Popular consumer affairs show Fair Go is one of New Zealand TV's longest-running series. It began in 1977, devised by Brian Edwards and producer Peter Morritt. The TVNZ programme mixes investigative reporting (daring to "name names" and expose rip-off merchants everywhere) with light-hearted segments. Its roster of presenters has included Edwards, Judith Fyfe, Hugo Manson, Philip Alpers, Kerre McIvor (nee Woodham), Carol Hirschfeld, Gordon Harcourt, and longest serving host, Kevin Milne. A perennial favourite segment is the round-up of the year's ad campaigns.
In this Jam TV series, comedian Te Radar ditches 21st Century consumer luxuries and the city rat race to see if he can live sustainably for 10 months on a remote patch of land west of Auckland. His back-to-basics mission requires him to exist on only what he can hunt, grow and fish himself — putting delights like goat salami and home-made feta on the menu. He also explores topical green issues like the viability of solar power and whether simple steps such as composting and starting a worm bin can reduce landfill. The series also bred a book and a live show.
Good Day was launched in March 1978 to succeed Today at One with producer Tony Hiles promising "an entertaining magazine programme with the magazine aspect spread over the whole week". The Avalon based show, which ran for two years, aired at 1pm on weekdays and featured regular reports and human interest stories from around the regions, studio interviews, book and film reviews, and consumer, arts and gardening segments. Political journalist Simon Walker was an early staffer while Dylan Taite contributed reports from Auckland.
Thinking that documentaries would benefit if film crews were much smaller, TVNZ producer Richard Thomas proposed that emerging directors take over much of the filming themselves, using consumer video cameras. Thomas organised camera workshops for First Hand's directors, and overcame opposition that this more intimate style of making documentaries wouldn't meet broadcast standards. The result gave early opportunities to a host of emerging filmmakers, including award-winners Leanne Pooley and Mark McNeill, and production executive Alan Erson.
A flagbearer for Māori storytelling on primetime television, E Tipu e Rea (Grow up tender young shoot) was a series of 30 minute dramas touching on a range of Māori experiences of the Pākehā world — from rural horse-back riding and eeling, to urban hostility and cultural estrangement. It marked the first anthology of Māori television plays, and the first TV production to use predominantly Māori personnel. E Tipu e Rea's mandate and achievement was to tell Māori stories in a Māori way.