Temuera Morrison was acting on screen at age 11. Two decades later he won Kiwi television immortality as Doctor Ropata in Shortland Street, then rave international reviews as abusive husband Jake Heke in Once Were Warriors. Since reprising his Warriors role in a well-regarded sequel, Morrison has starred in Crooked Earth and Mahana, hosted his own talk show and played Jango Fett in the Star Wars prequels.
… a leading actor as elemental, charismatic and brutal as the young Marlon Brando; he has instinctive star power. The Seattle Journal, on Morrison's Once Were Warriors performance.
Inspired by Witi Ihimaera's Bulibasha, Mahana saw director Lee Tamahori making his first film on local soil since a very different family tale: 1994's Once Were Warriors. Temuera Morrison stars as a 60s era farming patriarch who makes it clear his family should have absolutely nothing to do with rival family the Poatas. Then romance enters the picture, and son Simeon sets out to find out how the feud first started. The powerhouse Māori cast includes Nancy Brunning (who is included in the interview clips) and Jim Moriarty. Mahana debuted at the 2016 Berlin Film Festival, before NZ release.
Australian Idol winner Stan Walker made his acting debut in this hit feature, as aspiring singer Turei. Part of a whānau of Māori potato pickers from Pukekohe, he has to choose between duty to job and family (Temuera Morrison plays his hard-working Dad) and letting the music play. His dilemma takes place as reggae star Bob Marley performs in Aotearoa in 1979, offering the chance for Turei's band Small Axe to win a supporting slot at Marley's Western Springs concert. Released on Waitangi Day 2013, Tearepa Kahi's debut feature became the most successful local release of the year.
In search of a hideout, gun-totting Gigi (Kate Elliott) and a gang with criminal tendencies end up in hot water after crashing into the lives of a middle class Māori family. To describe the whānau as meat lovers would be euphemistic. Actor/director Danny Mulheron has often gleefully given the finger to political correctness — witness Meet the Feebles, stage farce The Sex Fiend, and TV's Seven Periods with Mr Gormsby. This Gibson Group production marks his in your face cinematic debut. The anarchic result promises cannibalism, comedy — and chef Tem Morrison.
New Zealand, 1903. A veteran of the Boer War (Sexy Beast’s Ray Winstone) is hired to hunt a Māori seaman (Temuera Morrison), who has been framed for murder. So begins a cat and mouse chase where pole position keeps changing, and the South African is pressed to open up about his past. Directed by Brit Ian Sharp (Mrs Caldicot’s Cabbage War) and scripted by Dutch-born emigre Nicolas van Pallandt — who died before it got to the screen —Tracker was one of the last productions to win cash from the UK Film Council. The extras include interviews with both lead actors.
In the final episode of the season, larrikin presenters Bill and Ben pretend to offend rugby league stars Monty Betham and Awen Guttenbeil (with a nod to American Beauty). The show's closing references the controversial finale of The Sopranos (complete with mocking soundtrack), and there are cameos from Karl Urban and Temuera Morrison.Ben revels in extended torture of Bill, while Auckland Blues coach Pat Lam concentrates on golfing. Elsewhere a shop dummy does some begging, and a unique interpretation of cross-training enrages a passing screen producer.
In 2007 Willie Apiata, of the NZ Army's elite SAS unit, was awarded the Victoria Cross for carrying a wounded soldier to safety while under fire in Afghanistan. This documentary had exclusive access to Corporal Apiata, from the moment he was told about the VC to his decision a few weeks later to gift the medal to the nation. The shy soldier struggles to deal with his sudden celebrity, and military bosses have to cope with the dual demand of handling media interest in the VC win while still keeping the work of the SAS relatively secret.
This lauded documentary revisits the subject of a film Vincent Ward made in 1978, aged 21. That film, In Spring One Plants Alone, told the story of 80-year-old Puhi, who lived with her schizophrenic son in the isolated Urewera. The follow-up — part detective doco, part historical re-enactment — focuses on Puhi's life. She married the son of Māori prophet Rua Kenana, had 14 children, and after a run of tragedies, believed herself to be cursed. The excerpt goes “way out there in the bush” to the Maungapohatu community where Rua, “made the city of God on Earth”.
Vincent Ward's fifth feature follows an Irishwoman in 1860s New Zealand, as Māori tribes resist the occupation of their land by the British. Sarah (Samantha Morton) has had an affair with a Māori and borne his child. Years later the boy is kidnapped by his grandfather, a powerful tribal leader. Sarah embarks on a search for her child, aided by warrior Wiremu (Cliff Curtis). When she finds him, both mother and son must decide to which culture they belong. This excerpt from the notoriously ambitious film sees Sarah encountering charismatic chief Te Kai Po (Temuera Morrison).
In The Tem Show Temuera Morrison interviews and hangs with his entertainment whānau. This 'revenge of the bros' episode sees Tem korero with Kiwis involved in the Sydney-shot Star Wars chapters: he hakas with Jay Laga'aia and Bodie Taylor and cooks some eggs for Rena Owen in LA. He also meets George Lucas and gets cloned at Skywalker Ranch. Other guests in the series include uncle Howard Morrison, coaching Rotorua schoolboy rugby with Buck Shelford. This was Prime TV's first publicly funded local programme, and replayed on Māori Television.
With each chilling tale "of the unexplained and unexpected" introduced by Temuera Morrison Rod Serling-style, Mataku was described as a Māori Twilight Zone. The award-winning bilingual series explored dramatic tales steeped in the supernatural world of Māori. Mataku was produced by Māori writers, directors and actors; and was a strong international and domestic success. Tension mounts in the excerpt from episode nine from the second series: when a group of old mates reunite to go fishing one of them has a long-kept secret, and terror lurks in the deep.
Described as a "Māori Twilight Zone", Mataku was a series of half-hour dramatic narratives steeped in Māori experience with the "unexplained". Two South Pacific Pictures-produced series screened on TV3; a later series screened on TV One in 2005. Each episode was introduced by Temuera Morrison Rod Serling-style. The bi-lingual series was a strong international and domestic success; producer Carey Carter: "Our people are very spiritual ... and here we are ... turning it into stories so that the rest of the world can get a glimpse of that aspect of our culture."
When his father dies, soldier Will Bastion (Temuera Morrison) returns home after 20 years. Tradition dictates he take on the mantle of tribal chief, but he's not interested. His brother Kahu (Lawrence Makoare) seizes the opportunity, but he's a drug-dealer with grand plans to get stolen land back. Worried about Kahu's provocative approach, Will must choose whether to face off against his brother. Melding horseback action and indigenous land rights, Crooked Earth marked the first NZ film for director Sam Pillsbury since 1987's Starlight Hotel. Variety called it "handsomely mounted and compelling".
Mataku was a bilingual series of half-hour dramatic narratives steeped in Māori mystique. Described as a Māori Twilight Zone, Mataku was produced by Māori writers, directors and actors, and was a strong international and domestic success. Each episode was introduced Rod Serling-style by actor Temuera Morrison. This excerpt from the first episode, which screened on TV3, portrays two young sisters (Nora and Naera) who are playing in the forest when events take a tragic turn; mysterious putapaiarehe (fairies) are implicated and haunt a troubled grown-up Nora.
This film is about the redemption of Jake the Muss. It picks up the story after Jake has turned his back on his family (his wife has left him to escape the violence) and is up to his usual tricks in McClutchy's Bar. After one of his sons dies suspiciously in a gang fight, another sets out to find revenge, accompanied by young gang member Tania (Nancy Brunning). Scripted by Alan Duff and directed by Ian Mune, the film was the second-highest-earning NZ film of the 1990s, (eclipsed only by Once Were Warriors). It scooped most of the categories at the 1999 NZ Film & TV Awards.
Nina (Aleksandra Vujcic) has emigrated downunder from wartime Croatia. When she falls in love with Māori cook Eddie (Julian Arahanga) and marries a Chinese man who is trying to stay in NZ, her domineering father Ivan is furious. The second movie from Gregor Nicholas remains one of the few from NZ in which Pākehā culture hardly features. The result was one of the highest-grossing NZ films of the 1990s. International reviews praised its power and strong cast — especially Croatian discovery Aleksandra Vujcic ("instantly alluring" said Janet Maslin). Vujcic won one of five NZ Film awards.
This documentary follows the build-up by the Auckland Warriors to their first match in Australia’s National Rugby League competition (against the Brisbane Broncos). They are the first offshore club to compete in the NRL. The excitement and routines of a burgeoning pro sport franchise — from training to brand development — are captured alongside player profiles: Dean Bell is captain, coach is John Monie, and future Kiwi league legend Stacey Jones is an 18-year-old rising star. Presented by Temuera Morrison, the score is hard rock, and the jersey sponsor is DB Bitter.
Iconic serial drama Shortland Street is based around the births, deaths and marriages of the staff, family and patients of the eponymous hospital. This 1994 cliffhanger episode, written by Rachel Lang, features the wedding between receptionist Kirsty and muffin man Lionel. But will hunky Stuart be able to deny his love for Kirsty? Countless familiar characters appear; and three actors who have since launched Hollywood careers — Temuera Morrison, Martin Henderson, and Marton Csokas — as Dr Ropata, Stuart Neilson, and Leonard Dodds respectively.
Once Were Warriors opened the eyes of cinemagoers around the globe to an unexamined aspect of modern New Zealand life. Director Lee Tamahori's hard-hitting depiction of domestic and gang violence amongst an urban Māori whānau was adapted from the best-selling Alan Duff novel. The film provided career-defining roles for Temuera Morrison and Rena Owen as Jake the Muss and Beth Heke. It remains NZ's most watched local release in terms of bums on seats. Among a trio of backgrounders, Riwia Brown writes about adapting Duff's book for the screen.
Shortland Street is a fast-paced serial drama set in an eponymous inner city Auckland hospital. A South Pacific Pictures production, the iconic show is based around the births, deaths and marriages of the hospital's staff and patients. It screens on TVNZ’s TV2 network five days a week, and in 2012 the show celebrated its 20th anniversary making it New Zealand’s longest running drama by far. Characters and lines from the show have entered the culture, most famously, “you’re not in Guatemala now, Dr Ropata!”.
The first episode of Shortland Street starts with a pregnant woman being rushed to the clinic after an accident. Only the doctors are all missing. Visiting Doctor Hone Ropata (Temuera Morrison), who is soon to join the Shortland Street team, makes the call to deliver the baby. Head nurse Carrie Burton (Lisa Crittenden) disagrees, and proceeds to mention that Doctor Ropata is no longer in Guatemala. This first episode of the five night a week soap screened on 25 May 1992. It would go on to become New Zealand's longest running TV drama (but not our first soap — that was Close to Home).
Shortland Street is a fast-paced serial drama set in an eponymous inner city Auckland hospital. A South Pacific Pictures production, the iconic show is based around the births, deaths and marriages of the staff, family and patients. Screening five days a week on TV2 it is New Zealand’s longest running drama. Characters and lines from the show have entered the culture, most famously, "you're not in Guatemala now, Dr Ropata!". This 2007 promo, set to the theme song, collects together highlights from the first 15 years of the show.
In the year of his knighthood, Sir Howard got to fulfil a long-held dream — playing with the Auckland Philharmonia Orchestra. Broadcast on TV One in October 1990, this is a big show, from its opening Space Odyssey theme, through the operatic numbers to finale ‘This is the Moment’. It is classic Howard Morrison in its blend of cabaret, humour and Māori culture. Sir Howard performs his most controversial song, ‘My Old Man’s An All Black’, with comedian Billy T James, and has ex-All Blacks captain Buck Shelford up on stage to lead the haka alongside Temuera Morrison.
In these excerpts from his last TV series — a family based sitcom — Billy T has to deal with his radical older daughter who wants to get a moko, a teenage boy trying to smuggle beer into his younger daughter’s birthday party, a defamation writ, and another tribe becoming his landlord. There are varying degrees of help from his wife (Ilona Rodgers), his aggressively dim Australian brother-in-law (Mark Hadlow) and his daughter’s painfully politically correct pakeha boyfriend (Mark Wright), as well as cameos from Temuera Morrison, Martin Henderson and Blair Strang.
The night before his granddaughter Rosie's birthday, a man who likes having a flutter on the horses (Utu star Anzac Wallace) has a "dream". But which horse is he meant to bet on this time? Raniera gets help from his wife (Erihapeti Ngata) and the local community, to work out what the dream might mean. This edition of the pioneering Māori drama series marked Rawiri Paratene's first turn as director. Patricia Grace based the screenplay on her story 'The Dream'; Temuera Morrison has a small role as Rosie's father. Te Moemoea was filmed in Te Reo and English.
In Haka Māori myth is re-told through a series of stirring haka performances. Men stomp, invoke, and do pukana (tongue out, eyes wide) amidst spitting mud and fire and ... in Paremoremo Prison and under a motorway. These scenes are intercut with archive imagery of post-pākehā Māori life, from first contact to Maori Battalion, urban drift and protest. The film is a tribute to the raw power, and art, of haka. Ultimately the Once Were Warriors-like message "is positive because of the fierce, irresistible pride of the performances." Peter Calder, (NZ Herald, 1989).
A 'waka huia' is traditionally a treasure box to hold the revered huia feather. Waka Huia the TV series records and preserves Māori culture and customs and is presented completely in Te Reo Māori. The long-running series travels extensively to retell tribal histories, and sets a high standard of reo, seeking to interview only fluent speakers. Waka Huia also covers some of the social and political concerns of the day, taking a snapshot of Māori history. Created by Whai Ngata, Waka Huia is a tāonga for future generations.
When she made Mauri, Merata Mita became the first Māori woman to direct, write and produce a feature film. Mauri (meaning life force), is loosely set around a love triangle and explores cultural tensions, identity, and a changing way of life in a dwindling East Coast town. As with Barry Barclay's Ngati, Mauri played a key role in the burgeoning Māori screen industry; the production team numbered 33 Māori and 20 Pākehā, including interns from Hawkes Bay wānanga. NZ art icon Ralph Hotere helmed the production design; Māori activist Eva Rickard played kuia Kara.
After their house explodes and they bump into a gunman, journalist Alf (Temuera Morrision) and his American girlfriend (Beverly Hills Cop’s Lisa Eilbacher) head to the West Coast, on the run from the cops and mysterious forces. The conspiracy plot is mostly an excuse for chases, capers and crashes galore, all imbued with plenty of pell-mell shenanigans (this time heading north in a red Falcon) by Goodbye Pork Pie director Geoff Murphy. The movie marked Temuera Morrison's first big screen starring role. This excerpt sees John Clarke cameo as a used car salesman.
As a member of the Ulster Volunteer Force, Brian Deeds (Belfast-born actor Ian McElhinney) grassed on 23 fellow terrorists in Northern Ireland. Now living in New Zealand under a new identity, Deeds has to come clean to his girlfriend (Judy McIntosh) when a hit squad arrives in town for him. This clip sees guns and car crashes on the streets of Dunedin. Made in NZ, the Anglo-Kiwi funded TV movie won solid audiences on UK television, before local release on video. Ian Mune (Came a Hot Friday) directs; Marshall Napier and Temuera Morrison are the cops playing catch up.
Gloss was a popular Kiwi television drama series made by TVNZ that screened in the late 80s; it combined a wealthy family, the Redferns, with a lucrative high-fashion magazine business. Yuppies, shoulder-pads and méthode champenoise abound in this cult "glamour soap". New Zealanders wanted to see themselves as less bottom of the world and more "here we come and we are sailing" (as the infamous Cup campaign song warbled), and Gloss was just what the era demanded.
This 80s TV series sees real estate agent Selwyn, TV producer Nardia (early turns from Temuera Morrison and Jennifer Ward-Lealand) and art student Ben (Kerry McKay) as a trio of young Wellingtonions drawn together by a mysterious invitation. At an antique shop dinner they discover they share a colourful birth mother, before becoming players in a game for a legacy of $250,000. Conceived by Brian Bell, Seekers was one of a series of teen-orientated dramas made in the mid-80s (along with Heroes and Peppermint Twist). The 16 episodes screened from February 1986.
This Wellington-set 80s TV series sees real estate agent Selwyn, TV producer Nardia (early turns from Temuera Morrison and Jennifer Ward-Lealand) and art student Ben (Kerry McKay) as a young trio united by a mysterious invitation. At an antique shop dinner the three adopted children discover that they share a colourful birth mother, before becoming players in a game for a legacy of $250,000 (and more existential prizes). This first episode features ouija boards and a funeral at Futuna Chapel; alongside 80s knitwear, a saxophone score and du jour animated titles.
Regular Māori programmes started on Television New Zealand in 1980 with Koha, a weekly, 30-min programme broadcast in English. It explored everything from social problems, tribal history, natural history, about weaponry, to the preparation of food, canoe history, carvings and their meanings, language and how it changed through time. It was a window into te ao Māori for Pākekā, and it provided a link to urban Māori estranged from their culture. It was the first regular Māori programme which was shown in prime time.
After being spotted performing for tourists in Rotorua, 11-year-old Temuera Morrison was given his very first starring role in this British TV series, shot downunder by expat Kiwi director Michael Forlong. In this clip, Rangi (Morrison) and co have adventures with sharks, crayfish and a stranded sheep near their remote South Island farm. Meanwhile two robbers (Ian Mune and Michael Woolf) sneak into the house. The scene is set for crims and and children to chase each other all the way to Rotorua. The series was seen in New Zealand cinemas in a shortened movie version.