Bruce Graham, wife Lynn and son Mark are in the funeral business, serving the people in the Waikato town of Tūākau at their darkest times. This episode of First Hand takes place in the aftermath of local man Athel Parsons' death, from collecting his body to his funeral and cremation. Athel lived alone but was from a large family. He contributed to his town through his love of sports, in particular indoor bowls. As Bruce organises Athel's farewell we learn about both men's lives, and how the most common of events can affect a small community.
This notorious film looks at '70s bikie culture, focusing on Auckland's Hells Angels (the first Angels chapter outside of California). These not-so-easy riders — with sideburns and swastikas and fuelled by pies and beer — rev up the Triumphs, defend the creed, beat up students, cruise on the Interislander, provoke civic censure, and attend the Hastings Blossom Festival. After a funeral, Aotearoa's sons of anarchy head back on the highway. Bikies was banned by the NZBC — possibly due to the public urination, lane-crossing, chauvinism and pig's head activity.
Before their award-winning short films Run and Six Dollar Fifty Man (both invited to Cannes, in 2007 and 2009 respectively), Mark Albiston and Louis Sutherland gave early notice of their talents with this short. Made to showcase the work of students from drama school Toi Whakaari, Dead End chronicles the tensions and preparations as various people converge for a funeral. Director Albiston utilises imaginative angles, music, humour and surprise to inject energy into a familiar scenario. Invited to film festivals in NZ, Sydney and Ourense (Spain).
Going with his father to see the battleship HMS Ramilles set Peter Couling on a course that led to the New Zealand Navy. Joining at 18, he soon found himself bound for Korea where his ship escorted convoys from Japan to Pusan. He was also on hand to see the battleship USS Missouri fire its guns in anger for the first time since World War II. That was in the early stages of the Incheon Landings. In this interview he also talks about going on parade in London for King George VI’s funeral. Back home he headed south with Sir Edmund Hillary and the Trans-Antarctic Expedition.
This Wellington-set 80s TV series sees real estate agent Selwyn, TV producer Nardia (early turns from Temuera Morrison and Jennifer Ward-Lealand) and art student Ben (Kerry McKay) as a young trio united by a mysterious invitation. At an antique shop dinner the three adopted children discover that they share a colourful birth mother, before becoming players in a game for a legacy of $250,000 (and more existential prizes). This first episode features ouija boards and a funeral at Futuna Chapel; alongside 80s knitwear, a saxophone score and du jour animated titles.
In March 2015 teenager Pixie Hannah (Thomasin McKenzie) arrived on Shortland Street, and after initial clashes with Harry Warner, began dating him. Reid Walker, who plays Harry, talks about the "bittersweet" storyline involving Pixie and her death, calling it the favourite story he’s been part of. Pixie was diagnosed with cancer; her immune system weakened after chemotherapy, she contracted pneumonia after rescuing Harry from a river. Reuben Milner, who plays Pixie’s brother Jack, also discusses the Pixie storyline. The second clip shows him joining the haka at her funeral.
This teledrama explores the tensions surrounding an elderly woman's tangi, as whānau members gather in a suburban house. Alienation of urban Māori — particularly son Paul (Jim Moriarty) — from iwi roots, and differing notions of how to honour the dead, are at the heart of the conflict between the mourners. A pioneering exploration of Māori themes, the Rowley Habib teleplay was one of three one-off dramas the playwright wrote (alongside 1978's The Death of the Land, and 1982's The Protesters) encouraged by director Tony Isaac. It screened in April 1980.
This 2011 short, from director Jackie van Beek, follows a young woman couriering her uncle’s heart. In Safe Hands was based on a real life scandal involving Greenlane Hospital stocking a 'heart library' with organs from deceased patients. For decades the hearts were used for research purposes, often without parental consent. The Dunedin-shot film won Best Self-Funded Short Film at the 2012 NZ Film Awards (The Moas), after debuting at the 2012 NZ International Film Festival. Van Beek and producer Aaron Watson later collaborated on feature film The Inland Road (2017).
A teenage boy (Lance Wharewaka) should be at school, but instead learns about the bush and the old days from his ailing grand uncle (Bill Tawhai). The friendship prepares the boy with the necessary skills for life. Written by poet Hone Tuwhare, Eel marked the drama directing debut of TV3 newsreader and Wild South presenter Joanna Paul."He [Bill] brought a mana with him and has such irreplaceable Māori knowledge," said Paul, who remembered him discussing "how he used bobs to catch eels. He remembers using flax — you can't buy knowledge like that."
In this episode of the archive-compiled history series, Bernard Kearns focuses on the Roaring Twenties. Soldiers returning from the First World War struggle to tame the land as commodity prices fall. The Labour Party, with miners as its backbone, gains a foothold on the political scene, and the Ratana Church emerges as an alternative to more distant Māori leaders. In Dunedin, the New Zealand and South Seas International Exhibition proves a huge success and members of the Royal Family are popular visitors to our shores. But the Great Depression looms.