Animator, Special Effects
Tim Capper's urge to make inanimate objects move has taken on animation, stop motion and digital effects. After working on commercials and The Frighteners, George Port tapped him to create effects for the final seasons of Xena and Hercules. Capper has gone on to supervise effects for Spartacus and many Taika Waititi projects, and directed music videos and award-winning stop motion promos (for road safety and MTV).
Getting to work in large teams of dedicated experts, and then applying those skills to more personal projects - it’s a healthy cycle that I always enjoy. Tim Capper
Showcasing the droll dialogue between Conchord Jemaine Clement and animator Guy Capper, this is one of a series of comedic shorts in which two sheep drink beer at the baa and spin yarns about the issues that really matter eg. how to express your ire when a bovine companion compares your face to a talking pie. Capper and Clement's Robert and Sheepy duo first debuted in short film The Pen in 2001. An Australasian Nescafé Short Film Award helped spur further episodes, then regular appearances on 2010 comedy show Radiradirah, from which this sketch is drawn.
Showcasing the droll dialogue between Conchord Jemaine Clement and animator Guy Capper, Schedule is one of a series of shorts in which two sheep — Robert and Sheepy — ruminate on the ovine issues that really matter eg. tyre humping and ghost sheep. Here the daily schedule is discussed, including the menu selection (grass). After Capper animated the first Robert and Sheepy short in 2001, an Australasian Nescafé Short Film Award helped spur occasional further entries in the woolly yarn canon, culminating with these appearances on 2010 sketch show Radiradirah.
Taika Waititi's blockbuster second movie revolves around an imaginative 11-year-old East Coast boy (James Rolleston) trying to make sense of his world — and the return of his just-out-of-jail father (Waititi). Intended as a "painful comedy of growing up", Boy mixes poignancy with trademark whimsy and visual inventiveness. The film was shot in the Bay of Plenty area where Waititi partly grew up. A winner in its section at the 2010 Berlin Film Festival, Boy soon became the most successful local release on its home soil (at least until the arrival of Waititi's 2016 hit Hunt for the Wilderpeople).
The Wellington International Ukulele Orchestra's version of Bonnie Tyler's wrenching 70s hit was the title track of their debut EP. In director Tim Capper's video, they manage to take the song to new levels of pathos with vocalist Andy Morley-Hall's quest for a slice of vegan apple and rhubarb tart. The location is a crowded Deluxe Cafe (where the ensemble emerged from informal Thursday morning sessions). Age Pryor contributes the solo and, amongst the group's massed ranks, there's a masked nod to absent member and Flight of the Conchord Bret McKenzie.
Taika (Boy) Waititi's first feature is an offbeat comedy about two lonely misfits and their attempts to find love. Lily (Loren Taylor) is a shy fast-food cashier with a crush on clueless gaming geek Jarrod (Conchord Jemaine Clement). When Lily crashes Jarrod's fancy dress party wearing a shark costume and impresses the self-styled ‘Eagle Lord' with her gaming prowess — excerpted here — she gets her man. But their budding romance is sorely tested by Jarrod's obsession with a childhood nemesis. Empire called the film, "a comic delight destined for cult adoration."
Six Māori Battalion soldiers camped in Italian ruins wait for night to fall. In the silence, the bros-in-arms distract themselves with jokes. A tohu (sign) brings them back to reality, and they gather to say a karakia before returning to the fray. Director Taika Waititi describes the soldiers as young men with "a special bond, strengthened by their character, their culture and each other." Shot in the rubble of the old Wellington Hospital, Tama Tū won international acclaim. Invited to over 40 international festivals, its many awards included honourable mentions at Sundance and Berlin.
Youngsters Romeo, Ed, and Polly wait in two cars after dark while their parents are inside drinking. It’s a situation many Kiwis would recognise: cars without parents outside the bar or rugby club. Soon cross-car rivalry warms to budding friendship. Winning performances, and the tender mix of comedy and romance saw the tale of a Te Kaha pub carpark become an international hit. Two Cars won a boot-full of awards, launched Waititi’s career, and was the second New Zealand short to be nominated for an Academy Award. Waititi infamously feigned sleep during the 2005 ceremony.
Ovine raconteurs Robert and Sheepy made their short film debut in 2001, thanks to the stop motion magic of Guy Capper. Capper and Jemaine (Flight of the Conchords) Clement's comical duo — one loquacious, one laconic — stood out from the flock amidst 100s of entries in the trans-Tasman Nescafé Short Film Awards, sharing first prize in 2001. Further occasional installments of The Pen were made over the next decade and shown online, and in 2010 Robert and Sheepy’s woolly wisdom was brought to TV audiences as a segment in sketch show Radiradirah.