This single from Supergroove’s second album Backspacer (1996) reached number seven in the charts, and captures the band's shift from funk to rock after the exit of rapper Che Fu and trumpeter Tim Stewart. The lyrics ask "who would you kill?". Via madcap music video logic, they’re channeled into a fictional TV show, an exercise equipment promo, a pigsty, ice-skating rink, and a burning piano on a beach. The results won Best Video at New Zealand's local music award ceremony in 1997. Bassist Joe Lonie and cinematographer Sigi Spath had won it the previous year, for 'You Gotta Know'.
After kicking off with the opening bars of Chopin's 'Funeral March', this live rendition of 'Death Rehearsal' invites the audience into a cartoonish, Halloween world before Toy Love members Alec Bathgate, Paul Kean, Jane Walker and Chris Knox take their foot off the brake and let rip. Music journalist Graham Reid described this song (taken from their self-titled first album) as 'kitsch-gloom' and an example of the band branching out from straight ahead punk. Knox juggles delivering witty lyrics with finishing his ciggie, while Bathgate burns up his guitar.
The clip for this single off Brooke Fraser’s seven time platinum selling album debut What to do with Daylight works from a simple concept. Accompanied by a string quartet, Fraser sings sweetly from behind a grand piano in an empty studio. Most distinctive however is the clip's liberal use of fairy lights, which cover the studio wall, the piano and the string quartet. This abundance didn’t go unnoticed: children's show Studio 2 gave Arithmetic the (satirical) award for “most use of fairy lights in a video clip”. The song reached number eight on the New Zealand Singles Chart.
After his hard-hitting debut single 'Stand Up' and the hit remix of 'Not Many', Scribe took a gentler approach on the third single from his five times platinum debut album. Rolling clouds open the music video, which trades bombastic beats and ominous synth tones for gentler piano. The chart-topping hook, originally written for Che Fu, was sung by Scribe himself after encouragement from collaborator P-Money. Photos from Scribe’s childhood appear on screen while he raps about the struggle to realise his potential, before glimpses of 'making of' footage from previous videos.
This Able Tasmans single starts with a piano intro from Graeme Humphreys (aka Graeme Hill ) — the so-called baroque popsters really loved their keyboards. The clip goes on to showcase the instrumental prowess of a band who weren't afraid to throw horns, bagpipes, and strings into the mix. The first vocal doesn't arrive until almost two minutes in! Director Phillipa Anderton captures the energy of the playing by weaving the camera above and around the musicians. The clip's use of colour is also distinctive: most obviously in a set which is revealed to be yellow and deep blue.
Shot by Jesse Taylor Smith on 16mm on an antique Russian Krasnogorsk camera, Loose Change features a succession of movies within movies until it seems that everyone and everything could be on a set (apart, perhaps, from the photographer in the pig's head). Piano and glockenspiel build, crash and ebb as a model helicopter fights a fire in a building (life nearly imitated art when the stovetop pyrotechnics got out of hand); and, at the meta-end, the couple watching the "Stay Indoors" message on the TV are themselves revealed to be outside on a footpath.
Peking Man's self-titled album took away a stack of awards in 1986. It also spawned chart-topper 'Room that Echoes', followed by number six hit 'Good Luck to You'. Directed by The Piano lensman Stuart Dryburgh, thw NZ Music Award-nominated video highlights sibling singers Pat and Margaret Urlich, sax and gel-assisted hairstyles. The Auckland cityscape is littered with construction cranes and glass high rises, shortly before the stock market crash of 1987; and legendary central city cafe DKD (at the back of the Civic Theatre) also takes a starring role.