Sometime actor Taika Waititi has clearly sunk his teeth into directing. His 2005 short film Two Cars, One Night was Oscar-nominated. Second feature Boy (2010) became the most successful Kiwi film released on its home soil — at least until the arrival of Waititi's fourth movie, Barry Crump inspired adventure comedy Hunt for the Wilderpeople. In 2017 Marvel movie Thor: Ragnarok became an international hit.
I don’t ever want to be seen as a Māori artist. I’d rather be an artist who just happens to be Māori – and not like my art must always, and necessarily, reflect being a Māori. Taika Waititi
Merata Mita argued forcefully that the voices of Māori and of women were sorely lacking on-screen. Best known for her Springbok tour documentary Patu!, the straight-talking director and actor later set up an indigenous filmmaking programme in Hawai'i, and spoke about indigenous film around the globe. After Mita passed away in 2010, her youngest son Hepi began making a film about her — discovering new sides to his mother as he trawled through footage, and interviewed his older siblings. The feature-length documentary debuted at the 2018 NZ International Film Festival.
Packed with Kiwi comedy talent, The Breaker Upperers is the tale of two women whose business is ending other people's relationships. Leading both the cast and the filmmakers are Madeleine Sami (Super City) and Jackie van Beek (who played a wannabe vampire in What We Do in the Shadows). Sami's character finds herself falling for a teen (James Rolleston) who needs to dump his girlfriend. The film won its first rave review when it debuted at US festival South by Southwest, in March 2018. New Zealand release followed in May. The cast includes Rima Te Wiata and Rose Matafeo.
In these short clips from our ScreenTalk interviews, directors, actors and others share their memories of classic films, as we mark 40 years of the NZ Film Commission. - Roger Donaldson on odd Sleeping Dogs phone calls - David Blyth on Angel Mine being ahead of its time - Kelly Johnson on acting in Goodbye Pork Pie - Roger Donaldson on Smash Palace - Geoff Murphy on Utu's scale - Ian Mune on making Came a Hot Friday - Vincent Ward on early film exploits - Tom Scott on writing Footrot Flats with Murray Ball - Greg Johnson on acting in End of the Golden Weather - Rena Owen on Once Were Warriors - Melanie Lynskey on auditioning for Heavenly Creatures - Ngila Dickson on The Lord of the Rings - Niki Caro on missing Whale Rider's success - Antony Starr on Anthony Hopkins - Oscar Kightley on Sione's Wedding - Tammy Davis on Black Sheep - Leanne Pooley on the Topp Twins - Taika Waititi on napping at the Oscars - Cliff Curtis on The Dark Horse - Cohen Holloway on his Wilderpeople stars
Taika Waititi's fourth feature is the tale of a city kid and a grumpy uncle on the run. Raised on hip hop and state care, Ricky (Shopping's Julian Dennison) goes bush with his foster uncle (Sam Neill). The authorities are on their tail. Wilderpeople is based on Barry Crump book Wild Pork and Watercress. Keen to recapture the style of classic screen yarns like Came a Hot Friday, Waititi's aim was a funny, accessible adventure. The result began winning acclaim when it debuted at North America's Sundance Film Festival, before becoming Aotearoa's biggest ever local hit.
After showing she could definitely generate a headline from an interview (when she quizzed Bachelor winner Art Green on matters sexual, in a 2015 NZ Herald web series) Anika Moa got her own chat show on Māori Television in 2016. The couch interview format saw Moa interview guests and review media in her trademark candid style, from actors Cliff Curtis and Lucy Lawless to politician Chloe Swarbrick. Eleven 30-minute episodes were made for series one; a second series began in 2017. The series won praise for its fresh (non white male) perspective.
Poi E: The Story of Our Song tells the story behind one of New Zealand’s most iconic pop songs. Led by Dalvanius Prime, the Patea Māori Club single was released soon after the closure of the town’s freezing works. Conquering disinterest from record labels and radio, Poi E became New Zealand's highest selling single in 1984. Written and directed by Tearepa Kahi (Mt Zion), the "warm, funny, touching" documentary (NZ Herald) features interviews with those involved, and famous fans (eg Taika Waititi). Poi E won applause after premiering at the opening of the 2016 Auckland Film Festival.
Boy director Taika Waititi teams up with his Eagle vs Shark star Jemaine Clement to present this bloody comedy about the travails of a flat of vampires. Reality TV-style cameras tag the vamps as they struggle to get into Courtenay Place nightclubs, squabble over chores and face off werewolves. A roster of Kiwi comedic talent (including Jonathan Brugh and Rhys Darby) feature. After winning fangtastic reviews at America's Sundance and SXSW festivals, Shadows won a run of global sales, local success and four Moa awards, including Best Self-Funded Feature.
This 2014 documentary celebrates Māori Television’s first decade. It begins by backgrounding campaigns that led to the channel (despite many naysayers). Interviews with key figures convey the channel's kaupapa – preserving the past and te reo, while eyeing the future. A wide-ranging survey of innovative programming showcases the positive depictions of Māoridom, from fresh Waitangi, Anzac Day, basketball and 2011 Rugby World Cup coverage, to Te Ao Māori takes on genres like current affairs and reality TV (eg Native Affairs, Homai Te Pakipaki, Kai Time on the Road, Code, and more).
Two cars, one day: directed by Taika Waititi, this extended public service announcement uses humour to address the dangers of motoring under the influence of marijuana. A trio of tamariki imitate their Dads’ stoned antics, driving home what’s at stake when getting behind the wheel while ‘blazed’. Young Julian Dennison was fresh from his acting debut in Shopping. Waititi later cast him to co-star with Sam Neill in his 2016 hit Hunt for the Wilderpeople. The advertisement was part of a Clemenger BBDO traffic safety campaign made for the NZ Transport Agency.
Taika Waititi's blockbuster second movie revolves around an imaginative 11-year-old East Coast boy (James Rolleston) trying to make sense of his world — and the return of his just-out-of-jail father (Waititi). Intended as a "painful comedy of growing up", Boy mixes poignancy with trademark whimsy and visual inventiveness. The film was shot in the Bay of Plenty area where Waititi partly grew up. A winner in its section at the 2010 Berlin Film Festival, Boy soon became the most successful local release on its home soil (at least until the arrival of Waititi's 2016 hit Hunt for the Wilderpeople).
TV personality Jaquie Brown plays (and plays up) herself for further delightful comic effect in the second series of The Jaquie Brown Diaries (renamed The Jaquie Brown Odyssey for DVD release). In the Qantas Award-winning TV3 satire Brown is an egomaniacal reporter looking to climb the media ladder any which way she can. This episode sees Brown googling herself, and a late-night forum post sends her spiralling towards celebrity booze binge self-destruction on K Road. In her wake Auckland’s Metro social pages set are skewered with self-referential glee.
Shot on Wellington's South Coast, the video stars Academy Award-nominee Taika Waititi (who also directs) as a turquoise headband wearing jogger attempting an eclectic confidence course. Shot in one ducks-in-a-row long take, our hero slays knights, frees prisoners and crosses the finish line into the arms of his lover. And a horse. A splendid example of she'll-be-rightism, the clip is refreshingly lo-fi, makeshift and delightful — and undoubtedly took a lot more than four minutes and 15 seconds to make.
Taika Waititi's 80s extravaganza wouldn't have been complete without the man himself arriving on set in a DeLorean — the time-travelling car from Back to the Future. The clip for The Phoenix Foundation is another homage-packed example of lo-fi genius from the Oscar nominated director. Note how Eastern European-derived keyboardist Luke Buda is playing a 'Poland' synthesizer. Said Waititi: "I spotted the DeLorean parked near our flat in Mt Cook, and left a note under the wiper saying 'what year are you from?' Turns it was one of two owned by a local doctor."
Taika (Boy) Waititi's first feature is an offbeat comedy about two lonely misfits and their attempts to find love. Lily (Loren Taylor) is a shy fast-food cashier with a crush on clueless gaming geek Jarrod (Conchord Jemaine Clement). When Lily crashes Jarrod's fancy dress party wearing a shark costume and impresses the self-styled ‘Eagle Lord' with her gaming prowess — excerpted here — she gets her man. But their budding romance is sorely tested by Jarrod's obsession with a childhood nemesis. Empire called the film, "a comic delight destined for cult adoration."
This final episode from series two of the arts series is presented by Taika Cohen (aka Taika Waititi) and his alter ego, silly German Gunter Schliemann. Taika makes short film Tama Tū, performs as vampire Diego (later reborn in What We Do in the Shadows) and performs Taika’s Incredible Show at Bats Theatre. Included are scenes from his early, little-seen short film John & Pogo. Also featured are artist Siren Maclaine (aka Siren Deluxe) and her feminist erotica; Caroline Robinson’s large-scale Auckland motorway sculptures; and comics artist Colin Wilson (Judge Dredd, Blueberry).
Six Māori Battalion soldiers camped in Italian ruins wait for night to fall. In the silence, the bros-in-arms distract themselves with jokes. A tohu (sign) brings them back to reality, and they gather to say a karakia before returning to the fray. Director Taika Waititi describes the soldiers as young men with "a special bond, strengthened by their character, their culture and each other." Shot in the rubble of the old Wellington Hospital, Tama Tū won international acclaim. Invited to over 40 international festivals, its many awards included honourable mentions at Sundance and Berlin.
A magazine show with an edge, The Living Room won awards for its creative and dynamic approach to covering the arts. These excerpts from series two cover a wide range of artists, from those working in multimedia to those puttng stencil art on walls. Also featured are dub band Kora, novelist Kelly Ana Morey and drummer Anthony Donaldson. In the second to last clip, Taika Waititi pretends he hasn't done any rehearsals for his one man show Taika's Incredible Show, which features an alien with ridiculous teeth and Gunther the dancing German.
Aimed at children, anthology series Freaky showcased tales of horror and the fantastic. Each episode was generally broken up into three stories, from aliens controlling humans like rats in a maze, to a terrifying water slide that transports riders to a prehistoric world. The tweenage Twilight Zone tales spawned a cult following, plus a wiki page detailing each story. Freaky creator Thomas Robins would refine the three stories in one approach with his 2006 anthology series The Killian Curse. He also co-created pioneering web series Reservoir Hill.
Director, writer and actor Taika Cohen (aka Waititi) features in this episode of the stand-up comedy TV series with an off the wall performance as Gunter the German "joke" teller — a buck-toothed, bewigged persona pitched somewhere between Andy Kaufman and Sacha Baron Cohen. Fiona MacKinnon is in more conventional territory recounting her graduation and 21st, and musing about moving suburbs in Wellington. While Andrew Clay has tattoos and one night stands on his mind, and a concern that the early years of the 21st century are lacking in poetry.
Life on Ben is a partly-animated series for kids exploring the intricacies of life on skin. Gordon and Gloob (voiced by Flight of the Conchords’ Jemaine Clement and Boy director Taika Waititi) are two symbiotic creatures who go on an unexpected stop motion journey. When their host, 10-year-old Ben, gets an itch in his butt the Plasticine duo find themselves exiled to his nostril; on their quest to get back home they encounter a petri dish of other microbial folk. Created by Luke Nola (Let’s Get Inventin’), the 10 episodes of this two-minute show sold internationally.
Life on Ben is a partly-animated series for kids exploring the intricacies of skin life. Gordon and Gloob (voiced by Flight of the Conchords’ Jemaine Clement and Boy director Taika Waititi) are two symbiotic creatures who go on an unexpected stop motion journey. When their host, 10-year-old Ben, gets an itch in his butt, the plasticine duo find themselves exiled to his nostril. On their quest to get home they meet a petri dish of other microbial folk. Created by Luke Nola (Let’s Get Inventin’), the 10 two-minute episodes — in full here — were distributed internationally.
Actor Wi Kuki Kaa (1938 - 2006) plays Tiare, a Vietnam War veteran who is dislocated by his experiences of war, and homelessness. He wanders the city streets, collecting ephemera in plastic bags. Nancy Brunning plays his daughter, who, with her own daughter, visits their reluctant koro (old man) to convince him to visit his ancestral home. The result is a moving story about a man jolted to find his turangawaewae (place to stand), and the whanau that helps him get there. Directed by Peter Burger, the film was selected for Critics' Week at the 2003 Cannes Film Festival.
Youngsters Romeo, Ed, and Polly wait in two cars after dark while their parents are inside drinking. It’s a situation many Kiwis would recognise: cars without parents outside the bar or rugby club. Soon cross-car rivalry warms to budding friendship. Winning performances, and the tender mix of comedy and romance saw the tale of a Te Kaha pub carpark become an international hit. Two Cars won a boot-full of awards, launched Waititi’s career, and was the second New Zealand short to be nominated for an Academy Award. Waititi infamously feigned sleep during the 2005 ceremony.
This sex in the capital city series centres around 30-something Melissa (Luanne Gordon), who has shed a corporate legal career to set up a male strip revue. The Gibson Group-produced show married the fretful modern woman protagonist of Ally McBeal with the hen's night appeal of Ladies Night; it screened for two series on TV3. In this episode from the first series Melissa enjoys her towel-clad new flatmate Adam (Robbie Magasiva), while her copper boyfriend Shane (Stephen Lovatt) doesn't. And Mel's teenage daughter contemplates 'the first time'.
These excerpts from arts show The Living Room mark an early screen appearance for "jungle folk comedy duo" Flight of the Conchords. Starting in Wellington and building to performances at the 2002 Edinburgh Festival Fringe, the item sees longtime colleague Taika Waititi playing the duo's wisetalking manager, pre Rhys Darby. After meeting Jonah Lomu at the airport, dreams of fame face cramped digs and the intense competition of Edinburgh. The duo handle things with their droll resolve. The following year the Conchords were nominated for a Perrier Award, en route to stardom.
The Strip centres around 30-something Melissa (Luanne Gordon), who sheds a legal career to set up a male strip revue. Created by Alan Brash, The Strip played to a certain demographic's desire for ogling naked men (warmed up by 1987 play Ladies Night and 1997 film The Full Monty), but with a focus on female characters, as Melissa juggles business with raising a teenage daughter. Taking cues from Ally McBeal (with fantasy sequences to match) the Gibson Group tale of g-strings, feminism and red light romance screened for two series on TV3 and sold internationally.
For her first feature, writer/director Gillian Ashurst wanted a “big wide road movie; big skies; big long roads.” Cruising the Canterbury landscapes are small-town dreamers Alice (Heavenly Creature Melanie Lynskey) and Johnny (future Almighty Johnson Dean O’Gorman). But the duo’s adventures go awry after encountering a charming American cowboy. Reviews were generally upbeat: praising the talented cast, plus Ashurst’s ability to mix moods and genres. Snakeskin won five awards at the 2001 NZ Film and TV Awards, including best film and cinematography.
In Scarfies, five Dunedin students find themselves in a free squat, and a dark place, after taking a criminal captive in their basement. The debut feature from Robert Sarkies starts as a comic tribute to Otago student days, then turns into a psychological thriller. Outside of the two Warriors movies, Scarfies was the most successful Kiwi release of the 90s on home turf. It went on to scoop best film, director and screenplay awards at the 2000 NZ Film and TV Awards. This excerpt sees the scarfies torn between dealing with the crim and a footy match at Carisbrook.