Jeremy Macey followed up studies in Russian and German and work as a Moscow ad man, by directing documentaries on Jewish folk music and the National Youth Choir. After a development role at the NZ Film Commission, he worked on short films including the Loading Docs short Gina and the Berlin Film Festival selected I’m Going to Mum’s. In 2011 he co-produced Shane Loader and Andrea Bosshard's second feature film Hook, Line and Sinker. He collaborated with the duo again in 2016 to produce The Great Maiden’s Blush, which would win Best Self-Funded Film at the New Zealand Film Awards.
One of the great things about making film in New Zealand is that you get the chance to work with and learn from iconic veterans as well as giving opportunities to newcomers. Jeremy Macey interviewed by Screenz ahead of The Great Maiden's Blush premiere, 29 April 2016
Every year pride parades celebrate LGBTI (lesbian, gay, bisexual, transgender, and intersex) culture and pride. But Wellington takatāpui (Māori LGBTI) activist, Kassie Hartendorp, feels alienated from the flamboyant festivity. "It’s glittery, it’s fun, it’s fabulous. It feels empty. I don’t really know what the point is sometimes, you know.” In this Loading Doc short documentary, Hartendorp talks about wanting pride celebrations to be more inclusive of takatāpui. She faces a dilemma when her takatāpui kapa haka group are invited to perform at the Wellington Pride Parade.
The Great Maiden's Blush hinges on two people from very different backgrounds: a girl-racer in prison for manslaughter (Hope and Wire's Miriama McDowell), who plans to adopt out her baby, and a failed classical pianist (Renee Lyons) whose own baby is due for a risky operation. Each must confront their own secrets in order to move forward. Andrea Bosshard and Shane Loader's acclaimed third movie continues an interest in character-rich stories where "big themes play out in modest circumstances". It won awards for McDowell and Best Self-Funded Film at the 2017 NZ Film Awards.
Gina lives in a dark, silent, room in a Wellington rest home, unable to leave her bed, communicate except by a complex touch system, and barely able to move. A rare unnamed genetic disorder has left her living what she calls “an existence, not a life”. This documentary by Wellington film-makers Wendall Cooke and Jeremy Macey takes a look at her condition in relation to euthanasia, for which she is a passionate advocate. As Gina did not want to appear on camera, her sister Roslyn who suffers from the same condition, albeit less severely, portrays her in the film.
PJ (Rangimoana Taylor) has been driving trucks for 35 years. But one day after a medical test, he is told to get off the road. PJ’s worries over becoming instantly useless are exacerbated when his partner Ronnie and Ronnie’s ambitious sister go into business. A tale of love, family, and ordinary people struggling to process the type of news none of us ever needs to hear, Hook, Line and Sinker is the second, semi-improvised feature from longtime collaborators Andrea Bosshard and Shane Loader. The Dominion Post called the result “likeable, admirable and hugely enjoyable”.