'Touchdown' was drawn from the second (and final) Stereo Bus album Brand New (1999). The stylishly minimalist video, directed by Alex Sutherland and Michael Lonsdale, appears to be a continuous shot, circling around band members and objects in a white studio set. Biffed chairs and bottles, and singer David Yetton, get up close to the lens while guitarist Jason Fa'afoi (who was co-hosting What Now? at the time) also makes multiple appearances. The slow pan matches the tempo of the band’s textured guitar pop; the promo won Best Music Video at the 2001 NZ Music Awards.
Set in the board rooms, and on the streets and trolley buses of the capital, Nektar Films' polished clip stars Ladi6 (Karoline Tamati). It portrays the quest for "success" in a hostile corporate world, contrasted with life on the street, and seems to ask - is it all worth it? Look out for actor Julian Arahanga and Loop Recordings head honcho Mikee Tucker at the board table.
This infectious clip marks one of the few local music videos to have been made independently of state TV in the 70s. Spats toured their eclectic brand of music from Blerta's old bus, before finding fame by morphing into The Crocodiles. In this track vocalist Fane Flaws demonstrates a TV screen can make a valid performance tool, the band demonstrate their moves, and regular Spats accomplices Limbs Dance Company add some fun moves of their own. The video was directed by Geoff Murphy, with help from Spats. 'New Wave Goodbye' ended up on Crocodiles album Tears.
Mark Trethewey’s video for Shapeshifter’s anthemic ‘Electric Dreams’ follows the band as they make their way by bus down the East Coast of the North Island to a typically storming performance at Rhythm and Vines in Gisborne. Along the way, there’s time for summertime staples like beach cricket and fishing off the jetty at Tolaga Bay. These quiet, largely empty spaces provide a marked contrast to the mayhem of the sold out festival. It’s a journey that echoes the summer holiday car trips that are a rite of many an Aotearoa childhood.
"Samoa mo Samoa!" — King Kapisi blends his Samoan roots with hip hop culture in this video shot on Samoa's ring roads. The hip hop music video standby of the drive-by gets revised Pasifika-style, and the fire poi, papase'ea sliding rocks, lavalava, coconuts, and colourful Apia buses make this clip staunchly fa'a Samoa.
This feelgood classic was written in Wanaka on the first Blerta tour, for the group's kids' shows. The hope was that a children’s show would win over local audiences when Blerta's busload of merry pranksters rolled into a new town. The song's concept was inspired by a Margaret Mahy story, reshaped by Geoff Murphy. Corben Simpson composed the music, and actor Bill Stalker narrates. It became a top 20 single, but a video was never made. This clip — combining new scenes, and old footage of the Blerta bus and varied escapades — was created for 'best of' film Blerta Revisited.
Don McGlashan has never been scared to use New Zealand place names in his songs, and never more so than here on the Mutton Birds’ classic debut. His imagined back story for a man he saw from a bus window one day — a resident of the fabled “half way house, half way down Dominion Road” — is a tale of loss and redemption set on one of Auckland’s busiest arterial routes. Fane Flaws directed the shots of the band, while the colour footage (showing glimpses of forgotten shops and a less multi-cultural streetscape than can be seen today) was shot by Leon Narbey.