Peter Janes has been capturing images of NZ — and its musicians — for longer than some of his camera assistants have been on the planet. Through Janes' diverse screen career, music forms a major thread. After directing his first music videos as a teen, he went on to helm iconic clips for many Flying Nun bands. Janes has also been director of photography on TV's Jackson’s Wharf and The Topp Twins.
I love music, and I love combining pictures with music. I shot those clips for fun, not money. Peter Janes, on the many music videos he has made for Flying Nun bands
Produced by John Laing and featuring a star-studded cast (Sara Wiseman, Tim Balme, et al), South Pacific Pictures' award-winning 'seachange' series Mercy Peak hit just the right note with its down-home sincerity and quirky-but-complex characters. In this excerpt from the first episode, Doctor Nicky Somerville (Sara Wiseman) discovers the cheating ways of her partner (a deliciously oily Simon Prast) and decides it's time to get out. On her way to finding her bliss in the tiny town of Bassett she has an inauspicious beginning: a minor collision with the town's iconic pig.
This comedy series followed the daily life of an 1800s Māori chief (Pio Terei) and his interactions with other Māori and newly-arrived Pākehā settlers. Nothing was sacred as a subject for satire, from disease to English gold lust. Created by Ray Lillis (Pio!), the series features Rachel House (Whale Rider), Jason Hoyte (Late Night Big Breakfast), William Davis (Belief) and Jonathan Brugh (What We Do in the Shadows). Guests included Dalvanius and Charles Mesure. It was produced by Terei’s Pipi Productions for TVNZ over two seasons; Terei had shifted from TV3 after his series Pio! in 1999.
This turn of the century comedy series follows the daily life of fictional colonial Māori chief Te Tutu (Pio Terei). In the first episode, 'Welcome', it’s 1838 and Te Tutu meets a shipload of newly-arrived New Zealand Company settlers. Ngāti Pati elders debate whether or not to eat them. Tama (Dalvanius) wants to, but Te Tutu pushes for the vegetarian option by outlining the threat of Pākehā diseases to Māori private parts. The boys can’t decide but when Tama’s wife arrives everything is ka pai, and the kōrero turns to real estate. The script is by series creator Ray Lillis.
This turn of the century comedy series was a satirical look at colonial life through the eyes of moderately hapless Māori chief Te Tutu (Pio Terei). Complications from over-fishing of kai moana (seafood) are the main plot spurs of this second episode. Meanwhile a newcomer to Aotearoa – Herrick's brother, an English army toff played by Charles Mesure (Desperate Housewives, This is Not My Life) – attracts the attention of Hine Toa (Rachel House), and hatches an evil plan (‘MAF’: Murder All Fishes). Meanwhile the patronising Vole continues his campaign of colonisation.
This turn of the century comedy series is a satirical look at colonial life through the eyes of Māori chief Te Tutu (Pio Terei). In this third episode, Te Tutu interrogates efforts by the settlers to mine for gold, and has designs on Vole's stove. Objects of ridicule include Pākehā and Māori cuisine; settler lust for “a useless, worthless, dangerous, coloured stone”; and patronising colonialism: “what’s the story with those beads and blankets? Haven’t they got any cash?” Meanwhile hangi pits are causing a spate of injuries. Michael Saccente has a guest role as an American miner.
Religion is the subject of this fourth episode of the series satirising colonial relations between Māori and Pākehā. Chief Te Tutu (Pio Terei) is disturbed by the bells ringing from the new church being built by settler Henry Vole, and goes to investigate. He finds a tohunga dressed like a tui. Te Tutu’s interpretation of the scripture leads to complications. Meanwhile Mrs Vole (Emma Lange) continues to do all the work while the Pākehā blokes chinwag. John Leigh (Sparky in Outrageous Fortune) guest stars as an Anglican minister under pressure from Vole to spice up his sermons.
In the tradition of Billy T's 'first encounter' skits, this series used satire to examine pre-Treaty of Waitangi relations between tangata whenua and Pākehā settlers. The topic of this fifth episode is health. After Te Tutu (Pio Terei) wakes with a bad back, his daughter Hine Toa (Rachel House) suggests trying out some alternative medicine: Pākehā bedding. Newly arrived Nurse Veruca (a cameo from Susan Brady) clashes with comical tohunga Tu Meke (William Davis) and stirs up symptoms in Henry Vole. Terei has commented that the show's take-no-prisoners humour was ahead of its time.
This topic of the sixth episode of this Māori/Pākehā satire is 'war'. Irish Colonel North (played by veteran actor Ian Mune) and his British Army soldiers arrive, on their way north to fight Hōne Heke — provoking chief Te Tutu (Pio Terei) and Ngāti Pati into action. Te Tutu’s warmongering with the settlers includes mooning, flagpole-felling and insulting Mr Vole's long-suffering wife (Emma Lange). When the signals aren’t picked up, a stolen rooster gets things moving. A fierce haka is answered by a traditional English song: 'Old Macdonald had a farm'.
The final episode of the first season of this colonial comedy tackles the Treaty, as settler Henry Vole argues that his land (purchased off a bloke he met at a bar in Tauranga) is fairly his. The pros and cons of a treaty are debated: “where all Māori may benefit from the administration that gave us the 18 hour working day for children”. Te Tutu counters with a Martin Luther King dream: “where the English are not marginalised in Aotearoa simply because they are a minority … where the English language won’t be lost because we’ll have Pākehā language nests …”
With a cast of stars from television, music (TrueBliss, Bunny Walters) and sports (Stu Wilson), this 2000 documentary offers a close-up on fame — Kiwi-style. There are insights on local paparazzi from women's magazine editors, who have lost friends over what they have chosen to publish. Angela D'Audney reveals the 'intimate' relationship between TV personality and audience — looking animated is a job requirement, if she wants to walk in public unaccosted; and swimmer Danyon Loader describes the challenges of being forced into the media spotlight as a shy teen.
National treasures The Topp Twins (aka twins Lynda and Jools Topp) have performed as a country-music singing comedy duo for more than 25 years. In the late 90s they created their own award-winning TV series which ran for three seasons and showcased their iconic cast of Kiwi characters, including Camp Mother, the Bowling Ladies and cross-dressing Ken and Ken. This episode from the third and final series of their eponymous show has the twins in their many guises enjoying an afternoon at the Waipu Highland Games. "Look at the leather work in that sporran!"
Created by Gavin Strawhan and Rachel Lang, Jackson’s Wharf was set in a fictional coastal town and revolved around a sibling rivalry between brothers Frank (the town cop) and Ben Jackson (a big smoke lawyer). Returning with his family, golden boy Ben has controversially inherited the local pub from his recently deceased father. Produced by South Pacific Pictures, the one hour popular drama screened for two seasons. Writer James Griffin and director Niki Caro worked on the show, alongside much of the talent who would later create Mercy Peak and Outrageous Fortune.
Lawless saw Kevin Smith in one of his biggest roles: as undercover cop turned private investigator John Lawless. The character's career arc was told across three tele-movies. In this self-titled debut, Lawless struggles with divided loyalties while working for a dodgy drug lord (Joel Tobeck). Next thing, a robbery leaves Lawless framed by the good guys. This stylish Kiwi take on American crime shows won good reviews and a stash of awards, including gongs for Tobeck, co-star Angela Dotchin, director Chris Martin-Jones and best drama programme.
One of the most successful television shows shot on Kiwi soil, The Tribe was the brainchild of British-born Raymond Thompson. In a future where the adults have been wiped out by a virus, the children that remain have formed into competing tribes, some of whom live to terrorise. Running five seasons, The Tribe sold to more than 120 territories, and the cast toured performances from the soundtrack for overseas fans. The cast were almost entirely New Zealanders, as were most of the crew. Sequel The New Tomorrow, following descendants of the original characters, screened in 2005.
In the late 90s twin national treasures The Topp Twins (aka Lynda and Jools Topp) created their own TV series which ran for three seasons and showcased their iconic cast of Kiwi characters and singing and yodelling talents. These excerpts from the second series of their eponymous show feature a country and western saloon musical dream sequence (with fluffy pink slippers and feather boas and sharpshooters and car sharks in drag, Deadwood this ain't); and Camp Mother and Ken Moller compete at the speedway in a bambina and Hillman Hunter respectively.
Presented by William Shatner, A Twist In The Tale was an anthology series with each episode featuring a new story for Shatner to tell a group of children gathered round the fireplace. In this adventure, a freak storm causes a strange girl (Westside's Antonia Prebble) to appear in a boy’s bedroom cupboard, only to discover she’s travelled back in time 100 years. When some futuristic technology goes missing and the family farm ends up on the line, the children must put their differences aside. The episode also features a memorable appearance by Craig Parker as the family's accountant.
National treasures The Topp Twins (aka twins Lynda and Jools Topp) have performed as a country-music singing and yodelling comedy duo for more than 25 years. In the late 90s they created their own TV series which ran for three seasons and showcased their iconic cast of Kiwi characters, including Camp Mother, the Bowling Ladies and cross-dressing Ken and Ken. The series, travelling from a Highland Games to a Tauranga triathlon, won the twins - out-and-proud lesbians - several gongs at the NZ Film and TV Awards and screened on the ABC and Foxtel in Australia.
City Life follows a tight-knit group of apartment-dwelling twenty-somethings (lawyers, bartenders, drug dealers, art dealers, et al) on the emotional merry-go-round of urban living. Created by James Griffin, the television series was an effort to create popular drama relevant to contemporary Auckland city life and to appeal to a Gen X demographic – to inject Melrose Place into Mt Eden. A bevy of Kiwi acting talent drink, dramatise and prevaricate to a soundtrack of contemporary NZ pop.
This full-length documentary gives warm-spirited context to the song that has been the soundtrack to countless back lawn crate parties and freezing works chains (watch the credits). It was released as the B-side of singer Engelbert Humperdinck's Please Release Me, and became an unlikely hit in Aotearoa with fans who have done the "dance, dance, dance ...": including Dalvanius (who discusses its "pop-schlock" charms), Bunny Walters, The Topp Twins, and a special group of ten guitarists. The documentary also explores why "the national anthem of Patea" is so appealing to Māori.
Four-part series Standing in the Sunshine charted the journey of Kiwi women over a century from September 1893, when New Zealand became the first country to grant women the right to vote in parliamentary elections. This third episode, directed by Melanie Rodriga, looks at women over a century of work — plus education, equal pay, family, art, and Māori life. Interviews are mixed with archive material – including a mid-80s 'girls can do anything' promotion – and reenactments of quotes by Kiwi feminist pioneers. Writer Sandra Coney also authored a tie-in book for the series.
Marlin Bay was a drama series following the comings and goings of a far-north resort and casino. Andy Anderson, Ilona Rogers, Don Selwyn, Pete Smith, Katie Wolfe and others made up the cast of earthy locals, wealthy foreigners, and city weekenders. Created by writer Greg McGee, Marlin Bay was one of the first primetime drama series from South Pacific Pictures. Kevin Smith received a 1995 Best Supporting Actor nod for his role as villain Paul Cosic.
This fast-paced trip through Bruno Lawrence’s first 50 years combines interviews, clips from his many film and TV roles, and priceless material from the vaults (early acting parts, Edmund Hillary presenting Bruno with a Feltex). Bruno talks about favourite roles, the challenges of breaking into the US after hit Smash Palace, and the music-based film he long hoped to direct. LA Times critic Sheila Benson raves about both Bruno and Sam Neill. The Bruno interviews conducted for this doco would later win an extended airing in biographical doco Numero Bruno.
Indie production house Communicado made their name with a stable of television shows that celebrated Kiwi culture. After the success of late-80s show That’s Fairly Interesting, the company began work on Magic Kiwis, a show devoted to heroes of popular culture. Mostly the cavalcade of Kiwi celebs were stars of entertainment (Howard Morrison, Split Enz) and sports (Susan Devoy, John Walker), with the odd politician thrown in. Over three series, the half hour shows combined classic clips and interview footage, all tied together in trademark upbeat style.
Opera in the Outback offers a wry, fly on the wall view of the lead-up to a most unusual event: the first concert by Kiri Te Kanawa in the Australian outback. Kiwi director Stephen Latty and writer Michael Heath realise the people are the story, from affable locals to those preparing for 9000 joyful, sometimes drunken arrivals. The inhabitants of Beltana — population roughly 12 — risk building a new racetrack for visitors less operatically inclined, while Australian National Railways send all the rolling stock they can. Some of the Kiwi film crew were awake for 52 hours, trying to capture it all.
This 80s relic was a homegrown take on US show That's Incredible!, with spectacular stunts and supernatural happenings replaced with subjects that were more kiwiana kitsch than wow! It was the first show from production company Communicado; presenters included Tim Shadbolt, Neil Roberts, Sue Kedgley, Phil Gifford and Phil Keoghan. In a Vanity Fair interview to illustrate Kiwi's "enormous understatement" Jane Campion famously quipped: "You know, they used to have a program on TV in New Zealand, That's Fairly Interesting. [...] In America, it's That's Incredible!"
Long before Look Who's Famous Now and 2014's There and Back, TVNZ series Then Again traced its own line from past to present. Hosted by Annie Whittle, the series combined where-are-they-now style interviews with footage from the archives, including that unfortunate weightlifting incident at the 1974 Commonwealth Games. Among the names to feature were sportspeople (Sylvia Potts, Graham May), broadcasters (Colin Broadley, Peter Harcourt) and celebrity quins (the Lawsons).
"Shall we have our photo taken?" This lo-fi classic offers up a time capsule to a long ago day down south, with The Verlaines performing in a Dunedin flat in the company of various Flying Nun friends, and a wandering pet bunny. Director/cameraman Peter Janes recalls that the clip was shot "in a beautiful old house on Stuart Street", before everyone "took off to Cargill's Castle and made it up as we went along." Vocalist Graeme Downes' 18 mentions in the chorus of a word starting with 'V' are a namecheck not only for his band, but for infamous French poet Paul Verlaine.
This was the iconic Dunedin group's first music video. Directed by Peter Janes, the promo for the song roams around an aptly chilly looking attic while the band performs. As soap bubbles float towards the rafters, there’s fog on the breath of singer Martin Phillipps, who lulls the listener to swim into space with him … “come along baby we'll live in our kaleidoscope world”. The early Chills song was from Flying Nun’s seminal Dunedin Double EP. It was later featured as the opening (and title) track on The Chills’ debut LP, a 1986 compilation of early career songs.
Wildtrack was a highly successful nature series for children, combining a Dunedin studio set with reporting from the field. Produced by TVNZ’s Natural History Unit, it ran from 1981 until the early 1990s. Producer Michael Stedman sought to produce a series where “children can be excited and entertained with genuine information, while not neglecting adults”. Wildtrack won the Feltex Television Award for the best children's programme, three years running (1982 - 1984).
The title belies this profile (made for TV rock show Radio with Pictures) of Chris Knox and Alec Bathgate in their early days as the Tall Dwarfs. They traverse their past in legendary punk band The Enemy — with compelling performance footage — and the influential but ill-fated Toy Love. Knox’s seething disillusionment with the music industry is rapidly evolving into the DIY ethos that will reshape NZ alternative music. He is also typically confrontational as they busk in The Octagon while the closing acoustic performance is worth the price of admission on its own.
This 1981 Koha documentary, 'No Ordinary Bloke' — poet Hone Tuwhare — reflects on his life and influences in a wide-ranging interview by Selwyn Muru. He recites poems and is shown walking around his Dunedin haunts, where he was living at the time. Tuwhare recounts his early life as a railway workshop apprentice and tells of the workshop library that opened his eyes to the world. Later he’s shown with mate and artist Ralph Hotere and discusses, with emotion, the nature of Māori relationships with the land in light of the then-proposed Aramoana aluminium smelter.
The Crocodiles were on tour supporting their second album, Looking at Ourselves, when this video was shot in Dunedin. Though he’d left the touring unit, Fane Flaws still provided material and was co-writer of ‘Telephone Lover’. Dunedin’s old Bing Harris Sargood building provides the backdrop for most of the video, while the ‘live’ sections were shot at the now-defunct Shoreline Tavern. Dunedin cameraman Peter Janes directed and filmed the segment for regional news programme The South Tonight.
In 1975 TV One launched with a flagship 6.30 news bulletin which went largely unchanged with the move to TVNZ in 1980. In a 1987 revamp, it became the Network News with dual newsreaders Judy Bailey and Neil Billington (replaced by Richard Long). In 1988, the half hour programme moved to 6pm. With the advent of TV3 in late 1989, it was rebranded One Network News; and, from 1995, extended to an hour. The ill-fated replacing of Long with John Hawkesby in 1999 saw it make headlines rather than report them. In 1999, there was another name change to One News.
Spot On was an award-winning education-focused magazine programme for children. Presenters who got their break on the popular series include Ian Taylor, Danny Watson, Phil Keoghan and Ole Maiava. Keoghan went on to international fame as host of The Amazing Race; Taylor now heads up Taylormade Productions and Animation Research Ltd. Janine Morrell directed on the show, and producer Michael Stedman later became head of the Natural History Unit. Peter Jackson, Robert Sarkies and Paul Middleditch all entered the show’s annual ‘Young Filmmaker’ competition.
This notorious film looks at '70s bikie culture, focusing on Auckland's Hells Angels (the first Angels chapter outside of California). These not-so-easy riders — with sideburns and swastikas and fuelled by pies and beer — rev up the Triumphs, defend the creed, beat up students, cruise on the Interislander, provoke civic censure, and attend the Hastings Blossom Festival. After a funeral, Aotearoa's sons of anarchy head back on the highway. Bikies was banned by the NZBC — possibly due to the public urination, lane-crossing, chauvinism and pig's head activity.
Groundbreaking 1971 tele-drama The Killing of Kane tells a story of loyalty and corruption amidst the ‘New Zealand Wars’ of the 1860s. Incorporating documentary ‘interludes’, the story involves the predicament of a pair of Pākehā deserters involved in a attack by Māori resistance leader Titokowaru on a Taranaki redoubt. Stellar performances in the dramatic scenes saw Chris Thomson-directed Kane attract praise. It was the first time the controversial subject of colonial conflict had been portrayed on our TV screens. It was also the first local drama shot in colour.
On 10 April 1968 the Lyttelton–Wellington ferry Wahine ran aground and sank at the entrance to Wellington Harbour. Fifty-three people died as a result of the accident, 51 on the day. These news features include aerial footage of the ship after the storm, and NZBC reporters conducting dramatic interviews with survivors, police and the head of the Union Steam Ship Company. Coverage was only seen by mainlanders after a cameraman rushed to Kaikoura and filmed a TV set that could receive a signal from Wellington, then returned to Christchurch so the footage could be broadcast.
The iconic all-things-rural show is the longest running programme on New Zealand television. With its typical patient observational style (that allows stories of people and the land to gently unfold) it’s an unlikely broadcasting star, but New Zealanders continue, after 50 plus years, to tune in. Amongst the bucolic tales of farming, fishing and forestry, there are high country musters, floods, organic brewing, falconry, tobacco farming, as well as a fencing wire-playing farmer-musician, a radio-controlled dog, and Fred Dagg and the Trevs.
Town and Around was a nightly magazine show, covering everything from current affairs and studio interviews to slapstick to stunts; including a notorious spoof on a farmer who shod his turkeys in gumboots. A popular and wide-ranging regional series, it ran for five years from 1965, and was the training ground for a generation of industry professionals (Brian Edwards, David McPhail, and Des Monaghan amongst many others). Town and Around was made prior to a national network link, and editions came out of Auckland, Wellington, Christchurch and Dunedin.
When television began broadcasting in Auckland in 1960, the news consisted of a days old bulletin from the BBC in London. A locally-compiled bulletin began before the end of the year, with occasional locally-filmed items. From 1962 to 1969 a five minute news summary screened at 7pm, with the longer NZBC Newsreel following at 8. TV news expanded rapidly through the 60s, with the NZBC setting up a network of newsrooms in the main centres. November 1969 marked the first time a shared news broadcast played nationwide, with the launch of the NZBC Network News.