Acclaimed saxophonist Nathan Haines was reared in a jazz family (father Kevin on bass, and brother Joel on guitar). Aged 19 he left New Zealand as an AGC Young Achiever to study in New York, and discovered the club scene. His bestselling 1994 debut Shift Left — which became one of New Zealand's biggest-selling jazz albums — set the template for his distinctive fusion of modern and traditional jazz sounds. A shift to the UK spawned several albums; track 'Earth is the Place’ became a club hit. Haines has toured with the NZSO, headlined at Ronnie Scott’s Jazz Club, and recorded with drum and bass man A-Sides.
On ‘Lady Lywa’, Nathan Haines swaps his trademark saxophone for a flute, serving up a slice of sleekly sophisticated cool. The video captures a live performance at London’s Lovebuzz Studios, with a sharply suited Haines leading a five piece ensemble of seasoned players — including his long term collaborator, keyboardist/producer Mike Patto. The track was penned by Haines, and features on his 2013 long-player Vermillion Skies, which debuted on the local top five on release, and won him his third Best Jazz Album Tui at the 2014 New Zealand Music Awards.
‘Beda’ featured on saxophonist Nathan Haines’ live album Soundkilla Sessions Vol 1 (1996). This 1997 music video — directed by Carla Rotondo — is a woozy showcase of Haines’ trademark clubland jazz, shot through with reds and yellows as the camera sways and swings around an Auckland laundromat. A couple of young women get ready for a night out, an old fella perves, a young Oliver Driver gets intimate next to the Surf, and an equally fresh-faced Paolo Rotondo gets lost inside his headphones and sheepskin jacket.
As smooth and laid-back as the song, this Josh Frizzell-directed music video takes inspiration from the geometric designs of album covers from 1960s label Blue Note Records. The track is from saxophonist Nathan Haines’ debut Shift Left (then New Zealand’s best-selling jazz album). Here Haines is a precocious 22, bespectacled, with his hair cropped unusually short. Sani Sagala (aka Dei Hamo) turns up to add a rap overlay to the song's ‘acid jazz’ influenced sax grooves. Frizzell also directed videos for Emma Paki (System Virtue) and Urban Disturbance (Static).