Caterina De Nave, who passed away on 17 August 2014, helped break the glass ceiling for women working in local television. As a network executive at both TVNZ and TV3, she often commissioned new writing and directing talent, and was a key player in the development of Shortland Street, Outrageous Fortune and Montana Sunday Theatre. In 2009 De Nave crossed the Tasman to join Australian broadcaster SBS.
Caterina De Nave had a huge heart and a huge intellect. She lived and breathed TV, was keen to take risks and fully embraced the new media landscape ... Cat was generous, passionate, warm, compassionate, stubborn and spirited — and had a wicked sense of humour. She believed the best in people and in making the world a better place. And thanks to Cat it is. TV3 executives Mark Caulton, Sue Woodfield and John McDonald, 19 August 2014
This award-winning telefilm imagines the effects of a major earthquake on New Zealand’s capital city, and how its citizens react to chaos, death, isolation and tsunami. It was completed in 2008 — before Christchurch took Wellington’s mantle as NZ's shakiest city, and made Aftershock's imagined scenes a reality. Aftershock was produced for TV3 by The Gibson Group, and written by veteran screenwriter Graeme Tetley (Out of the Blue, Vigil). The following week saw the debut of Aftershock - Would You Survive?, which put a real-life family through a three-day survival test.
MyStory was the first “mobisode” funded by NZ On Air. It tracks a group of young people in their ‘gap year’ between high school and university as they discover one of their friends has gone missing. The 40 x two-minute episodes screened on C4, and was able to be downloaded daily to 3G phones on the Vodafone network, or watched (as a weekly collection) on the C4 website on Sundays. Created by Gibson Group producer Bevin Linkhorn, the series was directed by Peter Salmon.
Doves of War is a political thriller revolving around a group of ex-Kiwi soldiers and their involvement in a war crime committed 10 years earlier. In this opening episode media reports of a mass grave discovered in Bosnia, force ex-SAS Sergeant Lucas Crichton (Aussie actor Andrew Rodoreda) to revisit a past he and his comrades would rather keep buried. Also on the trail is ambitious Hague prosecutor Sophie Morgan and the journalist who was leaked the story. Written by Greg McGee (Fallout, Erebus, Skin and Bone), Doves screened for one season on TV3.
Hit animated comedy series bro'Town was born from the poly-saturated comedy of theatre group The Naked Samoans. This episode from the second series sees the boys taking on a cast-off racehorse called Honky, and with help (and hindrance) from Vale and Valea's gambling-addicted father, training him to race in the Morningside Cup. Valea faces up to his horse phobia to ride Honky on the big day. Meanwhile special subtitles help explain what this horse is really thinking.
This children's post-apocalyptic fantasy series follows a circus troupe on their quest to save the city of Solis. Conceived by Margaret Mahy and developed by Gavin Strawhan and Rachel Lang, the award-winning series was produced by South Pacific Pictures. A young Rose McIver (future Tinker Bell in US TV show Once Upon a Time) led the cast, acting with a caravan of Kiwi veterans. Māori elements mixed with rural West Auckland sets in the ‘solar punk’ rendering of the future. Here, Garland (McIver) faces tragedy but meets two boys (and a baby) with magical powers.
This sex in the capital city series centres around 30-something Melissa (Luanne Gordon), who has shed a corporate legal career to set up a male strip revue. The Gibson Group-produced show married the fretful modern woman protagonist of Ally McBeal with the hen's night appeal of Ladies Night; it screened for two series on TV3. In this episode from the first series Melissa enjoys her towel-clad new flatmate Adam (Robbie Magasiva), while her copper boyfriend Shane (Stephen Lovatt) doesn't. And Mel's teenage daughter contemplates 'the first time'.
The Strip centres around 30-something Melissa (Luanne Gordon), who sheds a legal career to set up a male strip revue. Created by Alan Brash, The Strip played to a certain demographic's desire for ogling naked men (warmed up by 1987 play Ladies Night and 1997 film The Full Monty), but with a focus on female characters, as Melissa juggles business with raising a teenage daughter. Taking cues from Ally McBeal (with fantasy sequences to match) the Gibson Group tale of g-strings, feminism and red light romance screened for two series on TV3 and sold internationally.
National treasures The Topp Twins (aka twins Lynda and Jools Topp) have performed as a country-music singing comedy duo for more than 25 years. In the late 1990s they created their own award-winning TV series which ran for three seasons. It showcased their iconic cast of Kiwi characters, including Camp Mother, the Bowling Ladies and cross-dressing Ken and Ken. This episode from the third and final series features the twins in their many guises enjoying an afternoon at the Waipu Highland Games. "Look at the leather work in that sporran!"
A dark and mystery-filled drama about a 70s hippy (Danielle Cormack) who falls in love with a Vietnam vet (Kevin Smith). But has fate brought them together, only in order to drive them apart? And what exactly happened to their child? This twist-filled tale of seances, damaged people, and conflicting versions of truth marked the directorial debut of short filmmaker Christine Parker. At the 1999 New Zealand film awards, Channelling Baby was nominated in six categories, including best actress and best original screenplay. Read more about the film here.
In the late 90s Kiwi treasures The Topp Twins (aka Lynda and Jools Topp) created their own TV series. Over three seasons it showcased their iconic cast of Kiwi characters and singing and yodelling talents. These excerpts from the second season feature a country and western saloon musical dream sequence (with fluffy pink slippers, feather boas and sharpshooters and car sharks in drag). Meanwhile Camp Mother and Ken Moller compete at the speedway in a bambina and a Hillman Hunter respectively.
This documentary about Māori writer Witi Ihimaera features him in conversation with filmmaker Merata Mita. Ihimaera traverses his life and writing career, emphasising the importance of family (particularly his mother and grandmother) and his overriding Māori identity. Aileen O'Sullivan's film features a star-studded assemblage of local literature — Keri Hulme, Albert Wendt, publisher Geoff Walker — and a dramatised excerpt from his novel Bulibasha ( featuring Rena Owen, Michael Hurst and Rawiri Paratene), shot roughly two decades before 2016 movie adaptation Mahana.
When high-powered director of commercials Hugh Chance (Michael Hurst) visits a small backwater town, the 'for sale' sign on the local tavern offers too good a chance to overlook — especially with the chance to create a set of waterfront condos. But the locals don’t take too kindly to this intruder trying to turn their town into a holiday resort. Starring alongside Hurst in this 47 minute teleplay are Michael Galvin and Stephen Lovatt (Being Eve) as two fellow admen, while Meryl Main (Plain Tastes) features as local artist and cafe owner Jess, who earns both Chance’s ire and affections.
Intergenerational warfare, mad aunts, bored teens, affairs, abortions and the ache of regret are on the menu in place of sausage rolls in Home Movie. A christening is the crux around which a family does its best to pull apart at the seams. Performances and a script attuned to the details of domestic disturbance don't hold back (America's Funniest Home Videos this ain't). Directed and written by Fiona Samuel, it was part of TV One's Montana Sunday Drama series. It won best actor, actress and TV drama at the 1998 NZ Film and TV Awards. Samuel writes about making Home Movie here.
One of Them! was one of two dramas (alongside Niki Caro movie Memory and Desire) inspired by short stories collected in Peter Wells' 1991 book Dangerous Desires. It was made for TV One as a Montana Sunday drama. Set in Auckland, 1965, One of Them! follows Lemmy and Jamie, two teenage boys coming to terms with their sexuality. In the dark days before gay liberation, bullying and intimidation was rife, and while the boys flaunt their sissyness, their internalised homophobia wreaks havoc on their emotional lives — until they can admit to being "one of them".
Are workplaces a chance for mutual gain, or is it only the higher ups that benefit? Dean Parker's award-winning script for this Sunday TV drama certainly doesn't duck the awkward questions. Joel Tobeck and Luisa Burgess play Bosco and Selena, who get factory jobs as assembly workers, get it on, then take opposing sides on motivational talks by management. Conscious the story would be punctuated with advertisements, Parker decided to counterattack by slipping in occasional clips from an interview with legendary unionist Jock Barnes. Later Parker turned the film into a play.
Readings from the poems of James K Baxter trace the poet's life through its various New Zealand locations, and provide a biographical voice in this film by Bruce Morrison (co-written with Dr Paul Millar). Baxter's family and friends discuss the man and his work, and the readings and beautifully shot landscapes fill in the gaps. The film won Best Documentary at the 1998 Film and TV Awards. The opening montage, describing "the chugging noise of masturbation from the bedrooms of the bourgeois" of Auckland, is seminal Baxter.
National treasures The Topp Twins (aka twins Lynda and Jools Topp) have performed as a country-music singing and yodelling comedy duo for more than 25 years. In the late 90s they created their own TV series which ran for three seasons and showcased their iconic cast of Kiwi characters, including Camp Mother, the Bowling Ladies and cross-dressing Ken and Ken. The series, travelling from a Highland Games to a Tauranga triathlon, won the twins - out-and-proud lesbians - several gongs at the NZ Film and TV Awards and screened on the ABC and Foxtel in Australia.
This documentary offers a glimpse into the life, art, and inimitable cheeky-as-a-kaka style of late Kiwi poet, Hone Tuwhare. In the Gaylene Preston-directed film, the man with "the big rubber face" (cheers Glenn Colquhoun) is observed at home, and travelling the country reading his work; polishing a new love poem; visiting old drinking haunts; reading to a hall full of entranced students; and expounding his distinctive views on everything from The Bible to Karl Marx's love life. He reads some of his best-known poems, including Rain and No Ordinary Sun.
This documentary shows two directors and a cast of actors working to breathe new life into Shakespeare. Veteran Ian Mune prepares to tackle one of the most difficult leading roles in classical theatre: King Lear. "If you're gonna climb hills, why not Everest?" he says. The unorthodox, bring it alive approach of Theatre At Large directors Anna Marbrook and Christian Penny (future director of Toi Whakaari) seems to err on the side of playfulness. But viewers are shown there is a method to their madness, when scenes from Shakespeare's drama are presented in beautifully-lit tableaus.
Swimming Lessons is the story of jaded swimming coach Jim Sadler (Marshall - Came a Hot Friday, The Navigator - Napier) and a spirited seven-year-old delinquent who comes under his instruction. The troubled Samoan boy is a potential champion, but the challenges of training him force the coach to confront his own failings in life: one as seemingly straight as the pool's lane line. Directed by Steve La Hood, Swimming Lessons won two NZ TV Awards. It screened as part of Montana Sunday Theatre and was the TV producing debut for Philippa Campbell.
Written by Fiona Samuel (Marching Girls, Bliss, Home Movie) and produced by Ginette McDonald for television’s Montana Sunday Theatre, Face Value is a trilogy of monologues delivered by three separate women. While each woman’s story and background are vastly different, they are all united by their shared quest to find happiness amidst personal trauma. In A Real Dog, Carol Smith’s performance is spot-on as Lynette, a conflicted new-age hippie who struggles to recreate harmony when a new flatmate (and her estranged boyfriend) moves in.
Written by Fiona Samuel, Face Value was a trilogy of monologues by three women with different stories to tell but who all share a quest for inner happiness. Ginette McDonald plays Steph, the pampered wife of a wealthy advertising executive in Her New Life. The action centres on Steph’s preparations for a friend’s daughter’s wedding while her husband is away on a business trip. The script cleverly subverts viewer expectations; and McDonald's performance delivers a fair dose of pathos from it. Her New Life was a finalist at the Banff and New York TV Festivals.
Written by Fiona Samuel and produced by Ginette McDonald, Face Value is a series of monologues by three women with very different stories to tell, but who share a quest for inner happiness. In House Rules, the inimitable Davina Whitehouse gives a poignant performance as Miss Judd, a housekeeper of 22 years who is forced to reassess her life and situation after her employer’s death. Propriety at all costs is the rule of the day. House Rules is another example of Samuel’s ability to create memorable and subtly complex female characters.
An epic documentary chronicling the extraordinary life of Kiwi filmmaker Colin McKenzie. Or is it? McKenzie's achievements included cinematic innovations involving steam power and eggs, and an unfinished biblical tale filmed on the West Coast. The first television screening of this Costa Botes/Peter Jackson production memorably stirred up New Zealand audiences. Forgotten Silver went on to screen at international film festivals in Cannes and Venice — where it won a special critics' prize.
This short, written and directed by Christine Parker (Channelling Baby) takes an allegorical look at the creative process. A writer (Rima Te Wiata) has a korero with a trickster spirit guide Hinekaro (voiced by Rena Owen), and conjures worlds from the words she inks on a page. In her imaginative struggles she’s visited by a ruru owl and her younger self, and other creatures are brought strikingly to life via special effects (beetles from a book, an eel hiding in a toilet bowl). Hinekaro was adapted from a 1991 short story by Booker Prize-winner Keri Hulme.
In this award-winning Montana Sunday Theatre drama, Cliff Curtis plays Jim, a grungy rocker who can’t (and doesn’t want to) commit to a straight life with his misguidedly hopeful girlfriend Sina (Sarah Smuts-Kennedy). A night of emotional turmoil in the city ensues as Sina does her best to avoid the reality of her situation (as well as home invasion and Jim’s dodgy manager). Fiona Samuel's darkly funny script and top-notch casting underpin this look at the not-so-delicate nature of relationships amongst a group of Generation X Aucklanders.
Luscious fruit, truckies, and Lucy Lawless feature in this Christine Parker short. Sal (Tania Simon) is gifted a peach and meets a saucy tow truck driver (Lawless) en route home to her toddler, and domestics with boyfriend Mog (Joel Tobeck). Mog’s truckie mates arrive for beers, including the nameless driver, whose presence (and peach-eating advice) stirs up desire. “Watch it rot, or taste it when it’s ripe.” A roster of leading NZ film talent worked with Parker on the film, and Lawless' turn hints at the cross-sexual appeal of her breakthrough role on Xena - Warrior Princess.
The Wellington seaside suburb of Island Bay is sometimes called Little Italy, thanks to the many Italians who have moved there. This episode of Immigrant Nation is based on interviews with Italian migrants to the suburb — from the woman who remembers the time during World War II when locals stopped talking to her, to the young man feeling "a magnetic pull" back to Italy. Although Italian fishing boats are now rarely seen in Island Bay, old traditions live on; and one woman talks about the responsibility of carrying on Italian traditions and culture into the future.
Ever wondered why artist Peter Peryer photographed himself holding a chicken? This documentary provides the answer. Directed by Greg Stitt (Just Me and Mario), it traces the path of one of New Zealand's most significant, and intriguing, art photographers — from "crucified Christ to laughing Buddha" — through Catholic themes, to a more minimalist approach. Also showcased are some of Peryer's captivating images: the "bodies of work, families of photos, and images that rhyme". The photographer passed away on 18 November 2018.
This Work of Art documentary follows veteran actor and director Ian Mune as he works with NZ Drama School graduates, to write and shoot a 15 minute film in just two days. Many of the actors (who include future bro'Town voice David Fane and Saving Grace's Kirsty Hamilton) have little experience acting for the camera. Mune passes on lessons learned in a career that began long before such tuition was available locally. Shot at Wellington Railway Station, Rush Hour, the resulting film, is included in its entirety during this fascinating insight into the creative process.
In this documentary for TV One, director Aileen O'Sullivan turns the camera on three sets of mother/daughter artists, and asks whether art is in the genes. Interviewing each other about their creative lives are actor Kate Harcourt and actor/acting teacher Miranda Harcourt; weaver Erenora Puketapu-Hetet and weaver/painter Veranoa Hetet (née Hauwaho); and painter Jacqueline Fahey and performer/sculptor Augusta McDonald. Frank yet loving discussions abound, like when Hetet tells her mother "sometimes you come up with silly things".
Pacific 3-2-1-Zero is a record of a performance of the eponymous work by renowned percussion group From Scratch. The work was devised in 1981 as a protest against nuclear testing and waste dumping in the Pacific. Ring-leader Phil Dadson, his players and their instruments — from whirling PVC pipes to biscuit tin lids — are arranged in the shape of the peace symbol. From Scratch's rhythms are cut with footage and facts of nuclear testing by director Gregor Nicholas to make for a resonant statement. The film won the Grand Prix at Midem’s 1994 Visual Music Awards.
This film documents Miranda Harcourt taking her stageplay Verbatim (written by Harcourt and William Brandt) to prison audiences. The play is a six-character monologue made up of accounts of violent crime, all performed by Harcourt. Director Shirley Horrocks captures the reactions of the prison inmates watching their own lives unfold on stage. Harcourt’s powerful performance is augmented with revealing testimonies of the broken men and women who agree to be interviewed. The documentary won the premier prize at the 1993 Media Peace Awards.
John O'Shea was godfather to generations of Kiwi filmmakers; he was an inspirational force committed to bringing new perspectives to the screen. As Ngati actor Wi Kuki Kaa put it, "had he been a Māori, he would have been a kaumatua years ago". This documentary backgrounds O'Shea and his pioneering indie production company Pacific Films, ranging from his efforts to put Māori on screen, to banned 60s ads. The cast provides proof positive of O'Shea's influence — amongst the ex-Pacific staff interviewed are the late Barry Barclay, Tony Williams and Gaylene Preston.
This Steve La Hood-directed documentary provides a candid, behind-the-scenes portrait of an orchestral musician's life, following the New Zealand Symphony Orchestra for 13 days on a nationwide tour. Included is footage of rehearsals, travel, and concert performances. There's a glimpse of some internal politics, and insight into how the musicians relax. Holding the baton is conductor Nicholas Braithwaite; guest pianist on tour is Peter Donohoe. Rachmaninov's 3rd Piano Concerto and Paul McCartney's Liverpool Oratorio feature prominently.
This Royal New Zealand Ballet performance of Stravinsky’s Petrouchka stays true to the original 1911 version by legendary ballet company Ballet Russes, in more than just spelling. As tormented puppet Petrouchka, Douglas Wright pays tribute to legendary performer Vaslav Nijinsky. Designer Raymond Boyce channels Alexandre Benois, while Russell Kerr's choreography evokes Mikhail Fokine. The sellout season was reviewed as "phenomenal" and "a visual feast… exploding with colour and shifting image". Future TV executive Andrew Shaw directed coverage of the ballet.
Shortland Street is a fast-paced serial drama set in an inner city Auckland hospital. The long-running South Pacific Pictures production is based around the births, deaths and marriages of the hospital's staff and patients. It screens on TVNZ’s TV2 network five days a week. In 2017 the show was set to celebrate its 25th anniversary, making it New Zealand’s longest running drama by far. Characters and lines from the show have entered the culture — starting with “you’re not in Guatemala now, Dr Ropata!” in the very first episode. Mihi Murray writes about Shortland Street here.
The first episode of Shortland Street starts with a pregnant woman being rushed to the clinic after an accident. Only the doctors are all missing. Visiting doctor Hone Ropata (Temuera Morrison), who is soon to join the team, makes the call to deliver the baby. Head nurse Carrie Burton (Lisa Crittenden) disagrees, and proceeds to mention that Dr Ropata is no longer in Guatemala. This first episode of the five night a week soap screened on 25 May 1992. It would go on to become New Zealand's longest running TV drama (but not our first soap — that was Close to Home).
Shortland Street is a fast-paced serial drama set in an eponymous inner city Auckland hospital. A South Pacific Pictures production, the iconic show is based around the births, deaths and marriages of the staff, family and patients. Screening five days a week on TV2 it is New Zealand’s longest running drama. Characters and lines from the show have entered the culture, most famously, "you're not in Guatemala now, Dr Ropata!". This 2007 promo, set to the theme song, collects together highlights from the first 15 years of the show.
On a holiday to Mt Tarawera with her scientist parents, teenager Jenny (Katrina Hobbs) finds an odd shard of metal. By touching it she unwittingly awakens 'Drom' — a survivor of an alien mission to deactivate a planet-annihilating space gun (aka the volcano!). Local kids Tessa and Lloyd also own key pieces; if Drom and the teen trio can't defeat the gun-toting mechanoid ... human and alien species extinction is imminent! The internationally successful six part series was a South Pacific Pictures and Canadian co-production; it screened in 1991.
On a holiday to Mt Tarawera, teenager Jenny (Katrina Hobbs) finds an odd shard of metal. In this third episode of the kids sci-fi series she meets its owner: 'Drom' — a survivor of an alien mission to deactivate a planet-annihilating space gun (aka Tarawera itself). They find themselves under siege from a Predator-like 'Guardian' of the gun. If Drom and Jenny and local kids Tessa and Lloyd (future What Now? presenter Anthony Samuels) can't defeat the mechanoid, catastrophe is imminent! The South Pacific Pictures series found international sales and cult repute.
BMX, skateboards, spacies parlours and home computers — Steel Riders features all the hardware that an 80s-era kid could desire, with a motorcycling baddie to boot. Scripted by kidult master Ken Catran, the series follows a brother and sister who are targeted after inadvertently ending up with the spoils of a jewel heist. Pursued by mysterious (and irate) motorcyclist — The Spook — they enlist the help of a hacker and a BMX rider to help their father, who has been blamed for the theft. Ex-motorcycle racer Phil Thorogood provided The Spook’s stunts.
BMX bikes, motorcycles, and home computers — as the opening titles demonstrate, this children’s adventure series features all the hardware an 80s-era kid could want. In the first episode, Sandra, Mike and their father move into the city, arriving just in time for two jewel thieves to crash into their lives after a daring heist at Auckland Museum, and a chase through the city. Scripted by Kiwi kidult king-turned-novelist Ken Catran (Children of the Dog Star), Steel Riders was later shortened to movie length for American video release, as Young Detectives on Wheels.
After adapting the slimy transmogrifying Wilberforces of Maurice Gee novel Under the Mountain for the small screen, scriptwriter (and future sci-fi novelist) Ken Catran returned with his own tale of kids and extraterrestrial contact. The series follows holidaying teen Gretchen (Sarah Dunn) trying to unravel the mystery of a weathervane — a "daisy rod" which seems to have otherworldly powers — and curious objects found in a tapu swamp. Backing up this girl-power sci-fi adventure are Catherine Wilkin, Roy Billing and Utu star Zac Wallace.
After adapting Maurice Gee classic Under the Mountain for TV, writer Ken Catran wrote his own tale of teen extraterrestrial contact. While holidaying with relatives in the country astronomy-mad Gretchen discovers that a farm weathervane has mysterious powers. In this second episode of the girl-power sci-fi series, the weathervane does strange things to cars and appliances; and Gretchen and local scallywag Ronny discover a secret in a tapu swamp threatened by development. Actors Zac Wallace and Roy Billing feature, and future weatherman Jim Hickey cameos.
Pioneering poet, author and journalist Robin Hyde was originally Iris Wilkinson. Directed by Tony Isaac (The Governor), this ambitious co-production for television mines quotations from Wilkinson's writing to dramatise her life. In a parallel plotline, a writer, actor and director wrestle with how to capture Iris on screen. For Australian Helen Morse (Picnic at Hanging Rock) playing Iris was a privilege — and her "most difficult" role to date. Morse concluded that Iris was "extraordinarily vulnerable emotionally". This excerpt includes a cameo by the writer's real life son Derek Challis.
Rosemary (Annie Whittle) is a photographer, mother and middle-distance runner. A project photographing the rare yellow-eyed penguin sends her to a remote Otago cottage. Despite menacing happenings, she refuses to be intimidated. Then events escalate, sending her running for help in the race of her life. Bird-watching, stranger danger and feminist film theory line up for a time trial in Melanie Read's first movie, for which 20 of the 29-strong production crew were women. Marathon champ Allison Roe — who trained Whittle off-screen — makes a brief cameo.
TVNZ's Loose Enz series was a series of 12 stand-alone dramas made in the early 1980s. This episode, directed by television trailblazer Caterina De Nave, chronicles married life for two neighboring couples who have very different relationship dynamics. Mary (a rare starring role for Shirley Duke) is trying to move into the working world now that her kids have grown up, much to the irritation of her controlling husband David. The couple next door have a much more equal relationship. Increasingly dark, this episode is a trenchant criticism of patriarchical mores of the time.
Play School was an iconic educational programme for pre-school children, which was first produced in Auckland from 1972, then Dunedin from 1975. The format included songs, a story, craft, a calendar, a clock and a look outside Play School via the shaped windows. But the toys, Big Ted, Little Ted, Jemima, Humpty and Manu, were the real stars of the show. The title sequence ("Here's a house ...") and music were a call to action recognised by generations of Kiwis. Presenters included actors Rawiri Paratene and Theresa Healey, Russell Smith and future MP Jacqui Hay.