Starting with the National Film Unit in 1943, Bob Allen’s career as a motion picture sound recordist covered six decades. Based in the UK from 1953, he worked with well-known directors including Fred Zinnemann (Allen's work on The Day of the Jackal was BAFTA-nominated). He returned to his homeland to share his knowledge and experience as New Zealand feature filmmaking blossomed; and later to retire.
From Newsnight to Fair Go, Alison Mau's appearances on Kiwi screens cover over 20 years. Australian-born, she began her television career in the UK, and flourished in Aotearoa. Mau has appeared on many news and current affairs slots, and presented on both Breakfast and primetime show Seven Sharp. In March 2018 she announced the launch of the #MeTooNZ campaign, investigating workplace harassment.
Stu Dennison became a household name in the 1970s as the irreverent host of children's programme Nice One Stu. He played the naughty schoolboy role, becoming an antihero to a generation of New Zealanders. His signature theme song and thumbs-up salute became firmly embedded in New Zealand's popular culture.
Fed up with seeing animals unintentionally mishandled on set, former farm girl Caroline Girdlestone decided to do something about it. Now one of the most respected animal trainers in Australasia, she’s worked with almost any animal imaginable across more than 500 projects – ranging from the cute barnyard animals of Racing Stripes to the horrifying ovine creatures in Black Sheep.
TV3 news anchor Mike McRoberts spent a decade as a radio reporter, then made his name as a sports journalist with TVNZ in the mid 90s. After six years with the state broadcaster, including occasional shifts reading the primetime news, he moved to TV3. From 2005, he joined Hilary Barry leading the 6pm news bulletin. Since then he has presented reports and bulletins from Christchurch, Iraq, Haiti and the Philippines.
Tim Woodhouse has cut some of New Zealand’s most celebrated documentaries since crossing from Australia in 1989. Although he won a Best Editing award for drama Staunch, Woodhouse has largely specialised in documentary. En route he has worked with director Leanne Pooley on Haunting Douglas, Topp Twins hit Untouchable Girls, Beyond The Edge (about Hillary on Everest), and animated film 25 April.
As a war correspondent filming the New Zealand forces in Italy and the Middle East, Ron McIntyre played a key role in supplying the raw material for the early films of the National Film Unit. After nearly four years overseas, he returned home and tried his hand at independent filmmaking. McIntyre spent just over seven years with the NFU as a cameraman and director, and also worked briefly for Pacific Films.
Television experience with the BBC helped David Pumphrey win a job in Kiwi television, soon after he returned to New Zealand in 1959. He went on to produce children's shows, live broadcasts, and Montage — forerunner to magazine show Town and Around. Pumphrey also worked on the first TV broadcasts by celebrity cook Graham Kerr, and directed for high profile current affairs shows Compass and Gallery.
Cinematographer Stuart Dryburgh has helped create some of the most iconic images of New Zealand cinema: the girl with a mop of red hair, standing at the end of a country road in Angel at my Table; the piano on a deserted beach in The Piano, and the charged kitchen scenes of Once Were Warriors.
Pat Robins has been active in the screen industry since the 1960s, across varied behind the scenes roles. In the early 70s Robins, her then husband Geoff Murphy and their children took to the road with musical collective Blerta. After production managing on classics like Goodbye Pork Pie, Utu, and Ngāti, she first stepped out on her own as a director in 1985, with her first short Instincts.