Bruce Morrison's extensive career as director, producer and sometime scriptwriter has crossed the gamut: from innovative arts programming and pioneer music videos, to the long-running Heartland series — plus feature films variously involving fast cars, riotous teens and a glamour-struck Donogh Rees.
The basic rules for making a film about rose pruning are pretty much the same as for any subject! That’s how I got my training: gardening [films], current affairs and making some of NZ’s first rock clips. Bruce Morrison
This third episode of Mike King’s Treaty series heads north. After the 43 signatures at Waitangi on 6 February 1840, Queen Victoria decreed that more were needed for the Treaty to gain legitimacy, and Governor Hobson took the Waitangi Sheet to the people. King talks to Professor Pat Hohepa about the role of missionaries, and his tīpuna Mohi Tawhai. He visits key Northland locales — where he hears of anti-Treaty Pākehā like ‘Cannibal’ Jack Marmon — and meets a descendant of Nopera Panakareao, who recalls his ancestor’s famous shadowy reading of the Treaty.
This fifth episode of comedian Mike King’s Treaty discovery series goes on the trail of the two sheets that travelled around the Bay of Plenty in 1840. One, carrying a forged signature, travelled east with young trader James Fedarb (King asks why, despite gathering 26 signatures in 28 days, the salesman is largely missing from the history books); the other went south with a pair of missionaries. King learns about the Te Arawa and Tūwharetoa refuseniks from Paul Tapsell — and from Tamati Kruger, the reason Fedarb didn’t venture into Tūhoe territory.
Comedian Mike King retraces the 1840 journey of the nine sheets of the Treaty of Waitangi in this 10-part series. The introductory first episode explores the epiphany that inspired King to embark on “his dream project”. He rues his Treaty ignorance and lack of te reo, shares his struggle with memory loss since he suffered a stroke in 2006; and makes an emotional return home to learn about his link to the Treaty via his tīpuna. After debuting on Waitangi weekend, 8 February 2009, Dominion Post critic Linda Burgess called it “dignified, conciliatory, informative.”
Episode two of comedian Mike King’s acclaimed Treaty of Waitangi series travels to the Bay of Islands, to talk to historians and signatory descendants, and explore the background to the Treaty's original signing: from debaucherous colonial Russell to Governor Busby’s Declaration of Independence, and William Hobson’s drafting (and controversial translation) of the Treaty. Constitutional lawyer Moana Jackson, author Jenny Haworth and MP Hone Harawira give their takes on the Treaty's birth, and its reception by Māori during this pivotal time in NZ history.
After Governor Hobson’s stroke, Willoughby Shortland stepped in and sent the Treaty south in the hope of more signatories. This fourth episode of comedian Mike King’s Treaty discovery series searches for where the sheet was signed on the Manukau Harbour. King learns of an (unfulfilled) ancient prophecy, and why Ngāti Whātua chief Apihai Te Kawau agreed to sign. King then heads across the harbour and uses his mission as an excuse to visit the Kāwhia Kai Festival, where he learns about the influence of the incoming “great white wave” on signatories.
Artsville was a mid-2000s slot that aimed to bring New Zealand art and artists to life via documentary. The subjects ranged from composers and playwrights to comic artists, photographers and an investigation into a life drawing class. Each piece was independently commissioned and varied in duration from hour-long studies to shorter pieces, compiled into a one hour programme for a late-night TV ONE slot. Artsville was later repeated on digital Freeview channel TVNZ6 (now defunct).
Actor, writer and director Fiona Samuel explores the loss of virginity in her first documentary. Seven women — aged from 19 to 89 — talk frankly about their 'first time' and how it affected their lives. For some, it was a rite of passage for better or worse, but for others there have been life changing consequences. Expressive recreations provide texture for stories that are compelling but never voyeuristic. In a rare example of a conjugal screen one-two, Murray Keane, Samuel’s husband, explored the same topic with seven men for a companion piece in 2002.
In 1977 protesters occupied Bastion Point, after the announcement of a housing development on land once belonging to Ngāti Whātua. 506 days later police and army arrived en masse to remove them. This documentary examines the rich and tragic history of Bastion Point/ Takaparawhau — including how questionable methods were used to gradually take the land from Māori, while basic amenities were withheld from those remaining. The documentary features extensive interviews with protest leader Joe Hawke, and footage from seminal documentary Bastion Point Day 507.
This high-rating 1999 documentary follows Gary McCormick to Ireland to investigate "those strands which tie" Kiwis to the Emerald Isle, from Dublin to the north, where his forebears originated in the 1870s. He meets locals, (musicians, tinkers, playwrights, scuba divers) and Kiwi expats, and talks The Troubles, Celtic Tigers, and why Irish emigrated to Aotearoa. Irish Connection was another collaboration between McCormick and director Bruce Morrison (Heartland, Raglan by the Sea). Companion title The London Connection saw McCormick examining Kiwi links to London.
Biographer Michael King takes us through the life of pioneering writer Frank Sargeson: from puritanical parents to self-discovery in London, through to decades encouraging an emerging tide of New Zealand writers. The documentary’s most priceless moments are the tales told when four of those writers return to Sargeson’s fabled fibrolite bach, in Takapuna. Kevin Ireland calls it an “oasis, this marvellous place where books ruled supreme”. Sargeson’s purposefuly minimalistic writing style, the doco argues, helped NZ literature find its own voice.
Readings from the poems of James K Baxter trace the poet's life through its various New Zealand locations, and provide a biographical voice in this film by Bruce Morrison (co-written with Dr Paul Millar). Baxter's family and friends discuss the man and his work, and the readings and beautifully shot landscapes fill in the gaps. The film won Best Documentary at the 1998 Film and TV Awards. The opening montage, describing "the chugging noise of masturbation from the bedrooms of the bourgeois" of Auckland, is seminal Baxter.
Gary McCormick visits the West Coast mining town of Reefton in this full length episode. He takes an early morning trip down Surprise Mine, and gains insights into the tough life of a coal miner. Meanwhile, miners' wives talk about being married to someone with a high risk occupation. McCormick also attends the First Light Festival, held to mark Reefton being the first town in the southern hemisphere with electric lighting. Later he heads to the abandoned gold mining town of Waiuta, and back in Reefton meets a woman with a doll collection which takes up her whole house.
In this full-length episode Gary McCormick arrives in Ruatahuna, heartland of the Tūhoe people, the so-called ‘children of the mist'. The episode focuses on preparations and staging of the annual Tūhoe Festival. McCormick interviews local and national figures who express their feelings about their Tūhoe heritage. The grievances of the past are highlighted, along with pride and hope for the future. This episode goes beyond the affable romanticism of much of the series to examine the uncomfortable edge of race relations in New Zealand.
In this documentary, poet Sam Hunt and raconteur Gary McCormick shake out the ache of descending middle age and hit the road for an old fashioned ‘rock and roll style’ poetry tour. Starting in Invercargill, the longtime mates make their way up the length of the country, sharing stories, anecdotes and of course, poems along the way. Here are two people's poets, one arguably great, the other certainly good, captured in full flight during their prime. The Roaring Forties Tour was nominated for NZ Film and Television Awards in 1996, for its editing and music.
This documentary confronts attitudes to alcohol consumption in NZ. Interviews with those who see major problems (including police, ambulance, youth workers, Family Planning and Women's Refuge) and those who don't (brewers, advertising agencies, sports groups and publicans) are interspersed with often-graphic footage of excessive alcohol use. The challenging depiction of the culture piqued Lion Breweries, who complained to the Broadcasting Standards Authority. The BSA rejected their assertion that the programme was salacious, but did agree it "lacked balance".
Heartland host Gary McCormick visits Fendalton, Christchurch — which has a reputation as one of the country's more well-to-do and refined suburbs, and is one of the older residential districts of the city. McCormick takes tea and sandwiches on the lawn with elderly resident (and possessor of some archetypal 'rounded vowels') Bessie Seymour Parker; visits grand homesteads and English country gardens; and meets some private school teenagers, as Fendalton lives up to its 'posh' — some might say 'snobby' — reputation.
Heartland host Gary McCormick discovers the scenic and rustic charms of Glenorchy, near Queenstown. McCormick meets Rosie Grant, who has lived in the same cottage since 1916, and shares her home with 17 cats; checks out Paradise House, the first guest accommodation in the area, now owned by Dave Miller; and plans to have a day at the races. But the film crew's plans go awry when the settlement suffers serious flooding, and stories of sand-bagging, stock rescue and property recovery replace the more typical Heartland fare.
Occasional Heartland host Kerre Woodham visits the annual Easter races at Riverton in Southland. Riverton is New Zealand's second oldest town, and the close knit locals have a big passion for horse-racing. Woodham talks to owners, trainers (one of them at his freezing works job), jockeys and punters, as well as the judges of 'Best Dressed Lady at the Races', who are looking for a nice line in matching hats, bags, shoes and gloves. The documentary contains some good examples of the Southland rolled 'r' from some of the locals who are interviewed.
The Aupōuri Peninsula - in Maui's legend, the tail of the fish - runs along the top of the North Island, edged on one side by Ninety Mile Beach. In Te Hapua, the most northerly community on the mainland, Gary McCormick helps out at the marae as preparations begin for a cultural festival for the district's primary schools. The students will perform kapa haka, Dalmatian dances and take-offs of Shortland Street. This Heartland episode evocatively melds footage of children practising and performing, with oyster farmers catching fish for the hangi.
"Bluff'll be here forever." Heartland host Kerre McIvor (nee Woodham) heads south to the port town of Bluff for the 65th wedding anniversary of Fred and Myrtle Flutey, and visits their famous paua shell museum (after their death, the Flutey's paua collection was relocated in 2008 to Canterbury Museum). As well as taking part in the celebrations and learning the secrets of a happy marriage, Woodham talks to local fishermen, women rugby players and long time residents, including the memorable Sylvia Templeton-Warner.
Occasional Heartland host Annie Whittle visits Patea in this full-length episode, and finds the town in rehearsal for the story of its own life. A decade in the making, Poi E - The Musical chronicles Patea's triumphs and tragedies, following the closure of the local freezing works in 1982. Whittle talks to Dalvanius Prime — the musician behind both the original number one song, and the Poi E musical — about the impact the closure had on the township. The programme ends with a rousing live version of 'Poi E'. Prime would pass away in October 2002.
In this full-length episode, Heartland visits the heart of the North Island: the Waimarino district at the foot of Mount Ruapehu. Host Gary McCormick hits town in time for the yearly Waimarino Easter Hunt. In Ohakune he talks to a policeman about a strange case of streaking near the town's famously oversized carrot, visits an equally overized collection of salt and pepper shakers, then sets off on an early morning pig hunt. Vegetarians be warned: many expired members of the animal kingdom make guest appearances.
This show was possibly the most controversial edition of the Heartland series. Gary visits the sometimes maligned working class dormitory suburb, and hits sports fields, local homes and Tupperware parties. In this full-length episode he meets everyone from cheerful league coaches and builders remembering the challenges of getting supplies up the hill, to the woman many would not forget: Chloe Reeves, with her squeaking voice, distinctive fashion sense and tiger slippers. There is also a fleeting glimpse of future All Black Piri Weepu holding a school road safety lollipop.
Heartland host Gary McCormick visits French Pass in the Marlborough Sounds, where he attends the local sports day, and visits a couple who have lived on remote D'Urville Island for 46 years. Pat and Phil Aston met on the mainland, but have lived their whole married life on D'Urville, where Phil has helped her nine children through Correspondence School, and Pat has done everything from fishing to putting up power lines. At the French Pass sports day, McCormick takes in an Army battle re-construction and an assortment of running races.
Occasional Heartland host Maggie Barry visits the Southland town of Gore, where she checks out horse-shoeing with the New Zealand Farriers Association, visits the local freezing works, and attends the legendary Gold Guitar country music awards (with performers including Suzanne Prentice). Not such a controversial visit to Gore by a TV crew as the one some years later by Havoc and Newsboy's Sell-Out Tour.
Heartland host Gary McCormick visits South Island town Omarama, which is "about as remote as you can get in New Zealand, as it sits in the centre of the South Island at its widest point." McCormick talks to sheep farmers battling pest rabbits and the invasive weed Heiracium Hawkweed, checks out a fishing competition, and attends the Omarama Rodeo. At the rodeo he meets the Church family of rodeo riding brothers, listens to a spot of yodelling, and takes in the children's sheep riding display.
Gary McCormick travels to the furthest corner of New Zealand and hangs out with fishermen, farmers, and ghosts. He reads the weather report on the islands' radio station (where the forecast is more rain); explores the vibrant nightlife, endures a Ministerial speech at the opening of a new wharf facility, and goes hunting at night for a local delicacy: weka. This instalment of the series is notable for some especially beautiful location photography by Swami Hansa.
In this full-length Heartland episode, Gary McCormick travels to the Hokianga in Northland, where he attends the annual rowing regatta in the town of Horeke. Locals compete in ironman (swimming, running and... woodchopping), before McCormick delves into the region’s logging past and sees local bone carvers at work. He also visits the Motuti Marae, then drives on to Panguru where he interviews local resident and Māori land march leader Dame Whina Cooper. The programme (gently) reflects on Māori and Pākehā race relations in the area.
"Space — big hills, snow-capped, blue skies ... that's the Maniototo, Central Otago." So says local poet Ross McMillan, describing the landscape that inspires much of his work. The Maniototo plain has also inspired writing from James K Baxter, Janet Frame, and Gary McCormick, the host of this full-length Heartland episode. McCormick finds a strong sense of community amidst the poetry of isolation: whether in the shearing shed, the sports field or the ice-skating rink. He also talks to local high-schoolers, some resigned to having to leave the area to find work.
Heartland host Gary McCormick finds himself in the middle of a local conflict when he visits Port Chalmers in early 1993. Port Otago Limited is working on a major port development project that includes excavations on Observation Hill, and reclamations in Carey's Bay. Many locals are opposed to the project and tensions are running high. Local residents interviewed for the programme include celebrated artist Ralph Hotere, and McCormick also visits Hotere's art studio.
Produced by George Andrews, Great New Zealand River Journeys is a three-part series exploring the history and majesty of the Waikato, Wanganui and Clutha rivers. In this episode, Jon Gadsby explores the Clutha River and surrounds, and finds out about jet-boating and rafting (the cameraman falls in when he gets a little too close to his subject), bungy jumping, the Clyde Dam, Cromwell's giant fruit and Alexandra's giant clock. Gadsby enjoys the ubiquitous whitebait fritters offered by the locals before the journey ends at the mouth of the river.
Great New Zealand River Journeys was a three part series produced by George Andrews that examined the history, geography and people of three of New Zealand's most iconic rivers: comedian Jon Gadsby explores the Clutha river, poet Sam Hunt the Whanganui, and musician Lynda Topp takes on the Waikato.
Heartland was a long-running series where, in each episode, affable presenter Gary McCormick explored a Kiwi community. Location and local legend are relayed as McCormick (or occasionally Annie Whittle, Maggie Barry, or Kerre McIvor) interacts with the natives, most famously, tiger slipper-shod Chloe of Wainuiomata. The popular, award-winning series, was inspired by a collaboration — Raglan by the Sea — between McCormick and director Bruce Morrison; it connected mostly-urban Kiwis with faraway corners of the country, and a homely sense of shared identity.
In this full-length Heartland episode, Gary McCormick travels to New Zealand's southernmost community: the town of Oban on Stewart Island's Half Moon Bay. Another gently discursive ramble through time and geography is held together by a focus on the island's annual Festival of The Sea, and appearances by a range of locals from fishermen to conservationists. The highlight of this marine mardi gras is the drag competition ‘Miss Catch of the Day', where hairy blokes dress like sheilas and walk on stage. Thankfully Gary keeps his pants on.
This 1989 chat show saw Gary McCormick invite guests onto his sofa for a cuppa. First up is WWF wrestler Don 'The Rock' Muraco. Unfazed by being called an ugly baby, the Hawaiian warns the kids to not try his wrestling moves (or crystal meth) at home and demonstrates a hold on the host. He's joined by actor Ian Watkin who talks about being a coaster, Blerta and cricket fandom. The show was directed by Bruce Morrison (Heartland) and produced by Finola Dwyer (Oscar-nominated for An Education); who teamed with McCormick on the acclaimed Raglan by the Sea doco.
Gary McCormick heads west to Raglan, to ask "What goes on here? Why do people live here? What do they do?". To find out he goes surfing on the famous left-hand point break, hangs with hippies and Dave McArtney, catches Midge Marsden and the Mudsharks at the Harbour View Hotel, and discusses land rights with kaumatua Sam Kereopa. The recipe — McCormick as genial small town anthropologist discovering the locals — earned this a 1989 LIFTA award, and inspired long-running series Heartland. McArtney composed the soundtrack; Finola Dwyer (An Education) produces.
There's panic on the streets as 19-year-old tearaway Ska (Matthew Hunter) comes to terms with love and death in Auckland's 80s urban underworld. After an ultimately tragic attempt to 'rescue' his prostitute sister, Ska plots revenge at a rock gig ... with riotous results. Directed by Bruce Morrison when broken glass was still on the ground from the Queen Street riot, the film was inspired by a story from 16-year-old Richard Lymposs. In this teen spirit-infused excerpt, street-fighter Ska saves rich girl Stacy (Kim Willoughby), and meets her classy parents.
Stunt driver Judd (US Oscar winner Cliff Robertson) and his mechanic Casey (ex child star Leif Garrett) are in NZ racing 'Shaker' — their pink and black Trans-Am — when they're enlisted by scientist Dr Christine Ruben on a fast and furious dash from Dunedin. Unknown to the Yanks, Ruben (Lisa Harrow) has stolen a deadly virus that she's aiming to smuggle to the CIA, and away from the NZ military — who plan to use it for bio warfare! Touted as "fantasy car violence", the chase and stunt-laden Run was one of dozens of films sped out under an 80s tax break scheme.
Auckland artist Richard Killeen is profiled in this 1983 episode of a series about notable painters and sculptors made for TVNZ. Killeen moved from realism in his early paintings to working with more abstract shapes. By the late 70s, he had abandoned canvas and frame altogether — cutting shapes out of aluminium and grouping them in works somewhere between painting and sculpture. Killeen talks about the evolution of his work, his process and inspirations, and the importance of his environment in suburban Epsom.
Dunedin-based painter Jeffrey Harris is profiled in this episode from an early 80s arts series made for TVNZ. Harris talks about his quest for intensity and impact; and how violence both attracts and repulses him. He also discusses two of his influences at the time — the surrounding landscape (particularly the wilds of Otago Peninsula and Seacliffe, and the older parts of Dunedin) and the photographs, ranging from family portraits to newspaper pictures, that provided the figures that populated his expressionistic works.
NOTE: This video is currently unavailable on NZ On Screen 'I'm in Heaven' was from the third and final Dave McArtney and The Pink Flamingos album The Catch (the song was later rerecorded, with Graham Brazier on vocals, for Hello Sailor album Shipshape & Bristol Fashion). In the original video McArtney looks moodily out a window over the city and falls into a pool in speedos, and the band plays the song amidst backlit dry ice. Fast cuts match the crisp drum beats and synth. Directed by Bruce Morrison, it won Best Music Video at the 1984 NZ Music Awards. McArtney went on to provide music for Morrison’s 1986 movie Queen City Rocker.
Sculptor (and Arts Foundation Icon) Greer Twiss is profiled in this episode of the early 80s series about notable artists, made for TVNZ. Twiss talks about his career and significant works, including the much loved Karangahape Rocks: an early, large scale bronze made at the limits of his ability at the time which twice caused him serious injury. His fascination with rendering functional everyday items — tools, wineglasses and rulers — as decorative sculptures is explored, along with his preference for working at home in the midst of his family life.
Sculptor Neil Dawson — who later created major public art works including The Chalice in Cathedral Square and Ferns in Wellington’s Civic Square — is profiled in this episode from an arts series made for TVNZ (in association with the QE2 Arts Council). Dawson is just as enthusiastic and engaged building a tree house for his son as he is preparing an exhibition of his work. These pieces are small and deceptively simple as they explore texture and optical illusion, but his larger ambitions are also piqued by a space about Auckland’s Victoria Street.
Constance centres on a young woman who attempts to escape the staid world of 40s Auckland, by embracing glamour and passion. After meeting a photographer, her aspirations of stardom are brutally fractured. Directed by Bruce Morrison, the movie echoes the style of Hollywood melodrama, while simultaneously critiquing the dream. Donogh Rees was widely praised in the title role as a protagonist who lives in a fantasy world, with one review describing her as “New Zealand’s answer to Meryl Streep”. New York's Time Out called the film "lush and exhilarating".
Working away in a paint-encrusted studio with Hendrix cranked up to 10, often going days without sleep, Philip Clairmont was the archetypal tortured expressionist. This 1981 TVNZ profile explores his chaotic bohemian abode in Mount Eden, a house populated by the found objects and abandoned furniture that would inspire his dense, hallucinatory images. At one point the camera fixes on a single lino print that reads "art is my life". One would eventually consume the other — three years after this was filmed, Clairmont committed suicide at the age of 34.
Tony Fomison, one of NZ’s leading painters, is profiled in this 1981 episode of a series about notable artists, made for TVNZ. Interviewed by Hamish Keith, Fomison is an engaging but diffident subject — describing his often dark, brooding works as “illustrations of dreams”, but also ascribing human emotions to them. His powerful attraction to Pacific cultures is explored; it culminated in this Pākehā son of a working-class Christchurch family getting a pe’a (the traditional Samoan body tattoo). Tony Fomison died in 1990.
This series from the early 1980s profiles prominent painters and sculptors (including Neil Dawson, Greer Twiss, Jeffrey Harris and Richard Killeen). It was made for TVNZ (in association with the Queen Elizabeth II Arts Council) by Bruce Morrison and used art critic and historian Hamish Keith as a technical advisor. Morrison’s camera captures the artists at work and reviewing their careers and notable works, and he allows them to tell their stories entirely in their own words without the presence of onscreen interviewer or voiceover commentary.
"Once a band has made it here in Godzone, the big question is: where to now?". As presenter Karyn Hay put it back in 1981, there was only one answer — Australia. RWP reporter Simon Morris headed to Sydney to meet Kiwi musos who'd made it (Marc Hunter, on hiatus from Dragon), and those trying (Sharon O’Neill, Dave McArtney, Mi-Sex's Kevin Stanton, Barry Saunders from The Tigers). Hunter muses on Sydney brashness versus NZ introspection, O’Neill shyly promotes 'Maybe' to Molly Meldrum, and expat music producer Peter Dawkins explains what makes a hit.
By the mid 1970s, Kiwi entertainer Ray Woolf was a regular television presence as a performer and host. After a stint co-hosting chat show Two on One (with Val Lamont and later Davina Whitehouse), the show morphed in 1979 into Woolf’s own singing and talk slot: The Ray Woolf Show, where he interviewed international stars, and sung and filmed clips around the country. After a season the show was reformatted to focus on music as The New Ray Woolf Show, and ran for another two years. In this period Woolf was awarded Best Television Light Entertainer multiple times.
Introduced to New Zealand in 1851, red deer soon became controversial residents: sport for hunters, but despised by farmers and conservationists for the damage they caused. First targeted by government cullers in the 1930s, by the 60s they were shot by commercial operators for venison export. Directed by Bruce Morrison and Keith Hunter, this award-winning documentary catches up with the hunt in the 70s, when deer for farming – dramatically caught alive, from helicopters – was a multi-million dollar gold rush. Different versions of the film were made for overseas markets.
Kaleidoscope was a magazine-style arts series which ran from 30 July 1976 until 1989. Running for many years in a 90 minute format, the show tried varied approaches over its run, from an initial mix of local and international items — including live performances — to episodes which focused on a single artist or topic. In the early 80s Kaleidoscope collected three Feltex awards for Speciality Programme. Hosts over the years included initial presenter Jeremy Payne, newsreader Angela D'Audney, future Auckland music professor Heath Lees, and Warratahs fiddler Nic Brown.
For a generation of music fans rock show Radio with Pictures was their link to local and international music — and essential viewing before TV2's Sunday night horror movies. Following on from the Grunt Machine in 1976, its presenters included Dr Rock (Barry Jenkin), Phil O'Brien, Karyn Hay and Dick Driver. RWP's run coincided with the rise of MTV and the music video, and a burgeoning 80s New Zealand music scene. Videos were a staple but artist interviews also featured and the show staged a number of televised concerts featuring leading local artists.
With the advent of two channel television, Encounter became TV2's local documentary strand showing half-hour programmes at 7.15pm on Sunday nights (although it was later moved to 9.40pm). With a brief to explore "people, places and life in New Zealand today", it featured work made by TV2 staff producers, directors and reporters including Tom Parkinson, Bruce Morrison, George Andrews, Keith Hunter, DOC Williams, Bryan Allpress and Rodney Bryant (who made a number of profiles of prominent New Zealanders). In 1977, it was replaced by Perspective.
Nationwide replaced Gallery as part of the NZBC’s first foray into nightly current affairs. In 1974 and 1975, it ran for 20 minutes on Mondays, Tuesdays and Thursdays (with Inquiry on Wednesdays and World Scene on Fridays). It was produced by Rod Vaughan; The reporters included Ian Fraser, Keith Aberdein, David Beatson and conservationist Guy Salmon. Prime Minister Norman Kirk famously took great offence at a series of skits featuring Fraser and John Clarke involving remits at the 1974 Labour Party conference. Nationwide was replaced by the equally short-lived Tonight in 1976.
Later retitled Arts Review, series Review debuted on New Zealand's only television channel in the early 70s. Among those who presented or reported for the arts based series were Max Cryer (Town Cryer) and onetime Town and Around reporter Barbara Magner.
In 1969, network TV ushered in a new era of regional news to replace Town and Around which had primed parish pumps in the sixties. While Auckland watched This Day (later Look North) and Wellington had Newsview, Christchurch and Dunedin saw different shows both called The South Tonight. The DNTV-2 edition covered Otago/Southland and was presented by Derek Payne and produced by Bruce Morrison. It disappeared in 1975 but, following the amalgamation of TV1 and SPTV, re-emerged in the early 80s (initially as 7.30 South) with Jim Mora in the front seat.
This Landscape doco looks at the muttonbirding culture of the deep south, as Rakiura (Stewart Island) Māori exercise their customary right to harvest the birds for food, oil and feather down. The hunt begins with a rugged trip to the islands where hundreds of thousands of tītī (or sooty shearwater) arrive annually to breed. The kinship of birding is evident as families (and a poodle) set up camp. Soon the salty kai is plucked from burrows and sent by wire downhill to the ‘pluckhole’. This was an early gig for director Bruce Morrison (Heartland, Shaker Run).
Landscape was made by ex-National Film Unit producer Bob Lapresle (six episodes were made in 1968 and six the following year). The focus of each half-hour programme was on people and personalities rather than on scenery, which was then being covered by the NZBC’s popular Looking at New Zealand. Beginning with ‘Friday in a Country Town’, the Landscape series went on to cover such varied topics as a family shearing gang, muttonbirders exercising their customary rights, the day to day life of a policeman, and the growing awareness of New Zealanders towards the arts.