In an emotional Today Live interview from June 2001, Susan Wood talks to pioneering newsreader Angela D’Audney about her diagnosis with a brain tumour four weeks earlier, resulting surgery and the prospect of radiotherapy. D'Audney talks about the highs and lows of her considerable career, and attributes her success as much to tenacity as talent. Paul Holmes reminisces and offers support, there’s archive footage of her from AKTV-2 in 1968; and she is given the final word in what will be her last television appearance. Angela D’Audney died on 6 February 2002.
Under the Covers was a spin-off series from TVNZ 7 book series The Good Word, compiling Finlay Macdonald’s 10 minute pieces on great Kiwi books into their own show. Each episode features three books and tells the story behind them via interviews, readings and archive footage. This episode featured Barry Crump’s A Good Keen Man, David Lange’s My Life, and — in this excerpt — Jane Mander’s The Story of a New Zealand River, the 1917 novel that some say was an uncredited inspiration for Jane Campion's The Piano. Sam Hunt provides a spirited defence of Mander's book.
In this RWP interview, Karyn Hay gets Split Enz members Neil Finn and Nigel Griggs to explain some of the band's songs before a January 1983 performance at festival Sweetwaters. Both are tired of doing True Colours tracks; the album "has followed us around like a bad smell for a year and a half" says Finn. He also admits 'I Got You' was "probably only about the third lyric I'd ever written", and touches on the BBC banning of 'Six Months in a Leaky Boat'. Griggs admits he has no idea what Finn's 'History Never Repeats' is about; Finn praises Griggs' "incredibly good bass riff" on 'Lost for Words'.
Decades after the words "and Hugo said you go" first entered eardrums, this animated Kentucky Fried Chicken advert is still remembered by many on both sides of the Tasman. Two children sit in the car with a hunger so strong, they're "getting thinner" (though not so you'd notice). Song, lyrics and imagery work as one: the car, the animals and (in the last shot) the KFC store all move in time with the music, sending a 'we're all in this together'message that is as hypnotic as it is logic-defying. The promo was animated by Zap in Australia. Just one question: why does Holly sound like a male?
Many of Aotearoa’s most successful films have been adapted from novels. This 2006 Artsville documentary looks at the process of turning books into movies. Authors Alan Duff (Once Were Warriors), Tessa Duder (Alex) and Jenny Pattrick (The Denniston Rose) reflect on the opportunity and angst of having their words turned into scripts — and maybe films. Duff reflects on DIY adaptation (What Becomes of the Broken Hearted?). Scriptwriters Ian Mune (Sleeping Dogs), Ken Catran (Alex), Riwia Brown (Warriors) and Geoff Husson (Denniston Rose) provide the adapters' perspective.
"Maybe if we looked after our living as well as we do the dead, he'd still be here." After returning to his marae from the city, Mana (Cliff Curtis) finds himself caught up in arrangements for a tangi. But when another local commits suicide, Mana finds himself caught between traditional values and his own sense of right. Meanwhile in the forest, it seems that other powers may have the final word. The short film also features George Henare. It was written and directed by former DJ and commercials director Poata Eruera.
This 1982 Radio with Pictures report surveys the Dunedin music scene, and the bands who are starting to be grouped together under the label ‘the Dunedin Sound’. Critic Roy Colbert discusses the influence of punk pioneers The Enemy and Toy Love, and the benefits of being outside fashion. A roster of future Flying Nun notables are interviewed, including David Kilgour, Shayne Carter, and Jeff Batts (The Stones). Martin Phillipps is psychedelic, and Chris Knox dissects the new bands’ guitar-playing style (without using the word "jangly"!). And then there’s Mother Goose.
Oft-derided across the dutch for its vowel-mangling pronunciation (sex fush'n'chups anyone?) and too fast-paced for tourists and Elton John to understand, is New Zealand's unique accent. Presented by Jim Mora, New Zild follows the evolution of New Zealand English, from the "colonial twang" to Billy T. Linguist Elizabeth Gordon explains the infamous HRT (High Rising Terminal) ending our sentences, and Mora interprets such phrases as 'air gun' (how are you going?). Features Lyn of Tawa in an accent face-off with Sam Neill and Judy Bailey.
This fresh, unhurried film is drawn from a substantial interview with renowned writer Janet Frame by Michael Noonan; filmed largely at at Frame’s then-home on Whangaparoa Peninsula. It was part of the Three New Zealanders series made to commemorate the 1975 International Year of Women — an early John Barnett production. The rare footage of Frame — here aged 50 — presents a confident writer in her prime, and negates any stereotypes about Frame's inarticulacy or shyness. Note: the segments from the programme dramatising some of Frame’s work are not included here.
This documentary showcases some of the tricks of the trade used by Peter Jackson in the making of his first feature — the aliens-amok-in-Makara splatter classic, Bad Taste. Compiled following the film's 1988 Cannes market screening, it's framed around an extensive interview with a 25-year-old Jackson at his parents’ Pukerua Bay home. These excerpts offer fascinating insight into his ingenuity: from building a DIY Steadicam, to the making of the infamous sheep-obliterating rocket launcher scene, to PJ musing on the impetus that being an only child provided him.