On the 3rd of September 1974, Niueans voted to self-govern in free association with New Zealand. Inquiry visits the tiny Pacific Island atoll one week before this hugely significant referendum, to take the mood of the people and observe how the island, which relies on shipped imports, keeps its economy afloat. Reporter Joe Coté interviews future Niue premier Robert Rex and Hima Douglas, a future politician. Coté investigates if the decision to self-govern will affect the large number of Niueans who leave each year to settle in New Zealand.
Australian Idol winner Stan Walker made his acting debut in this hit feature, as aspiring singer Turei. Part of a whānau of Māori potato pickers from Pukekohe, he has to choose between duty to job and family (Temuera Morrison plays his hard-working Dad) and letting the music play. His dilemma takes place as reggae star Bob Marley performs in Aotearoa in 1979, offering the chance for Turei's band Small Axe to win a supporting slot at Marley's Western Springs concert. Released on Waitangi Day 2013, Tearepa Kahi's debut feature became the most successful local release of the year.
Set in the East Coast town of Whāngārā, Whale Rider tells the tale of a young Māori girl, Pai (Keisha Castle-Hughes), who challenges tradition and embraces the past in order to find the strength to lead her people forward. Directed and written by Niki Caro, the film is based on Witi Ihimaera's novel The Whale Rider. Coupling a specific sense of place and culture with a universal coming-of-age story, Whale Rider became one of the most successful and acclaimed New Zealand films released internationally. It also won audience choice awards at the Sundance and Toronto Film Festivals.
Set in Central Otago in the drought-parched summer of 1975, gay-themed feature film 50 Ways of Saying Fabulous follows a chubby 12-year-old named Billy (Andrew Paterson) as he embarks on a challenging journey of sexual discovery. Adapting Graeme Aitken's novel, writer/director Stewart Main (Desperate Remedies) depicts a boy escaping into fantasy from the drudgery of farming duties — and learning about himself, his sexuality, and dealing with change. 50 Ways won a Special Jury Award at Italy's Turin International Gay and Lesbian Film Festival in 2005.
Filmed in New Zealand’s deep south, this feature follows the vicissitudes of Adrian: a sensitive 11-year old haunted by the disappearance of three local children, who befriends mysterious new-in-town Nicole. The adaptation of Sonya Hartnett’s coming of age novel Of A Boy, is the feature debut of Denmark-based Dunedin-born director Daniel Joseph Borgman, following on from his lauded shorts Berik, and Lars and Peter. The creative team behind the 'informal' Danish-NZ co-production included frequent collaborators of directors Lars Von Trier and Thomas Vinterberg.
Author Maurice Shadbolt went before the cameras to play father to the main character, in this adaptation of his acclaimed coming of age novel. Teen Nick (Paul O’Shea) is estranged from his family, and blaming himself for his Māori mate's climbing death. He runs away to his straight talking grandfather (Derek Hardwick) — who takes him bush — and loses his virginity to Sally (a first film role for Rebecca Gibney). Produced by Pacific Films legend John O’Shea, the NZ-German co-production was directed by Rolf Hädrich (Stop Train 349). The film debuted in NZ on television.
This short film about a teen struggling to connect with his father took the top prize in NZ On Screen's inaugural ScreenTest film competition for high school students. Wakatipu High School pupil Lachie Clark made Alone with his Year 13 Media Studies classmates Ella Little and Alex Booker. Following the theme "coming of age", teen Charlie (Joel Malcolm-Smith) heads to the hills to escape his dad's harsh words. ScreenTest judge Jackie van Beek (The Breaker Upperers) praised the "beautiful landscapes, cinematography and editing". TV producer Philip Smith plays the dad.
"I do hope your pimples don't let you down on the big night." 14-year old Steve is caught between creatures he does not fully understand: two parents with very different ideas about the suit he should wear to his first school dance. Meanwhile everywhere he seems to look, images of men are taking control of his imagination. In Stewart Main's comical coming of age story Steve escapes his parents' good wishes, to discover his true desires. They aren't quite what his no-nonsense father had in mind.
Toss is an 11-year old girl living on a remote hill country farm. While out with her father herding sheep, he falls and is killed. Ethan, a bearded stranger appears, carrying his body, and plants himself on the farm. Toss fears he’s Lucifer and is confused when he and her mother become lovers. It is through Ethan, however, that Toss comes to terms with her father’s death and the first stirrings of womanhood. Vincent Ward’s debut feature was the first NZ film selected for competition at Cannes; LA Times’ critic Kevin Thomas lauded it as “a work of awesome beauty”.
This TV documentary sees director Peter Wells look at his life “through pansy-tinted glasses”. Motivated by the anniversary of his brother’s 1989 death (from AIDS) Wells’ film charts his path to becoming a pioneering gay filmmaker and writer: from growing up fascinated by colour and the glamour of royalty in conservative Port Chevalier in the 1950s, to baking, and deciding to come out when he was drafted to fight in Vietnam. As befits an artist whose credits include Desperate Remedies, the treatment is distinctive: a mixture of documentary, (aptly) flowery home movie, and quiet reflection.