Sandy Houston's career in animation and visual effects has involved 70 plus movie projects — including animated classic Watership Down, visual effects landmark Jurassic Park, and Oscar-winners The Return of the King and King Kong. Along the way she has been on hand to watch computers become key tools in creating screen illusion.
Something new gets developed, and you can do something completely different —something that you haven't seen before. We get excited working on it, so we know the audience is just going to be blown away. Sandy Houston, on the excitement of working with new visual effects techniques
After only 17 days in international cinemas, the first part of the Hobbit trilogy stacked up enough treasure to become 2012's fourth highest-grossing movie. In part two director Peter Jackson ups the adventure quotient further, thanks to spiders, high speed river rides and the first encounter between hobbit Bilbo Baggins (Martin Freeman) and Smaug the Dragon, as envisioned by Weta Digital and British star du jour Benedict Cumberbatch. Legolas (Orlando Bloom), one of the breakout characters in the Lord of the Rings movies, also makes an appearance.
JRR Tolkien's beloved novel The Hobbit follows Bilbo Baggins on a quest to help reclaim the lost dwarf homeland of Erebor from the dragon Smaug. Shoulder-tapped by Gandalf for the mission against some opposition, Bilbo joins a company of dwarves in an epic adventure: vying against goblins, orcs and Gollum's riddles. After the box office blitzing and Oscar-slaying Lord of the Rings trilogy, adapting the precursor novel was an expected journey. Martin Freeman (The Office, Sherlock) is Bilbo, and Peter Jackson is again at the helm in this first of a three-part adaptation.
Scriptwriter Philippa Boyens has described Alice Sebold's bestselling book The Lovely Bones as "brutal, surprising, gorgeous". A tale of murder and how the victim's family and friends try to deal with it, the story is told from the perspective of the victim — 14-year-old Susie Salmon. For the movie adaptation. Peter Jackson and his Weta FX team engaged in more Heavenly Creatures style world-building, rendering an afterlife for Susie that "alters and shifts" with her mood. Time praised the film's "gravity and grace", plus Saoirse Ronan's BAFTA-nominated performance as Susie.
Peter Jackson's love affair with moviemaking and special effects was ignited by seeing the original King Kong (1933) as a child. Jackson's Kiwi-shot remake takes one of cinema's most iconic monster movies, retains the 30s setting and iconic New York finale, and toughens up the "beauty" (Naomi Watts). The film also transforms the male (non-ape) lead from lunkhead to sensitive playwright (Adrien Brody). Exhilarating, Oscar-winning CGI brings the great ape to life, alongside rampaging dinosaurs, and oversized wētā inexplicably absent from the maligned 1976 remake.
Monstrous spiders, dragon-aided epic battles, endangered hobbits and final farewells ... the finale of the Lord of the Rings trilogy boldly upped the ante. Although the first two films had excited viewers, critics and accountants, Return of the King sealed Peter Jackson's place in movie legend. Reviewers praised it with gusto and the film won a staggering 11 Oscars, a total matched only by Titanic and Ben-Hur. Return anointed a Hollywood empire in the Wellington suburb of Miramar. The box office figures weren't half bad, and nor was the effect on New Zealand tourism.
Peter Jackson’s fifth feature is a playful blend of comedy, thriller and supernatural horror and was an effective Hollywood calling card for Weta FX. Frank Bannister (Michael J Fox) resides in Fairwater, where he runs a supernatural scam. Aided by some spectral consorts, he engineers hauntings and “exorcises” the ghosts for a fee. When a genuine spook starts knocking off the locals, the FBI suspects Frank is the culprit. To clear his name, Frank must deal to the real perpetrator – none other than the Grim Reaper ...