Actor Marton Csokas came to fame in the early 90s, playing the bumbling Dr Dodds in Shortland Street. Since then he has appeared in interracial romance Broken English and coming of age story Rain, before starting a run of international roles — often as the villain — in everything from xXx to The Bourne Supremacy.

I like the exploration of different psychologies and different physicalities. I also enjoy seeing the world through different eyes at a practical level, and particularly travel. Marton Csokas, in a September 2012 interview with website Urban Cinefile
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Mark Felt: The Man Who Brought Down the White House

2017, As: Pat Gray - Film

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Voice from the Stone

2017, As: Klaus - Film

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Burn Your Maps

2016, As: Connor - Film

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Loving

2016, As: Sheriff Brooks - Film

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True Crimes

2016, As: Kozlow - Film

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Into the Badlands

2015 - 2017, Quinn - Television

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The Equalizer (American feature film)

2014, As: Teddy - Film

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Noah

2013, As: Lamech - Film

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Pawn

2013, As: Lieutenant Barnes - Film

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Rogue

2013, As: Jimmy Laszlo

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Sin City: A Dame to Kill for

2013, As: Damien Lord - Film

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The Amazing Spider-Man 2

2013, As: Doctor Kafka - Film

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Abraham Lincoln: Vampire Hunter

2012, As: Jack Barts - Film

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Dead Europe

2012, As: Nico - Film

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Falcon

2012, As: Javier Falcon

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The Tree

2010, As: George Elrick - Film

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With Love... From The Age of Reason

2010, As: Malcolm - Film

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Romulus, My Father

2007, As: Hora - Television

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Aeon Flux

2005, As: Trevor Goodchild - Film

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Kingdom of Heaven

2005, As: Guy de Lusignan - Film

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Evilenko

2004, As: Vadim Lesiev - Film

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The Lord of the Rings: The Return of the King

2003, As: Celeborn - Film

Monstrous spiders, dragon-aided epic battles, endangered hobbits and final farewells ... the finale of the Lord of the Rings trilogy boldly upped the ante. Although the first two films had excited viewers, critics and accountants, Return of the King sealed Peter Jackson's place in movie legend. Reviewers praised it with gusto and the film won a staggering 11 Oscars, a total matched only by Titanic and Ben-Hur. Return anointed a Hollywood empire in the Wellington suburb of Miramar. The box office figures weren't half bad, and nor was the effect on New Zealand tourism.

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xXx

2002, As: Yorgi - Film

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Rain

2001, As: Cady - Film

Rain begins by evoking an idyllic kiwi summer. It's a 1970s beach holiday; Mum, Dad and the kids. Picture perfect. But, as the title hints, all is not sunny at the bach. Beneath still waters Mum is drowning in drink, Dad is defeated, and 13-year-old Janey is awakening to a new kind of power. An adaptation of the novel by Kirsty Gunn novel, Rain was director Christine Jeffs' widely acclaimed debut feature. The soundtrack was composed by Neil Finn and Edmund Cake. Kevin Thomas in the LA Times acclaimed Rain as “an important feature debut”.

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The Lord of the Rings: The Fellowship of the Ring

2001, As: Celeborn - Film

The Fellowship of the Ring was the film that brought Peter Jackson's talents to a mass international audience. A year after its release, the first instalment of his adaptation of Tolkien's beloved tale of heroic hobbits was the seventh most successful film of all-time. Critic David Ansen (Newsweek) was one of many to praise the fan-appeasing Frodo-centric take, for its "high-flying risks: it wears its earnestness, and its heart, on its muddy, blood-streaking sleeve." At 2002's Academy Awards, Weta maestro Richard Taylor became the first Kiwi to win two Oscars on one night.

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Accidents

1999, As: Chug - Short Film

In this Paul Swadel-directed short, a work-gang on a remote Ruapehu construction site relieves boredom with cruelty. The edgy male camaraderie escalates towards a tense, inevitably dire — and OSH-unfriendly — conclusion. The scrum of Kiwi blokes going Lord of the Flies on the newbie (Marek Sumich) is played by a powerhouse cast: Marton Csokas, Rawiri Paratene, and Frank Whitten. Adapted by John Cranna from his short story, Accidents was filmed under the Makatote viaduct. It was selected for Venice Film Festival and won a special jury mention at Clermont-Ferrand.

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Hurrah

1998, As: Raoul - Film

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Broken English

1996, As: Darko - Film

Nina (Aleksandra Vujcic) has emigrated downunder from wartime Croatia. When she falls in love with Māori cook Eddie (Julian Arahanga) and marries a Chinese man who is trying to stay in NZ, her domineering father Ivan is furious. The second movie from Gregor Nicholas remains one of the few from NZ in which Pākehā culture hardly features. The result was one of the highest-grossing NZ films of the 1990s. International reviews praised its power and strong cast — especially Croatian discovery Aleksandra Vujcic ("instantly alluring" said Janet Maslin). Vujcic won one of five NZ Film awards.

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Cover Story

1995 - 1996, Actor - Television

This series centred on a weekly TV current affairs programme in mid-90s Wellington. Katie Wolfe stars as stroppy journalist Amanda Robbins: lured back from Australia for her tabloid style in an effort to boost the show's ratings. Tackling timely storylines and shot ‘handheld’ in the NYPD Blue-inspired style, the TV3 series was well reviewed but faced its own ratings struggles (a later series screened on TV One). It was Gibson Group’s second foray into producing a TV drama series, after Shark in the Park. A pre-Lord of the Rings Fran Walsh was a series writer.

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Jack Brown Genius

1995, As: Dennis - Film

Jack Brown Genius is the story of an obsessive flight of fancy. The spirit of a thousand year old Monk (Stuart Devenie) inhabits the mind of a contemporary New Zealand inventor (Tim Balme), who is inspired to turn the idea of human-powered flight into reality. Along the way he creates havoc for his pal Dennis (Marton Csokas), steals his girlfriend (Nicola Murphy), incinerates the factory of his Boss, and incurs the wrath of the Boss's financial backer Sylvia (Lisa Chappell). The film won director Tony Hiles a 1996 Film and Television Award. 

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Plain Tastes

1995, As: James - Television

A plain tale about the swollen secretions of suburban love. In middle class Auckland vulnerable passions break the surface as Laura (Meryl Main from Highwater) aggressively pursues love and acceptance, finding something very like it right next door. For director Niki Caro this one-hour drama was a watershed in her career. It was her ultimate drama production before embarking on a feature film career; it screened as part of the Montana Theatre series on TV One in 1995. Plain Tastes features Marton Csokas and Kate Harcourt. Producer Owen Hughes writes about Plain Tastes here.

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The Call Up

1995, As: Blake - Television

Blessed with a top-notch cast, this hour long drama chronicled the final 48 hours of leave before three soldiers head to Bosnia. One soldier is forced to share a car with the man who caused his demotion; the trio go on to use their break for various encounters with lovers, families and strangers. Based on a story by Richard Lymposs, whose experiences helped inspire 1986 teen rebel movie Queen City Rocker, The Call Up was shown as part of the debut season of one-off Kiwi dramas which screened in primetime, on the Montana Sunday Theatre. This excerpt features the opening 10 minutes.

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Twilight of the Gods

1995, As: Soldier - Short Film

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Xena: Warrior Princess

1995 - 2001, As: Borias - Television

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Vulcan Lane

1994, As: Cam - Film

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Shortland Street - Kirsty and Lionel's wedding

1994, As: Leonard Rossi-Dodds - Television

Iconic serial drama Shortland Street is based around the births, deaths and marriages of the staff, family and patients of the eponymous hospital. This 1994 cliffhanger episode, written by Rachel Lang, features the wedding between receptionist Kirsty and muffin man Lionel. But will hunky Stuart be able to deny his love for Kirsty? Countless familiar characters appear; and three actors who have since launched Hollywood careers — Temuera Morrison, Martin Henderson, and Marton Csokas — as Dr Ropata, Stuart Neilson, and Leonard Dodds respectively.

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A Game with No Rules

1993, As: Kane - Short Film

A trio of future Kiwi screen stars smoke, smoulder, steal — and worse — in Scott Reynolds' serpentine short noir. Kane (Marton Csokas) and his Zambesi-clad woman on the side (Danielle Cormack) set about ripping off Kane’s rich wife (Jennifer Ward-Lealand) with bloody results. Writer/director Scott Reynolds and longtime partner in crime, cinematographer Simon Raby, serve notice of their talents — and inspirations — with heady lighting, deliberately shonky back projection, and opening titles right out of Hitchcock. Muso Greg Johnson supplies the horns.

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Coca-Cola TVFM

1992, Presenter - Television

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Shortland Street - Highlights from the first 15 years

1994 - 1996, As: Dr Leonard Rossi-Dodds - Television

Shortland Street is a fast-paced serial drama set in an eponymous inner city Auckland hospital. A South Pacific Pictures production, the iconic show is based around the births, deaths and marriages of the staff, family and patients. Screening five days a week on TV2 it is New Zealand’s longest running drama. Characters and lines from the show have entered the culture, most famously, "you're not in Guatemala now, Dr Ropata!". This 2007 promo, set to the theme song, collects together highlights from the first 15 years of the show.

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The M1nute

1992, As: The Man - Short Film

Filmmaker Scott Reynolds demonstrated early that familiar genres - the thriller, the serial killer tale - can provide rich showcases for invention and a distinctive style. His first short is an impressive calling card, showing just what can be done with minimal material: essentially one actor (a young Marton Csokas), a mysterious package, and the possibility the package is a bomb. A warning: the finale arguably takes the 'Macguffin' trickery to its logical conclusion. The M1nute was selected for the London Film Festival, and Oberhausen in Germany.

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Shark in the Park

1990, As: Terry Mercer - Television

A big smoke cousin to Mortimer's Patch, Shark in the Park was New Zealand's first urban cop show. Devised by Graeme Tetley (Ruby and Rata), it portrayed a unit policing inner city Wellington, under the guidance of Inspector Brian 'Sharkie' Finn (Jeffrey Thomas). With its focus on the working lives of the officers, the show followed the character-based storytelling of overseas programmes like The Bill and Hill Street Blues. The first season marked one of the last in-house productions for TVNZ's drama department. The next two series were made independently by The Gibson Group.