Since graduating from NZ Drama School, William Kircher has gone on to act in more than 100 plays, and at least 30 screen projects. Often cast as policeman (TV's Shark in the Park and movie Out of the Blue) or villain, Kircher has also worked on the other side of the camera. He was Bifur the dwarf in Peter Jackson's three-part adaptation of The Hobbit.
For some time I thought being a producer would be a more fulfilling career than being an actor. But then I went to a conference in Cannes with 300 other producers, all desperately chasing finance for their projects ... and realised being an actor wasn't so bad after all! William Kircher
Touted as the defining chapter of the trilogy, The Battle of the Five Armies sees Smaug wreaking havoc from the sky, Thorin Oakenshield succumbing to dragon-sickness, and a climactic battle to dwarf anything seen in the first two Hobbit films. As Orcs look to the Lonely Mountain with their eyes on the treasure, dwarves, elves and humans must decide whether to unite and fight them off. The final Hobbit film arrived in cinemas 15 years after Peter Jackson first trained his cameras on Middle-earth — and made it clear that global blockbusters could come from New Zealand.
After only 17 days in international cinemas, the first part of the Hobbit trilogy stacked up enough treasure to become 2012's fourth highest-grossing movie. In part two director Peter Jackson ups the adventure quotient further, thanks to spiders, high speed river rides and the first encounter between hobbit Bilbo Baggins (Martin Freeman) and Smaug the Dragon, as envisioned by Weta Digital and British star du jour Benedict Cumberbatch. Legolas (Orlando Bloom), one of the breakout characters in the Lord of the Rings movies, also makes an appearance.
JRR Tolkien's beloved novel The Hobbit follows Bilbo Baggins on a quest to help reclaim the lost dwarf homeland of Erebor from the dragon Smaug. Shoulder-tapped by Gandalf for the mission against some opposition, Bilbo joins a company of dwarves in an epic adventure: vying against goblins, orcs and Gollum's riddles. After the box office blitzing and Oscar-slaying Lord of the Rings trilogy, adapting the precursor novel was an expected journey. Martin Freeman (The Office, Sherlock) is Bilbo, and Peter Jackson is again at the helm in this first of a three-part adaptation.
This award-winning telefilm imagines the effects of a major earthquake on New Zealand’s capital city, and how its citizens react to chaos, death, isolation and tsunami. It was completed in 2008 — before Christchurch took Wellington’s mantle as NZ's shakiest city, and made Aftershock's imagined scenes a reality. Aftershock was produced for TV3 by The Gibson Group, and written by veteran screenwriter Graeme Tetley (Out of the Blue, Vigil). The following week saw the debut of Aftershock - Would You Survive?, which put a real-life family through a three-day survival test.
In November 1990 misfit loner David Gray (played by Matthew Sunderland) killed 13 of his neighbours in the seaside town of Aramoana, near Dunedin. His rampage lasted 22 hours before he was gunned down by police. Out of the Blue is a dramatised re-enactment of these traumatic events. Directed by Robert Sarkies and co-written with Graeme Tetley, this gut-wrenching film did respectable box office and was lauded at 2008's Qantas Film and TV Awards, winning most feature categories, including best film and screenplay. Warning: excerpt contains realistic gun violence.
City Life follows a tight-knit group of apartment-dwelling twenty-somethings (lawyers, bartenders, drug dealers, art dealers, et al) on the emotional merry-go-round of urban living. Created by James Griffin, the television series was an effort to create popular drama relevant to contemporary Auckland city life and to appeal to a Gen X demographic – to inject Melrose Place into Mt Eden. A bevy of Kiwi acting talent drink, dramatise and prevaricate to a soundtrack of contemporary NZ pop.
This acclaimed Gibson Group series was set behind the scenes on a current affairs programme. Katie Wolfe plays stroppy journalist Amanda Robbins, hired for her tabloid style in a bid to raise the show's ratings. In this excerpt from episode two, a surrogate pregnancy turns into a nasty custody battle. Amanda chases the story, whatever the cost (journalistic ethics included) and acquaints herself with the surrogate. But then her in-house rival Liz (Jennifer Ludlam, who won a TV award for this episode) gets a scoop interview with the parents of the disputed child.
This series centred on a weekly TV current affairs programme in mid-90s Wellington. Katie Wolfe stars as stroppy journalist Amanda Robbins: lured back from Australia for her tabloid style in an effort to boost the show's ratings. Tackling timely storylines and shot ‘handheld’ in the NYPD Blue-inspired style, the TV3 series was well reviewed but faced its own ratings struggles (a later series screened on TV One). It was Gibson Group’s second foray into producing a TV drama series, after Shark in the Park. A pre-Lord of the Rings Fran Walsh was a series writer.
This tale of a girl, her dog and a strange old man sees the tomboyish Daphne gleefully ruining a wedding, before her imagination unleashes monstrous forces. Made under the umbrella of Peter Jackson's company Wingnut Films in the early days of FX maestros Weta, Dirty Creature features contributions from many longtime Jackson cohorts, including Weta's Richard Taylor. Directed and co-written by Grant Campbell (who worked on Bad Taste), the film shares the anarchic, child-like spirit — plus a little of the crimson food colouring — of Jackson's early features.
Written by Tom Scott and Greg McGee, South Pacific Pictures-produced Fallout was an award-winning two-part mini-series dramatising events leading up to NZ’s 80s anti-nuclear stand. PM Robert Muldoon (Ian Mune) calls a snap election when his MP Marilyn Waring crosses the floor on the ‘no nukes’ bill, but his gamble fails, and David Lange's Labour Party is elected. Lange (played by Australian actor Mark Mitchell) is pressured from all sides (including a bullish US administration) to take a firm stance on his anti-nuclear platform. He finally accepts there is no middle ground.
Written by Tom Scott and Greg McGee, Fallout was an award-winning two-part mini-series about the events leading up to New Zealand's 80s anti-nuclear stand. In part two, the new Lange Labour government narrowly averts an economic crisis; and under political pressure Prime Minister Lange asserts ‘no nukes’ independence at the risk of spurning the country's traditional allies. In this excerpt, Lange speaks at the Labour Party annual conference, then travels to meet with US political officials and British PM Margaret Thatcher (veteran actress Kate Harcourt).
Written by Tom Scott and Greg McGee, Fallout was an award-winning two-part mini-series about the events leading up to New Zealand's 80s anti-nuclear stand. In this first episode Labour sweeps into power with an anti-nuclear platform. Upon taking office, David Lange (played by Australian actor Mark Mitchell) faces pressure to live up to his campaign rhetoric. In this excerpt, we see the parliamentary cut and thrust leading up to the election, with National MP Marilyn Waring defying Muldoon (Ian Mune) to cross the floor on the Nuclear Free New Zealand bill.
Made to mark 100 years of women's suffrage in New Zealand, Bread & Roses tells the story of pioneering trade unionist, politician and feminist Sonja Davies (1923 - 2005), who rose to prominence in the 1940s and 50s. Directed by Gaylene Preston and co-written by Graeme Tetley, the acclaimed three-hour production played on television screens, and also got a limited cinema release. Australian actor Geneviève Picot (as Sonja Davies) and Mick Rose (as her husband) won gongs for their roles at the 1994 NZ Film and TV Awards. Bianca Zander writes about Bread & Roses here.
TV One drama Shark in the Park followed the lives of cops policing a Wellington city beat. This episode from the second series sees the team bust a street fight, and search for a missing teenage girl. An elderly shoplifter and a joyrider test the ethics of the diversion scheme, where minor offences don't result in a criminal record. Actors Tim Balme and Michael Galvin (Shortland Street) feature in early screen roles, as youngsters on the wrong side of the law. Galvin plays the dangerous driver – he also happens to be the son of Sergeant Jesson (Kevin J Wilson).
Shark in the Park was New Zealand’s first urban cop show. In this second season opener, Inspector Flynn (Jeffrey Thomas) and his team face restructuring and cutbacks from HQ, and a gang prospect (Toby Mills) is interrogated about a hit and run. Among the impressive cast of cops are Rima Te Wiata, Nathaniel Lees, and Russell Smith (It is I, Count Homogenized). This was the first episode made by Wellington company The Gibson Group, as Kiwi television entered an era of deregulation (Shark's previous series was one of the last made by TVNZ’s in-house drama department).
The role of women in a traditionally male dominated profession is highlighted in this episode of Wellington police drama Shark in the Park. The episode was penned by Norelle Scott and directed by Ginette McDonald. New arrival 'Wally' (Joanna Briant) faces a baptism of fire from her colleagues — and a rough ride on the streets as a drunken couple's antics escalate into major problems for the thin blue line. The third episode of season one features Robyn Malcolm in her first screen role, while Mark Wright provides some late 80s colour as an inebriated yuppie.
A big smoke cousin to Mortimer's Patch, Shark in the Park was New Zealand's first urban cop show. Devised by Graeme Tetley (Ruby and Rata), it portrayed a unit policing inner city Wellington, under the guidance of Inspector Brian 'Sharkie' Finn (Jeffrey Thomas). With its focus on the working lives of the officers, the show followed the character-based storytelling of overseas programmes like The Bill and Hill Street Blues. The first season marked one of the last in-house productions for TVNZ's drama department. The next two series were made independently by The Gibson Group.
Musician Petunia (Jennifer Ludlam) and daughters Polly and Patch are tiring of their lives as land yachting "gypsies of the motorway" in the first episode of this hyperactive children's fantasy drama written by Margaret Mahy. Their salvation could be a magic house owned by Crocodile Crosby — a used car dealer with ambitions to be a pirate — but a devious land agent (Michael Wilson) and a dastardly wealthy couple stand in the way. All powerful narrator Paul Holmes orchestrates the action which features extensive use of music and period video special effects.
Heavily influenced by the mid-80s MTV-led music video boom, this madcap six part kids fantasy series focuses on an aspiring songwriter and her daughters who renounce life on a land yacht to settle in a house with a mind of its own. Based on scripts by acclaimed author Margaret Mahy (in her first collaboration with director Yvonne Mackay), it utilises then cutting edge video special effects (requiring locked off shots and no camera movement). The soundtrack is by composer Jenny McLeod while Paul Holmes' narrator is omnipotent and petulant in equal parts.
Armed with laser beam-firing crutches and computerised wheelchairs, 'The Kids' are a crime-fighting duo of physically-disabled teenagers working for O.W.L. (Organisation for World Liberty) to defeat the evil S.L.I.M.E. (Southern Latitude's International Movement for Evil!). Directed by Kim Gabara, this opener for the second series of the fondly-remembered show sees the kids foil a kidnap, enlist a new member, and steal a dangerous weapon: the 'Stickling Solidifier'. Neon alert: aficionados will note the early use of graphics from Apple 2 and Apple 3 computers.
Long before the comedy of Flight of the Conchords, Heroes followed the triumphs and pitfalls of a band trying to make it in the mid-80s New Zealand music biz. It marked the first major role for Jay Laga’aia, and early leading parts for Michael Hurst and Margaret Umbers. In this first episode the band gets together as Dave (Hurst) ditches his covers band, flunks a TV audition, and hooks up opportunist flatmate Ron (Laga’aia), synth player Peter (John Gibson, who co-wrote the series music) and bass player Maxine (Umbers). Synth and leopard skin abound.