Roger Hall began writing and acting on television in the late 60s. In 1976 his debut play Glide Time became a sell out. Later Hall turned this satire of civil servants into Gliding On, arguably New Zealand's most successful sitcom to date. Play Middle Aged Spread became a movie in 1979. Hall went on to write marital comedy Conjugal Rights for England's Granada TV, and further shows in NZ. He remains the country's most successful playwright.
He has identified faults and follies which highlight small monsters in ordinary people, and sometimes excite our sympathy as much as our laughter. John Clarke on Roger Hall
Who Laughs Last profiles Roger Hall, New Zealand’s most successful playwright. Three decades after the opening of Hall's Middle Age Spread became a hit, the original cast return for 2006 follow up Spreading Out. The Shirley Horrocks doco explores the secrets behind Hall’s successful brand of comedy (25+ stage plays, plus TV series and musical comedies) and closely explores the popularity of Middle Age Spread and Spreading Out. Among those interviewed are John Clarke, Ginette McDonald, the late Grant Tilly, and Hall himself.
Playwright Roger Hall visits Uganda in Africa for this Intrepid Journey. He finds the going tough at times, particularly some rough accommodation and worries about malaria, but delights that he got to see lions and gorillas in their natural habitat, and is moved by the efforts of the Ugandan people to triumph over their "hideous recent history". This excerpt sees Hall white water rafting on the Nile, and getting a memorable warning speech about one of the rapids by a guide. He "loses his Nile virginity" after getting tipped out, and ending up under the raft for a few scary seconds.
It's election time in this special episode from the topical weekly satire series about a PR firm (written by James Griffin, Dave Armstrong, Tom Scott and Roger Hall). Giles Peterson and Associates will take on any client - even if it means trying to update Helen Clark's wardrobe, speechwriting for Winston Peters, offering succour to fading National and Alliance MPs, brokering a coalition deal between the Greens and Labour, or helping candidates master the intricacies of The Worm. Meanwhile, elements of the Catholic Church feel they haven't apologised enough.
Set in a high flying PR firm, Spin Doctors was a topical, fast turnaround satire — in the tradition of John Clarke’s The Games. No client is too grasping, no issue too unsavoury for Giles Peterson and Associates, and a team including a ruthless Australian (Mark Ferguson), a boozy trout (Elizabeth Hawthorne) and the office liberal unsuccessfully battling his conscience (John Leigh). Each episode was written and produced in just five days — allowing the writers (including James Griffin, Roger Hall and Tom Scott) full license with the week’s issues.
This episode of New Zealand's own office comedy sees John (Ross Jolly) concluding that a love of stamps makes the boss (Ken Blackburn) a natural fit for Mastermind — next thing, the stores branch staff are gathering around with imaginary cameras and desk lamps, to help him practise for the pressures of facing quiz master Peter Sinclair. Meanwhile the team try to score another victory by getting an astrological chart made for a racehorse. Roger Hall's sitcom about public servants was a bona fide hit, long before Rogernomics and Ricky Gervais in The Office.
In an age before Rogernomics, and well before The Office, there was the afternoon tea fund, Golden Kiwi, and four o'clock closing: welcome to the early 80s world of the New Zealand Public Service. Gliding On (1981 - 1985) was the first locally made sitcom to become a bona-fide classic. The series was inspired by Roger Hall's hit play Glide Time and satirised a paper-pushing working life then-familiar to many Kiwis. Gliding On won several Feltex Awards including best male and female actors and best entertainment.
In an age before Rogernomics, well before The Office, there was the afternoon tea fund, Golden Kiwi, and four o'clock closing: welcome to the early 80s world of the New Zealand Public Service. Gliding On (1981 - 1985) was the first locally-made sitcom to become a bona-fide classic. Inspired by Roger Hall's hit play Glide Time, the award-winning series satirised a paper-pushing working life familiar to many Kiwis. This episode features Beryl's non-smoking campaign, Jim's efforts to kick the habit, office sexual innuendo and a much-debated fire drill. "Morning Jim!"
A rare and early case of a Kiwi play being adapted for the big screen, Middle Age Spread asks whether adultery is inevitable (or whether the adulterers will inevitably be found out). Grant Tilly stars as a philandering teacher fearing a future of stress, decay and marital dissatisfaction. Roger Hall's acclaimed middle-aged comedy was adapted in the first flush of the Kiwi film renaissance, and marks the feature debut of many talents: director John Reid, cinematographer Alun Bollinger, writer Keith Aberdein, editor Mike Horton, and composer Stephen McCurdy.
Famous as New Zealand television's first ever sitcom, Buck House was a rollicking and relatively risqué series that centred on the comings and goings of university students in a dilapidated Wellington flat — the eponymous 'Buck House'. Stars of the show included John Clarke, Paul Holmes, and Tony Barry (Goodbye Pork Pie). Despite (or more likely because of) its bawdy humour, occasional coarse language and alcohol abuse, the pioneering comedy sated the needs of many Kiwi viewers desperate for TV with identifiable local content and flavour.
Pioneering series Pukemanu (the NZBC’s first continuing drama) followed the goings-on of a North Island timber town. The series was conceived by former forester Julian Dickon (who quit the series and was replaced by Listener critic Hamish Keith as writer). Producing two seasons of six episodes was a key step in industry professionalisation, and many of the cast became stars (Ginette McDonald, Ian Mune). It offered an archetypal screen image that Kiwis could relate to: rural, bi-cultural, boozy and blokey; and reviews praised its Swannie-clad authenticity.