but they both end up in court after a street race crash. Longtime petrolhead Murray Keane created the show (which won a Qantas TV Award for its camerawork). Keane first made a pilot called Burnout, but the project won funding from NZ On Air's Innovation Initiative after he added an Asian family into the story. Ride with the Devil screened late on Tuesday nights on TV2.
Colin Broadley was part of the Kiwi soundtrack during a decade of dramatic change. A DJ on NZ's first pirate radio station, he was also hunky star of Runaway, the first local movie in 12 years. In 1986 'whatever happened to' style series Then Again found him in the Coromandel, where he was tending bees and living back to the basics. Broadley talks exciting times on the Radio Hauraki boat, and inside a cell; the perils of kissing Bond girl Nadja Regin in the Opononi mud; a near-fatal crash; visits to China, and his belief that modern day economics and land use are unsustainable.
A father attempts to discipline his son for throwing orange peel out the window on a summertime car-trip. Said director Jane Campion of the film: "I knew these people who all had red hair and they were part of a family. They were also alike in character, extreme and stubborn. Their drive in the country begins an intrigue of awesome belligerence." This tale of domestic tension might have been subtitled "gingernuts". At the 1986 Cannes Film Festival Peel won the Palme d'Or for Best Short Film (1986) making Campion the first woman (and only New Zealander) to achieve the honour.
This 2003 documentary follows seven weeks of a theatre-for-change course for troubled teens. As part of acclaimed programme Te Rākau Hua O Te Wao Tapu, 30 teens from South Auckland's Northern Residential Centre are guided by director Jim Moriarty to create songs and plays based on their own stories. The process, from performing haka to confronting their demons and each other, proves challenging. Some don't make it to the opening night, performing in front of family and the public. Stewart Main's documentary screened as part of TV3's Inside New Zealand.
Made for the 75th anniversary of the Tourist and Publicity Department, this National Film Unit short film surveys New Zealand tourism: from shifts in transport and accommodation, to how Aotearoa is marketed. The "romantic outpost of Empire" seen in 1930s promotional films gives way to a more relaxed, even saucy pitch, emphasising an uncrowded, fun destination. Middle-earth is not yet on the horizon; instead Wind in the Willows provides literary inspiration. Directed by Hugh Macdonald (This is New Zealand), it screened alongside Bugsy Malone and won a Belgian tourist festival award.
Ainsley Gardiner (Te-Whānau-a-Apanui, Ngāti Pikiao, Ngāti Awa) fell in love with the magic of the big screen while growing up in Whakatane, where you could find her most Fridays at the local cinema catching the latest release. Her first formal foray into film and television came in 1995 when she joined producer Larry Parr at Kahukura Productions, eventually producing low budget feature Kombi Nation (2003) and co-producing the 26-part comedy/drama TV series Love Bites (2002). Following the demise of Kahukura, Gardiner teamed up with Taika Waititi to work on Oscar-nominated short film Two Cars, One Night. Soon after that she established Whenua Films with actor/producer Cliff Curtis. Together the trio struck creative gold with World War II short Tama Tū, Waititi's debut feature Eagle vs Shark and box office hit Boy.