Veteran actor Roy Billing has acted in so many films, TV shows and plays, his CV runs to more than 10 pages. Often cast as the straight-talking everyman, Billing has also provided award-winning screen portrayals of rugby-playing priests (Old Scores), drug barons (Underbelly), small-town mayors (The Dish) and avuncular judges (Rake).
One of the things I love about acting is that you never know what is coming up next. I could be twiddling my thumbs in Sydney one week and the next, be working on a film in the outback. Great for my airpoints tally! Roy Billing
This award-winning short revolves around a Māori women’s rugby team. Rising star Phoenix (newcomer Ngawaea Taia) has to negotiate motherhood, her mateship with the crusty old coach (veteran Roy Billing), and her feelings for the captain (Maria Walker). Directed by Tim Worrall, and filmed in his Rotorua hometown, the short was one of six selected by director Christine Jeffs for 'New Zealand’s Best' at the 2015 NZ International Film Festival. Jeffs praised the film as "realistic and full of feeling". Worrall won Best Short Script at the 2015 SWANZ (NZ Writers Guild) Awards.
When this popular TV One comedy-drama about misbehaving real estate agents debuted in 2013, it copped flak from real estate bosses for perpetuating negative stereotypes about the industry. Agent Anna follows Anna Kingston (played by Robyn Malcolm, who also came up with the series idea), whose husband has left her and their two teenage daughters. Needing work, Kingston turns to selling houses in Auckland's cutthroat market. The programme ran for two seasons. Theresa Healey (Shortland Street), Adam Gardiner (movie Hopeless) and Roy Billing (Old Scores) co-star.
Anna Kingston (Outrageous Fortune's Robyn Malcolm) isn't having a good year: her husband has left her and their two teenage daughters, forcing her to relinquish a pampered lifestyle to return to work. Devised by Robyn Malcolm, this TV One comedy-drama follows Kingston as she tries to sell real estate and live with her parents. Her rich friends give her the cold shoulder, and her sleazy work colleague Leon Cruickshank (Adam Gardiner from movie Hopeless) proves he can't be trusted. Rejected by everyone, Kingston turns to self-help CDs for inspiration: "I deserve to win".
This 2012 comedy series follows city slicker lawyer Will (Toby Sharpe) who inherits guardianship of his half-sister Lily, a stately house, a greyhound (the notoriously named Lundydixonwatson) and its live-in trainer Marty. Will’s life goes to the dogs as he enters the low-rent world of greyhound racing. The downlowconcept production won wide acclaim; On the Box’s Chris Philpott thought it New Zealand's best scripted TV comedy to date, as did the Herald's Chris Schulz. Hounds won Best Comedy at the 2012 NZ TV Awards. The six-part season screened at 10pm Fridays on TV3.
Twenty three years after Foreskin's Lament became a Kiwi cause célèbre, writer Greg McGee brought his classic play to television. Skin and Bone "asset strips" and updates the story to reflect rugby (and society's) evolution. Here Seymour (Outrageous Fortune's Antony Starr) — falteringly pursuing a professional career — returns home to play a last game for his rural club side. The brutality he witnesses leaves him questioning the morals of the code. The role of the old guard coach is reprised by Roy Billing, in McGee's opinion "the first and definitive Tupper".
The Strip centres around 30-something Melissa (Luanne Gordon), who sheds a legal career to set up a male strip revue. Created by Alan Brash, The Strip played to a certain demographic's desire for ogling naked men (warmed up by 1987 play Ladies Night and 1997 film The Full Monty), but with a focus on female characters, as Melissa juggles business with raising a teenage daughter. Taking cues from Ally McBeal (with fantasy sequences to match) the Gibson Group tale of g-strings, feminism and red light romance screened for two series on TV3 and sold internationally.
This series centred on a weekly TV current affairs programme in mid-90s Wellington. Katie Wolfe stars as stroppy journalist Amanda Robbins: lured back from Australia for her tabloid style in an effort to boost the show's ratings. Tackling timely storylines and shot ‘handheld’ in the NYPD Blue-inspired style, the TV3 series was well reviewed but faced its own ratings struggles (a later series screened on TV One). It was Gibson Group’s second foray into producing a TV drama series, after Shark in the Park. A pre-Lord of the Rings Fran Walsh was a series writer.
Billy T’s unique brand of humour is captured at its affable, non-PC best in this compilation of skits from his popular 1980s TV shows. There’s Te News (“somebody pinched all the toilet seats out of the Kaikohe Police Station...now the cops got nothing to go on!”) with Billy in iconic black singlet and yellow towel; a bro’s guide to home improvement; skits about first contact, and a take off of Miami Vice. No target is sacred (God, the IRA, the talking Japanese sketch) and there are classic advertising spoofs for Pixie Caramel’s “last requests” and Lands For Bags’ “where’d you get your bag”.
This posthumous series — produced by Ginette McDonald — collects segments from Billy T’s long running skit based comedy series. Some of his most cherished creations are here: the giggling Te News newsreader, Cuzzy in his black shorts, and the chief bemused by Captain Cook. Support comes from a seasoned cast including Peter Rowley, David Telford and Roy Billing (with cameos from Bob Jones and Barry Crump). Some of these skits are essentially elaborate setups for one line jokes but Billy T’s infectious warmth and good humour inevitably carry the day.
A death-bed confession from a touch judge leads to a repeat of a test match between the All Blacks and Wales played 25 years earlier — with the same players. Before the footy, a former Welsh star is forced to face up to a past romance. Mateships and rivalries are rekindled in this genial "what if" yarn, that celebrates and satirises two nations' rugby obsessions. It won best screenplay and supporting actor (John Bach) at 1992's NZ Film Awards. The cast saw former All Blacks and Welsh rugby reps playing alongside acting greats from both countries.
This Richard Riddiford-directed comedic thriller plays out in pre-crash 80s Auckland with the CBD skyline changing daily, brick-sized phones, shadowy corporations on the rise and the share market on everyone's lips. With a second harbour crossing due to be announced, a telephone operator (future events maestro Mike Mizrahi) and a waitress moonlighting as a dominatrix (Lucy Sheehan) become ensnared in a web of corporate greed and blackmail. Chris Knox contributes the soundtrack, and extensive outdoor sequences include a memorable chase scene at Kelly Tarlton’s.
Comedy series Porters featured an impressive cast. George Henare, Peter Bland (star of Came a Hot Friday), Bill Johnson (Under the Mountain) and Stephen Judd (Bridge to Nowhere) starred as a cynical team of hospital porters who share no love for their boss (Roy Billing). In the hope of lifting the standards of Kiwi comedy, the makers of this 80s television series imported Emmy award-winner Noam Pitlik (Barney Miller, Taxi) from the US to direct. The series made comedy from hospital romances, missing patients and union representation. Only six episodes were made.
Created by actor/writer Jonathan Hardy, comedy series Porters was based around a group of porters working in a big city hospital. This episode features an early screen appearance by Rima Te Wiata (Hunt for the Wilderpeople); she guest stars as a worried nurse who calls on junior porter Peter (Stephen Judd from Bridge to Nowhere), after hearing some strange noises on the night shift. An encounter in the mortuary awaits. The episode also includes appearances by fellow porters George Henare, Peter Bland and Bill Johnson, with Roy Billing playing their long-suffering boss.
There's panic on the streets as 19-year-old tearaway Ska (Matthew Hunter) comes to terms with love and death in Auckland's 80s urban underworld. After an ultimately tragic attempt to 'rescue' his prostitute sister, Ska plots revenge at a rock gig ... with riotous results. Directed by Bruce Morrison when broken glass was still on the ground from the Queen Street riot, the film was inspired by a story from 16-year-old Richard Lymposs. In this teen spirit-infused excerpt, street-fighter Ska saves rich girl Stacy (Kim Willoughby), and meets her classy parents.
In this episode of the kids’ adventure series, 12-year-old hero Terry Teo has stumbled on a gunrunning operation. The baddies — boss Ray Vegas and villainous sidekicks Curly and Blue — are hunting for him; and Terry’s brother and sister are doing their best to help, ending up in Kaupati in the most Kiwi holiday park ever. Meanwhile, more information emerges about the mysterious, but dim, Thompson and Crouch as they report to their boss (played by none other than real life ex PM Sir Robert Muldoon) — and Billy T James is turning out to be a very cultured bikie.
In this episode of the larger-than-life kids' drama series, action moves to the punningly-named town of Kaupati where crime boss Ray Vegas and sidekicks Curly and Blue are expecting a weapons delivery (in well-labelled cardboard cartons). They’ve also abducted Terry Teo after he stumbled on their cunning plan. Meanwhile, Terry’s sister and brother are in pursuit, Thompson and Crouch are looking highly conspicuous in their quest for stealth, the bikies are discussing Hegel — and the Kaupati cop could be the dimmest bulb in the chandelier so far.
In this episode of the 80s kid’s TV drama, matters are coming to a head. Terry Teo and brother Ted and sister Polly, criminal mastermind Ray Vegas and his henchmen Blue and Curly, government agents Thompson and Crouch, the bikies and the local policeman continue to chase each other around rural Kaupati. What Thompson and Crouch lack in intelligence, they make up for in costume changes; and Spud (Billy T James) is now quoting Byron to his bikies. The constable is dimmer than first suspected — but old salt Captain Shaddock’s aim is true.
The series finale in this 80s children’s drama begins with hero Terry Teo once again in the clutches of the evil Ray Vegas and sidekicks Blue and Curly. While Terry is held hostage by the gang, local cop Sergeant Wadsworth calls for back up — but reinforcements seem to have come from Keystone rather than HQ. Blue reveals an unexpected facility with heavy weaponry and humanity in amongst the pyrotechnics, but will the forces of good, and Polly’s karate skills and commonsense, be enough to get the Teo siblings back home for mum’s roast dinner?
Shot on location, Inside Straight‘s colourful portrait of Wellington’s underworld helped usher in a new era of urban Kiwi TV dramas, far from the backblocks. Phillip Gordon (Came a Hot Friday) stars as Steve Keenan, the everyman learning the ways of the city from taxi driver Roy Billing. In this episode, Steve finds himself on the run from dodgy gamblers, while trying to raise $5000 to enter a high stakes card game. Meanwhile another card-player has hit town: conman Nick (Bruno Lawrence), who quickly starts romancing Steve’s sometime girlfriend (Joanne Simpson).
After adapting the slimy transmogrifying Wilberforces of Maurice Gee novel Under the Mountain for the small screen, scriptwriter (and future sci-fi novelist) Ken Catran returned with his own tale of kids and extraterrestrial contact. The series follows holidaying teen Gretchen (Sarah Dunn) trying to unravel the mystery of a weathervane — a "daisy rod" which seems to have otherworldly powers — and curious objects found in a tapu swamp. Backing up this girl-power sci-fi adventure are Catherine Wilkin, Roy Billing and Utu star Zac Wallace.
After adapting Maurice Gee classic Under the Mountain for TV, writer Ken Catran wrote his own tale of teen extraterrestrial contact. While holidaying with relatives in the country astronomy-mad Gretchen discovers that a farm weathervane has mysterious powers. In this second episode of the girl-power sci-fi series, the weathervane does strange things to cars and appliances; and Gretchen and local scallywag Ronny discover a secret in a tapu swamp threatened by development. Actors Zac Wallace and Roy Billing feature, and future weatherman Jim Hickey cameos.
“The funniest, liveliest, most exuberant film ever made in New Zealand”. So said critic Nicholas Reid, a year after Came a Hot Friday became 1985's biggest local hit. Though Billy T’s loony Mexican-Māori cowboy is beloved by fans, he is but one eccentric here among many — as two scheming conmen hit town, and encounter bookies, boozers, country hicks, nasty crim Marshall Napier, and Prince Tui Teka playing saxophone. Until the arrival of The Piano in 1993, Ian Mune and Dean Parker’s award-loaded adaptation remained NZ's third biggest local hit. Ian Pryor writes about the film here.
This episode of New Zealand's own office comedy sees John (Ross Jolly) concluding that a love of stamps makes the boss (Ken Blackburn) a natural fit for Mastermind — next thing, the stores branch staff are gathering around with imaginary cameras and desk lamps, to help him practise for the pressures of facing quiz master Peter Sinclair. Meanwhile the team try to score another victory by getting an astrological chart made for a racehorse. Roger Hall's sitcom about public servants was a bona fide hit, long before Rogernomics and Ricky Gervais in The Office.
Shot on location in Wellington, often after dark, Inside Straight helped usher in a new era of Kiwi TV dramas, far from the rural backblocks. This Minder-esque portrait of Wellington’s underworld was inspired by writer Keith Aberdein’s experiences as a taxi-driver and all night cafe worker. Phillip Gordon (soon to win fame as a conman in Came a Hot Friday) stars as the former fisherman, learning the ways of the city from veteran taxi driver Roy Billing. A solid but unspectacular rater over 10 episodes, the show was scuttled by the launch of trucker’s tale Roche.
Pioneering poet, author and journalist Robin Hyde was originally Iris Wilkinson. Directed by Tony Isaac (The Governor), this ambitious co-production for television mines quotations from Wilkinson's writing to dramatise her life. In a parallel plotline, a writer, actor and director wrestle with how to capture Iris on screen. For Australian Helen Morse (Picnic at Hanging Rock) playing Iris was a privilege — and her "most difficult" role to date. Morse concluded that Iris was "extraordinarily vulnerable emotionally". This excerpt includes a cameo by the writer's real life son Derek Challis.
For the third series of this TVNZ kidult drama, the location moved from the Hauraki Gulf to the Marlborough Sounds, where there's also plenty of water for floatplane and speedboat thrills (and an explosion). Brothers Peter, Nik and Hape — the "sea urchins" — attempt to foil a thuggish gang of tuatara and kākāriki smugglers, led by cravat-wearing evil mastermind, Carl. The urchins are aided on the ground and in the air by a young Rebecca Gibney (the Packed to the Rafter's star's first major TV role), while future broadcaster and Wiggle Robert Rakete plays Nik.
This pirates of the South Seas tale stars Tommy Lee Jones (Men in Black, The Fugitive) as rogue Bully Hayes, who helps a missionary save his kidnapped-by-savages wife. Produced by Kiwis Rob Whitehouse and Lloyd Phillips (12 Monkeys, Inglorious Basterds), the film was made in the 80s ‘tax-break’ feature surge and filmed in Fiji and New Zealand (with an NZ crew and supporting cast). John Hughes (Breakfast Club) and David Odell (Dark Crystal) scripted the old-fashioned swashbuckler from a Phillips story. It was released by Paramount in the US as Nate and Hayes.
In Geoff Steven's Kiwi riff on the European art film, a vulcanologist (Brit character actor Nigel Davenport) roams the Volcanic Plateau accompanied by a journalist, a photographer and escapees from a cholera quarantine. Steamy philosophical musings and symbolic intent made for a marked departure from the realism of the NZ feature film renaissance (e.g. Steven’s own Skin Deep). The second feature produced by John Maynard (The Navigator), this moody allegorical tale was co-scripted by Czech writer/designer Ester Krumbachova and Czech-based Kiwi Michael Havas.
Written by Tom Scott, Press for Service is a humorous take on the shenanigans of the parliamentary press as they battle with the prime minister over their journalistic freedom. With the idealism, sleaze and alcoholism, that traditionally go hand and hand with the job, we follow David Miller; striving to be a respected journalist. Miller writes a damning piece but forgets to check his sources. Opening and closing with John Toon's elegant aerial shots of Wellington and a buoyant score, the episode features prominent Wellington thespians Ray Henwood and Ross Jolly.
This feature tells the true story of the notorious 1941 manhunt for Stanley Graham. The West Coast farmer went bush after a shooting spree that followed police pressure to have him hand over his firearms. Seven men were ultimately killed. Written by Kiwi-born Andrew Brown (from Harold Willis’ book), Bad Blood was made during the tax break era for UK TV, but was released in NZ cinemas. Directed by Brit Mike Newell (Four Weddings and a Funeral), it won strong reviews. Aussie legend Jack Thompson and compatriot Carol Burns star as the isolated Bonnie and Clyde coasters.
Classic sci-fi series Under the Mountain follows redheaded twins with psychic powers — Rachel and Theo — as they battle the alien Wilberforces. This fourth episode sees the twins venture into the aliens' submarine lair for the first time. The lair's moody production design, the NZ Symphony Orchestra's score, and creepy transmogrifying special effects contributed to the slimy imprint the series left on a generation of Kiwi kids, haunted by the giant slugs slithering underneath Auckland's volcanoes. The award-winning series was adapted from the Maurice Gee novel.
Classic sci-fi TV series Under the Mountain follows the adventures of redheaded twins with psychic powers — Rachel and Theo — on their Auckland summer holiday. They meet the mysterious Mr Jones, an alien emissary who enlists them in the battle against the evil Wilberforces, who are plotting planetary destruction. Adapted from the Maurice Gee novel, the series' fx left their slimy imprint on a generation of NZ kids, haunted by the transmogrifying Wilberforces, who changed from humans into giant slugs slithering underneath Auckland’s volcanoes.
In an age before Rogernomics, and well before The Office, there was the afternoon tea fund, Golden Kiwi, and four o'clock closing: welcome to the early 80s world of the New Zealand Public Service. Gliding On (1981 - 1985) was the first locally made sitcom to become a bona-fide classic. The series was inspired by Roger Hall's hit play Glide Time and satirised a paper-pushing working life then-familiar to many Kiwis. Gliding On won several Feltex Awards including best male and female actors and best entertainment.
Praising novel The Scarecrow, one critic argued that author Ronald Hugh Morrieson had melded genres together into “a brilliant, hallucinatory mixture distinctively his own". The movie adaptation is another unusual melding; a coming of age tale awash with comedy, nostalgia, and a touch of the gothic. Taranaki teen Ned (Jono Smith) is worried that the mysterious arrival in town (US acting legend John Carradine) has murderous designs on his sister. The masterful narration is by Martyn Sanderson. The result: the first Kiwi film to win official selection at the Cannes Film Festival.
Mortimer’s Patch was a popular drama series following Detective Sergeant Doug Mortimer (Terence Cooper) at work in the town of Cobham. Mortimer plays a city cop returning to his rural roots; Don Selwyn is Sergeant Bob Storey. The series was NZ’s first police drama, and a rare local drama to top ratings. Mortimer's Patch was made when the archetype of the ‘community cop’ everyone knew was still a powerful one, and it was a counterweight to the faceless riot policing of the Springbok Tour. Three series were made.