A cameraman with over 50 years experience, Michael O’Connor joined the NZ Broadcasting Corporation as a trainee straight from high school. O'Connor went on to shoot some of New Zealand's most iconic dramas, from Under the Mountain to 1980s cop show Mortimer's Patch. His documentary work includes popular series Heartland and Epitaph, and directing Dalvanius, about singer Dalvanius Prime.
The one thing I always enjoyed about documentary work was being with people and in places I normally wouldn't be. Michael O'Connor
This 2011 episode of the Russell Brown-fronted media commentary show examines how Christchurch is dealing with the aftermath of two devastating earthquakes. First up: the CEISMIC Digital Archive is working to preserve the memories and experiences of Cantabrians, and The Press editor Andrew Holden explains why his newspaper is donating everything it has published to the project. Then CERA CEO Roger Sutton talks about the key role of media relations, and filmmaker Gerard Smyth describes shooting his acclaimed chronicle of the quakes: When a City Falls.
Attitude is a weekly series looking at the issues and interests of people living with a disability. This Attitude special follows the Wheel Blacks wheelchair rugby team over four years, as they prepare for the upcoming 2008 Paralympics in Beijing. Four Wheel Blacks were on the production team of Attitude at the time; player and original Attitude co-host Curtis Palmer presents the programme. The documentary follows the team from their 2004 gold medal win at the Athens Paralympics, through various international competitions in the lead-up to Beijing.
Here to Stay uses New Zealand personalities to examine key settler groups that make up the Kiwi tribe. Each show mixes personal stories with a wider view, as the presenter sets out to discover what traits and icons their ethnic group contributed to the NZ blend. In the first (of two) series Michael Hurst, Theresa Healey, Ewen Gilmour, Jackie Clarke, Frano Botica and Bernadine Lim explore the English, Irish, German, Scot, Croatian, and Chinese stories respectively. Each episode includes identity reflections from a chorus of well-known Kiwis.
Aileen O'Sullivan's and Toby Mills' documentary follows Black Grace as they prepare for an appearance at premier dance festival Jacob's Pillow, in Massachusetts. The film also charts the personal journey of the dance group's founder, choreographer Neil Ieremia, from the community halls of Porirua to the global stage, powered by an unrelenting perfectionism that makes for some heated rehearsal footage. Shortly after the performances shown here, Ieremia fired the entire touring company, rebuilding his vision from scratch. Ken Sparks' editing won an NZ Screen Award.
Actor Robyn Malcolm visits the towns of Passchendaele and Ypres in Belgium. Both are near the cemetery where her great uncle, Private George Salmond, is buried. Salmond, an ANZAC signaler, was among the 18,500 New Zealand casualties of World War I. He was killed in the Battle of Passchendaele in 1917, a victim of a battle recognised as a tragedy of poor planning and preparation. Local war experts pay tribute to the New Zealand soldiers' mettle, and Malcolm looks at the site and reflects on Uncle George and his sacrifice on foreign whenua.
Subtitled A Journalist's View, this award-winning documentary makes the case that Scott Watson shouldn't have been imprisoned for murdering Ben Smart and Olivia Hope — because he couldn't have done it. Returning to Endeavour Inlet, veteran director Keith Hunter talks to witnesses, and argues the prosecution fumbled vital details of the murderer's yacht and description, then advanced a new theory without evidence to back it. Hunter went on to write 2007 book Trial by Trickery, further critiquing what he calls “New Zealand's most blatantly dishonest prosecution”.
Entertainment legend Maui Dalvanius Prime rides an emotional roller coaster, as he looks back on his career in this documentary made in the final stages of his battle with lung cancer. The boy from South Taranaki who dreamed of becoming a circus ringmaster became a taonga of the Kiwi music industry, from success in Sydney with The Fascinations, to his groundbreaking kapa haka / te reo hit ‘Poi E’. He recalls his struggle to come to terms with making Māori music, and takes one last hikoi to the East Coast — where he wrote ‘Poi-E’ with the late Ngoi Pēwhairangi.
Mike King presents the story of Gustavus Von Tempsky: swashbuckling colonial soldier of fortune, "flamboyant folk hero" and "our first pin up boy". The Prussian-born artist, self-promoter, romantic and adventurer, led an elite unit — the Forest Rangers — in the 1860s New Zealand Wars, garbed in trademark Garibaldi shirt, kilt and calvary sabre. His bush-fighting skill attracted respect from Māori foes, who named him "manu rau" (many birds); but also controversy after an infamous raid. He met his demise fighting guerilla leader Titokowaru.
This documentary uses archive footage and interviews to tell the story of motor-racing legends Bruce McLaren, Denny Hulme, and Chris Amon. The trio topped podiums in the sport's 'golden age' — one of those eras when unlikely Kiwi talent managed to dominate a truly global sport. The Team McLaren racing team that four times Grand Prix winner Bruce McLaren founded in 1966, has been the most successful in Formula One. That same year McLaren and Amon teamed up to win the 24 Hours of Le Mans, and in 1967 Hulme was Formula One world champion.
This episode of Greenstone Pictures' documentary series about maritime misfortune recounts the fate of the Boyd — a shipwreck created by a bloody act of revenge. Presenter Paul Gittins travels to Whangaroa Harbour in the Far North where, in 1809, local Maori slaughtered more than 60 passengers and crew. This savagery — and the cannibalism that followed — severely strained early Maori-Pakeha relations for decades. Gittins carefully examines the lead-up to the attack and former Race Relations Conciliator, and local resident, Hiwi Tauroa provides further context.
On 7 February 1863, the worst maritime disaster in New Zealand history occurred. British warship HMS Orpheus ran aground on a notorious sandbar at Manukau Heads, with the loss of 189 of the 259 onboard. Directed by John Milligan (Trio at the Top), this documentary was part of a series examining the country’s worst wrecks. Presented by Paul Gittins, it discusses the disaster, its cause, and the consequent investigations. While the British admiralty laid blame on the harbourmaster, local Māori interpreted the wreck as utu, for a breach of tapu by a Pākehā settler the previous day.
An urban Maori trust, Te Whanau o Waipareira has developed from modest beginnings as a vegetable selling co-op into the biggest employment and training organisation in West Auckland. This documentary by Toby Mills and Aileen O'Sullivan examines its operations through the eyes of four people who have had their lives turned around by its all encompassing social, health, justice and education programmes. Interviewees include Pita Sharples and trust CEO John Tamihere (who recounts early struggles to be accepted by government, council and business sectors).
After years of success manufacturing shoes, employing struggling members of the South Auckland community, and feeding hungry kids with the proceeds, entrepreneur Karroll Brent-Edmondson hit hard times in 1998. This 70-minute documentary follows Brent-Edmondson as she attempts to get her business back on track, and avoid liquidation, under the guidance of a committee led by Dick Hubbard. Brent-Edmondson was named 1995 Māori Businesswoman of the Year, and went on to feature in Top Shelf documentary A Hell of a Ride. She passed away in June 2006.
In the 13th episode of Epitaph's second season, Paul Gittins goes digging in Waikumete Cemetery. The epitaph for 25-year old convicted murderer Dennis Gunn, hanged in 1920 for shooting the Ponsonby Postmaster, includes an intriguing inscription: "sadly wronged". Gittins unearths the story of a post office robbery, and the first conviction in New Zealand based on fingerprint identification. The judge called the print an "unforgeable signature". Before he died, Gunn claimed innocence: "if only my brother-in-law will speak up I will be saved".
Kiwis are often accused of not being very good at expressing their feelings. This documentary (made for TV One's Work of Art programme) offers striking evidence to the contrary, using some of our favourite love songs as proof. A roll call of New Zealand's best-known musicians and songwriters talk here candidly about love, and play some of the songs inspired by their experiences. The result is a film that shines a light on love Kiwi-style, and provides a fascinating survey of New Zealand pop music from the last 30 years along the way.
On 28 April 1995, the collapse of a viewing platform at Cave Creek, in Paparoa National Park on the West Coast, caused 17 students and a Department of Conservation Field Centre manager to plunge 40 metres into a chasm. 14 died, and four were injured. The documentary (from which NZ On Screen has three excerpts) explores what happened and why, with accounts by family members, survivors, and DoC staff. Made three years after the tragedy, the programme looked at its lasting impact on those left behind. It won Best Documentary at the 1998 NZ Television Awards.
The giant, flightless moa, could stretch up to three metres tall and weighed up to 275kg. This documentary tells the story of the "mighty moa". It covers the bird's 19th Century rediscovery by English naturalist Richard Owen who surmised that the moa existed from bone evidence (leading to ‘moa mania' bone-trade); through ignition of hope that moa may still be alive when takahe (thought as dead as the dodo) were discovered in Fiordland in 1948; to digging up bird skeletons and remains of moa hunter culture in South Island swamps.
This documentary about Māori writer Witi Ihimaera features him in conversation with filmmaker Merata Mita. Ihimaera traverses his life and writing career, emphasising the importance of family (particularly his mother and grandmother) and his overriding Māori identity. Aileen O'Sullivan's film features a star-studded assemblage of local literature — Keri Hulme, Albert Wendt, publisher Geoff Walker — and a dramatised excerpt from his novel Bulibasha ( featuring Rena Owen, Michael Hurst and Rawiri Paratene), shot roughly two decades before 2016 movie adaptation Mahana.
Epitaphs on gravestones are the starting point for presenter Paul Gittins to unravel skeletons in cupboards, lovestruck suicide pacts, and fatal love letters. The series uses compelling personal stories to retell New Zealand history and effectively combines documentary and re-enactment. An actor and history enthusiast, Paul Gittins became a household name on Shortland Street (as Dr Michael McKenna) before he devised this series for Greenstone. Epitaph ran for three series, and won Best Factual Series at the 1999 NZ TV Awards.
In each episode of this popular TV series, actor Paul Gittins investigated the story behind the epitaph written on a gravestone. In this third episode from season one, Gittins visits the grave of Walter James Bolton, a Whanganui farmer who was the last man to get the death penalty in New Zealand. He was hanged on 18 February 1957, found guilty of poisoning his wife of 43 years with arsenic derived from sheep dip. Gittins meets Peter Waller, a campaigner for Bolton’s innocence, who claims to be his son. Bryan Bruce revisited the case in 2007 on his series The Investigator.
Icon in B Minor: a musical odyssey is the tale of two creative souls from different centuries with the same belief in spiritual transformation through their art. World-renowned New Zealand concert pianist Michael Houstoun is filmed on his pilgrimage to Germany, where composer Franz Liszt spent his last years. Houstoun is preparing for his performance of Liszt's monumental work, Sonata in B Minor. Produced and directed by Tainui Stephens, Icon in B Minor screened as part of the Work of Art series.
This full-length documentary gives warm-spirited context to the song that has been the soundtrack to countless back lawn crate parties and freezing works chains (watch the credits). It was released as the B-side of singer Engelbert Humperdinck's Please Release Me, and became an unlikely hit in Aotearoa with fans who have done the "dance, dance, dance ...": including Dalvanius (who discusses its "pop-schlock" charms), Bunny Walters, The Topp Twins, and a special group of ten guitarists. The documentary also explores why "the national anthem of Patea" is so appealing to Māori.
This ten minute drama features actor Jay Laga'aia (Street Legal). Malama (Saili Williams) is a young girl who lost her eyesight in the car crash that also killed her mother. Although she can't see in the physical world, Malama has gained a window to the spirit world. Her father Ta'a (Laga'aia) still grieves and can't cope with raising the kids. His frustrations manifest as anger. When Malama and her brother attend their baptism, the family crisis hits boiling point. Malama screened as part of pioneering Pacific Island drama series Tala Pasifika.
Letter to Blanchy was a gentle back-blocks comedy co-written by A.K. Grant, Tom Scott and comedy duo, McPhail and Gadsby (who also starred). Each episode centred on the bumblings of a trio of mates living in a fictional small town: intellectual Derek (McPhail), rough-diamond Barry (Gadsby) and tradesman Ray (Rowley). The show's narration comes from a letter written to Blanchy, a friend living in the relative sophistication of Christchurch. The series was adapted for a theatre tour in 2008.
Created by writer Greg McGee, Marlin Bay was one of the first primetime drama series from South Pacific Pictures. It follows the events of a far-north resort and casino; a number of well-known actors made up the cast of earthy locals, wealthy foreigners and city weekenders, including Ilona Rodgers, Don Selwyn, Andy Anderson and Katie Wolfe. Kevin Smith received a 1995 Best Supporting Actor nod for his role as villain Paul Cosic. In this episode the swarthy Cosic cooks up an illegal smuggling scheme to diversify a farm's income stream.
In this documentary for TV One, director Aileen O'Sullivan turns the camera on three sets of mother/daughter artists, and asks whether art is in the genes. Interviewing each other about their creative lives are actor Kate Harcourt and actor/acting teacher Miranda Harcourt; weaver Erenora Puketapu-Hetet and weaver/painter Veranoa Hetet (née Hauwaho); and painter Jacqueline Fahey and performer/sculptor Augusta McDonald. Frank yet loving discussions abound, like when Hetet tells her mother "sometimes you come up with silly things".
A big budget New Zealand-French-Australian co-production, kidult series Deepwater Haven screened on TV2. It followed the fortunes of Waitemata Harbour tugboat skipper Jack Wilson (Vince Martin of Beaurepairies advertising fame) and his two kids, Georgie (Jay Saussey) and Peter (Peter Malloch). This opening episode sees Jack struggling to keep his business afloat; the local cafe is burgled; and Peter, marooned at a dry dock while on the run from bullies, is rescued by a street kid (future Pluto singer Milan Borich). Saussey won a NZ Film and TV Award for her role.
Marlin Bay was a drama series following the comings and goings of a far-north resort and casino. Andy Anderson, Ilona Rogers, Don Selwyn, Pete Smith, Katie Wolfe and others made up the cast of earthy locals, wealthy foreigners, and city weekenders. Created by writer Greg McGee, Marlin Bay was one of the first primetime drama series from South Pacific Pictures. Kevin Smith received a 1995 Best Supporting Actor nod for his role as villain Paul Cosic.
Heartland was a long-running series where, in each episode, affable presenter Gary McCormick explored a Kiwi community. Location and local legend are relayed as McCormick (or occasionally Annie Whittle, Maggie Barry, or Kerre McIvor) interacts with the natives, most famously, tiger slipper-shod Chloe of Wainuiomata. The popular, award-winning series, was inspired by a collaboration — Raglan by the Sea — between McCormick and director Bruce Morrison; it connected mostly-urban Kiwis with faraway corners of the country, and a homely sense of shared identity.
Māori Battalion - March To Victory tells the story of the New Zealand Army's (28th) Māori Battalion, which fought in campaigns during World War ll. Director and writer Tainui Stephens sets out in the feature-length documentary to tell the stories of five men who served with the unit, and also "capture how they felt about it". Narration by actor George Henare, remembrances, visits to historic sites, archival footage, and graphic stills create a respectful and stirring screen testament to the men who fought in the Battalion. Stephens writes about the film in the backgrounder.
This TVNZ production screened at the end of 1989, just before the 150th anniversary of the signing of the Treaty of Waitangi. Filmed at Government House, presenter Ian Johnstone oversees passionate kōrero as a panel of youngsters, academics and Māori and Pākehā elders debate the place of New Zealand’s founding document. Don Selwyn and Angela D’Audney explore its history, and Sir Paul Reeves begins by musing on chief Te Kemara’s famous about-turn, when, after first opposing the Treaty, he turned to Hobson and said: “How d’ye do Mr Governor”.
This is the first of a two-part "money and greed" morality tale set in a Rogernomics-era 'New Auckland' of property deals and horse racing. Working class lass Tammy (Annie Whittle) and art consultant Joanna (Miranda Harcourt, fresh from Gloss) are an unlikely duo who inherit a racehorse and a greasy spoon cafe (instant coffee rather than cappuccino). Brit import James Faulkner plays a shady developer whose scheme is blocked by the duo. Murder, underhand unitary plans, yuppie love and old gambling debts complicate life for Tammy and Joanna.
Set in a Rogernomics-era 'New Auckland' world of property deals and horse racing, the second part of this 1989 mini-series sees the brassy odd couple Tammy (Annie Whittle) and Joanna (Miranda Harcourt) in deep water. The working class battler and the art consultant have done up their inherited greasy spoon, but they're the "only fly in the ointment" of the 'Vision 2000' scheme of a nefarious developer (Brit import James Faulkner). Girl power meets utopian unitary planning as the duo find bones in the basement, and get too close to the secrets of Huntercorp HQ.
This series of five stand-alone, observational documentaries was made by TVNZ and screened in late 1988. According to producer Alan Thurston, the aim of its fly on the wall approach was to let the story unfold without reporter presence so the audience could “share the experience rather than be told about it”. The subjects were adoption and a birth mother’s search for her daughter, the changing face of Auckland’s Ponsonby Road, life on Pitt Island, a Graham Dingle trek for young offenders and a community centre in the Wellington suburb of Porirua.
As a member of the Ulster Volunteer Force, Brian Deeds (Belfast-born actor Ian McElhinney) grassed on 23 fellow terrorists in Northern Ireland. Now living in New Zealand under a new identity, Deeds has to come clean to his girlfriend (Judy McIntosh) when a hit squad arrives in town for him. This clip sees guns and car crashes on the streets of Dunedin. Made in NZ, the Anglo-Kiwi funded TV movie won solid audiences on UK television, before local release on video. Ian Mune (Came a Hot Friday) directs; Marshall Napier and Temuera Morrison are the cops playing catch up.
This TVNZ documentary captures the early days of NewstalkZB, shortly after Radio New Zealand gambled on relaunching it with an all talk format. Previous breakfast host Merv Smith has taken most of his audience to rival Radio i; his replacement is Paul Holmes. The former king of the Wellington airwaves is soon grappling to make an impact in Auckland. Competition amongst the stations is cutthroat, but Holmes is the focal point here. He’s under pressure and surrounded by a battery of often conflicting opinions. By 1988 he'd hauled the show from ninth to second in the ratings.
Created by actor/writer Jonathan Hardy, comedy series Porters was based around a group of porters working in a big city hospital. This episode features an early screen appearance by Rima Te Wiata (Hunt for the Wilderpeople); she guest stars as a worried nurse who calls on junior porter Peter (Stephen Judd from Bridge to Nowhere), after hearing some strange noises on the night shift. An encounter in the mortuary awaits. The episode also includes appearances by fellow porters George Henare, Peter Bland and Bill Johnson, with Roy Billing playing their long-suffering boss.
To mark its first 25 years, TVNZ commissioned independent producer Ian Mackersey to chronicle a day in its life as the national broadcaster. Coverage is split between the often extreme lengths (and heights) gone to by technicians maintaining coverage, and the work of programme makers — including the casts and crews of McPhail and Gadsby and Country GP. The real drama is in the news studio during the 6.30 bulletin (with light relief from the switchboard) in this intriguing glance back at a pre-digital, two channel TV age during the infancy of computers.
Dunedin barrister Alf Hanlon’s first — and most famous — defence case was the first episode in this award-winning drama series about his career. In 1895, alleged baby farmer Minnie Dean was charged with murdering two infants in her care. Hanlon’s inspired manslaughter defence was undermined by the judge’s direction to the jury; and Dean became the only woman to be hanged in NZ. Hanlon vowed none of his future clients would ever suffer this fate. Emmy-nominated and a major critical success, the episode contributed to a re-evaluation of Dean’s conviction.
This was New Zealand's first big historical drama after the controversy over the cost of The Governor almost a decade earlier. Over seven episodes — set between 1895 and 1914 — it followed the life of Dunedin barrister Alf Hanlon, focussing on six of his most important cases. British actor David Gwillim played Hanlon, while Australian Robyn Nevin was cast as convicted baby murderer Minnie Dean in the first and most celebrated episode. A major critical, ratings and awards success, it immediately recouped its budget when the Minnie Dean episode spurred a big international sale.
Heroes followed a band trying to make it in the mid-80s music biz. Teen-orientated, the show marked a first major role for Jay Laga’aia (Star Wars), and an early gig for Michael Hurst (with blonde Billy Idol spikes). Band keyboardist John Gibson co-wrote the series music; he later became an award-winning film composer. Margaret Umbers (Shortland Street, Bridge to Nowhere) was a non-musician in the cast (with Hurst), but since has sung regularly in a jazz band. A second series follow in 1986.
In April 1984 Poi-E was atop the NZ music charts, with ‘Jo the breakdancer’ starring in the song's music video. So it's apt that this edition of the TVNZ youth show looks at “the craze currently sweeping New Zealand — breakdancing”. In her first presenting gig, future MTV host Phillipa Dann heads to Mangere to bop and head-spin. Elsewhere in this season opener, David Hindley reports on a School Certificate controversy, and why young drivers are dying on country roads. Co-presenting back in Viewfinder’s Dunedin studio is Uelese Petaia (star of movie Sons for the Return Home).
Classic sci-fi series Under the Mountain follows redheaded twins with psychic powers — Rachel and Theo — as they battle the alien Wilberforces. This fourth episode sees the twins venture into the aliens' submarine lair for the first time. The lair's moody production design, the NZ Symphony Orchestra's score, and creepy transmogrifying special effects contributed to the slimy imprint the series left on a generation of Kiwi kids, haunted by the giant slugs slithering underneath Auckland's volcanoes. The award-winning series was adapted from the Maurice Gee novel.
Classic sci-fi TV series Under the Mountain follows the adventures of redheaded twins with psychic powers — Rachel and Theo — on their Auckland summer holiday. They meet the mysterious Mr Jones, an alien emissary who enlists them in the battle against the evil Wilberforces, who are plotting planetary destruction. Adapted from the Maurice Gee novel, the series' fx left their slimy imprint on a generation of NZ kids, haunted by the transmogrifying Wilberforces, who changed from humans into giant slugs slithering underneath Auckland’s volcanoes.
Mortimer’s Patch was a popular police series following detective Doug Mortimer (Terence Cooper), a city cop returning to his rural roots. In the first episode, scripted by Keith Aberdein (The Governor), a girl (Greer Robson) goes missing in sand dunes near the shack of an eccentric recluse. Fear and suspicion mounts, and Mortimer brings in help from the city: prejudiced detective Chris Knight (Ken Blackburn). Don Selwyn plays Sergeant Bob Storey. In this background piece, Mortimer's Patch producer Tom Finlayson writes about the show's birth, death and double resurrection.
This film documents Auckland's Round the Bays run. In 1980 jogging was booming, with coach Arthur Lydiard and a band of Olympic champs (Snell, Walker, etc) inspiring the way. Here, participants run and reflect, from a blind runner, to children and an army squad. Slo-mo sweat, sinew and samba shots frame the 70,000 runners as members of an infectious cult chasing the piper around the waterfront. Adidas, terry towelling and facial hair make the film a relaxed 70s update on Olympiad; directed by Sam Pillsbury it won awards at Chicago and Torino festivals.
Mortimer’s Patch was a popular drama series following Detective Sergeant Doug Mortimer (Terence Cooper) at work in the town of Cobham. Mortimer plays a city cop returning to his rural roots; Don Selwyn is Sergeant Bob Storey. The series was NZ’s first police drama, and a rare local drama to top ratings. Mortimer's Patch was made when the archetype of the ‘community cop’ everyone knew was still a powerful one, and it was a counterweight to the faceless riot policing of the Springbok Tour. Three series were made.
While convalescing down under Sir Charles Pemberton (Terence Cooper) schemes to build a thermal spa in the town of Wainamu c.1900. Conflict ensues as the spa’s planned location is on Māori land. The action is seen through the eyes of youngsters: hotelier’s son Tom, and Pemberton’s granddaughter Sarah Jane; who — along with an erupting volcano — eventually impart on Sir Charles a lesson about colonial hubris. The 13-part series was a marquee title from a golden age of Kiwi kidult telly-making: it won multiple Feltex awards, and screened on the BBC in 1980.
This Feltex award-winning kidult series is set in the colonial town of Wainamu in 1900, amidst the North Island’s ‘thermal wonderland’. It follows the challenges that Sir Charles Pemberton (Terence Cooper) faces in building a spa on Māori land. In this first episode, local lad Tom, son of the hotelier, is irritated by the arrival of Sir Charles and his aristocratic entourage (particularly granddaughter Sarah Jane, also known as “Little Miss Prim”). Their train is late after being spooked by natives. Tom's gang of shanghai-toting scallywags also take on the mean local butcher.
Died in the Wool was part of a TV anthology adapting the murder mysteries of Dame Ngaio Marsh. MP Flossie Rubrick has been found dead in a wool bale, and it's up to Inspector Roderick Alleyn (UK actor George Baker — Bond, Z Cars, I, Claudius) to unravel the secrets of a South Island sheep station. The tale of a cultured Englishman amidst World War II spies, Bach and seamy colonial crimes — like Marsh's books — found a global audience: it was the first NZ TV drama to screen in the US (on PBS). Includes a Cluedo-style sitting room inquest and a wool shed reveal.
Kidult drama Gather your Dreams follows Kitty (Kerry McGregor), an aspiring performer travelling with her family's vaudeville troupe in 1930s NZ. In this episode, the troupe competes for viewers with boxing promoter Ted Crawley (George Henare) at a Depression relief camp. Troupe patriarch Wallace (Terence Cooper) plots to best Crawley by managing "Haggis the brawling Scot" (actor's agent and On the Mat legend Robert Bruce’s acting debut). But the 'worker's hope' turns out to be a stooge with a glass jaw. Will coaching from Kitty save the day? The show must go on!
Children's adventure series Gather Your Dreams follows Kitty, a teenager who dreams of stardom while travelling with her family's vaudeville troupe in Depression-era 1930s New Zealand. The troupe's impresario (and Kitty’s father) was played by Mortimer’s Patch star Terence Cooper. Mostly shot in the Coromandel, the half hour 13-part series was one of a run of kidult dramas made in the late 70s by South Pacific Television. Like its predecessor — colonial scamp saga Hunter's Gold — it had international sales success. Dreams was helmed by Hunter's Gold director Tom Parkinson.
The Mackenzie Affair told the story of colonial folk hero James Mackenzie: accused of rustling 1000 sheep in the high country that would later bear his name. This fifth and final episode sees the manhunt for Mackenzie over, with ‘Jock’ facing a sentence of hard labour and provoking sympathy from equivocal sheriff Henry Tancred. Adapted from James McNeish’s book, the early co-production (with Scottish TV) imported Caledonian lead actor James Cosmo (Braveheart, Game of Thrones) and veteran UK TV director Joan Craft. It was made by Hunter’s Gold producer John McRae.
The five-part series told the story of colonial outlaw James Mackenzie: accused of rustling 1000 sheep in the high country that would bear his name. His escapades on the lam elevated him to folk hero status. Like producer John McRae’s prior series, Hunter’s Gold, the South Pacific Television ‘prestige’ drama was made with export in mind. Adapted from James McNeish’s book, the early co-production — with Scottish TV, where the opening episode was shot — imported Caledonian lead actor James Cosmo (Braveheart, Game of Thrones) and veteran UK TV director Joan Craft.
This classic kids’ adventure tale follows a 13-year-old boy on a quest to find his father, missing amidst the 1860s Otago gold rush. When it launched in September 1976, the 13 part series was the most expensive local TV drama yet made. Under the reins of director Tom Parkinson, the series brandished unprecedented production values, and panned the Central Otago vistas for all their worth. Its huge local popularity was matched abroad (BBC screened it multiple times); it showed that NZ-made kids’ drama could be exported, and helped establish the new second television channel.
This classic kids’ adventure series follows a boy trying to find his missing father, amidst the 1860s Otago gold rush. The show displayed unprecedented production values, and demonstrated that Kiwi-made kids’ drama could be successfully exported. This first episode sees Scott Hunter (Andrew Hawthorn) steal away to Tucker’s Valley, spurred on by his unsympathetic uncle. In the background pieces, writer Roger Simpson recalls creating 13 scripts at high speed, and director Tom Parkinson writes about the Kiwi landscape as character, and finding the production team.
Section 7 was New Zealand’s first urban TV drama series and followed soon after Pukemanu (which was set in a logging town). Taking its name from the Criminal Justice Act section which placed offenders on probation, it focussed on a Probation Service office and addressed issues of the day including new migrants, ship girls and domestic violence. Expatriate Ewen Solon returned from England to take the lead role in a series very much based on British dramas of the time. More popular with critics than the public, Section 7 was limited to 11 half-hour episodes.
This Day debuted on Auckland screens in February, 1970. A regional news magazine programme, it went to air each weeknight at about 7:20pm - immediately after the recently introduced network news bulletin (in a controversial new 7pm timeslot). It provided coverage of local issues that had previously been covered by Town and Around. Viewers in Wellington saw Newsview and the South Island was served by The Mainland Touch. This Day staff included Rhys Jones, Craig Little, Karen Jackman, John Bowler, Ian Watkins and Hanafi Hayes. In 1974 it was retitled Look North.
The iconic all-things-rural show is the longest running programme on New Zealand television. With its typical patient observational style (that allows stories of people and the land to gently unfold) it’s an unlikely broadcasting star, but New Zealanders continue, after 50 plus years, to tune in. Amongst the bucolic tales of farming, fishing and forestry, there are high country musters, floods, organic brewing, falconry, tobacco farming, as well as a fencing wire-playing farmer-musician, a radio-controlled dog, and Fred Dagg and the Trevs.
Town and Around was a nightly magazine show, covering everything from current affairs and studio interviews to slapstick to stunts; including a notorious spoof on a farmer who shod his turkeys in gumboots. A popular and wide-ranging regional series, it ran for five years from 1965, and was the training ground for a generation of industry professionals (Brian Edwards, David McPhail, and Des Monaghan amongst many others). Town and Around was made prior to a national network link, and editions came out of Auckland, Wellington, Christchurch and Dunedin.