Series

Standing in the Sunshine

Television, 1993

Made to commemorate the centennial of all New Zealand women winning the right to vote, Standing in the Sunshine charted the journey of Kiwi women over 100 years since 1893. Mixing interviews, archive footage and dramatic inserts, the four-part TV3 series devoted an episode to each of these topics: Freedom, Power, Work, and Sex and Family.  Writer Sandra Coney also wrote tie-in book Standing in the Sunshine - A History of New Zealand Women Since they Won the Vote. Those interviewed included artists, mothers, businesswomen — and two future prime ministers. 

Series

People Like Us

Television, 1978–1981

Screening in primetime at 6pm, People Like Us was built around exploring the spiritual and emotional aspects of people’s lives. Subjects ranged from interviews with leaders — religious and otherwise — to live events and the Red Cross. Mini seasons within the series were devoted to everything from menopause and breaking up, to cultural diversity (the latter fuelling a book as well). Producer Allison Webber managed to win funding from outside of state TV for some of these specials, and the show shared resources on occasion with RNZ’s former Continuing Education Unit.

Series

McPhail and Gadsby

Television, 1980–1987, 1999

After turning "Jeez Wayne" into a national catchphrase with the sketch show A Week of It, comedy duo David McPhail and Jon Gadsby (plus third writer AK Grant) followed with McPhail & Gadsby, which aired on TVNZ for seven seasons — plus a reprise in 1998 and  1999. After a sometimes controversial debut season in which each episode was devoted to a specific theme (religion, sex etc), the show settled into a steady diet of political satire, spoofs and impersonations of public figures — including McPhail's famous caricature of PM Robert 'Piggy' Muldoon.

Series

Miss Popularity

Television, 2005

Arriving for a photo shoot in the Australian outback, 10 beauty pageant contestants are rescued by cowboys and taken to small-town Burra, where they end up competing in a reality show to "find the ultimate Kiwi chick". With $100,000 at stake, they try a variety of challenges while attempting to show the locals they’re more than a pretty face. Locals vote to oust a contestant each week, from a group that includes warring future-WAGs Casey Green and model-singer-actress Jessie Gurunathan. Gurunathan ultimately won the crown. Touchdown's format sold to 15 territories.

Series

Magic Kiwis

Television, 1989–1991

Indie production house Communicado made their name with a stable of television shows that celebrated Kiwi culture. After the success of late-80s show That’s Fairly Interesting, the company began work on Magic Kiwis, a show devoted to heroes of popular culture. Mostly the cavalcade of Kiwi celebs were stars of entertainment (Howard Morrison, Split Enz) and sports (Susan Devoy, John Walker), with the odd politician thrown in. Over three series, the half hour shows combined classic clips and interview footage, all tied together in trademark upbeat style.

Series

Have a Shot

Television, 1961–1965

Hitting television screens in 1961, just a year after the launch of regular TV services in New Zealand, this 30 minute talent show was spawned from Ian Watkins’ popular radio show (on which he memorably used a gun to signal the end of performances). Initially screening on Auckland channel AKTV-2, it became a national talent quest in 1962, with auditions in Auckland, Wellington and Christchurch. The following year, 30,000+ viewers used postal voting. Have a Shot was a noted platform for new amateur talent. After a four year run, it was replaced by New Faces.

Series

A Bit After Ten

Television, 1993–1994

One of New Zealand television's first forays into stand-up comedy, this talent quest based show ran for two seasons (the second as A Bit More after Ten). The hosts were Jeremy Corbett and his brother Nigel (in his TV debut), with Ian Harcourt (ex-Funny Business) as a resident judge, aided by two celebrities each week. Home viewers also voted, helping propel eventual winner Late Night Mike into the first final. Michele A'Court, Te Radar, Jon Bridges, Dean Butler and Andrew Clay all competed. All of them graduated to the show's stand-up successor, the long-running Pulp Comedy.

Series

Dancing with the Stars

Television, 2005–2009, 2015, 2018-2019

Based on a UK reality format, Dancing with the Stars sees a line-up of celebrities paired with a professional dance partner, and put through ballroom dance routines. Judges and a public vote eliminate a pair each week. A five time winner of best programme in its category, the show played for five hit seasons on TVNZ, hosted by Jason Gunn and Candy Lane. In 2015 it was relaunched by Great Southern TV for TV3; Dominic Bowden and Sharyn Casey hosted. Dai Henwood and Casey presented the seventh series in 2018. Winners have included Norm Hewitt and and Suzanne Paul.

Series

Showcase

Television, 1996–1998

From 1996 to 1998 broadcaster Ian Fraser took time out from hosting current affairs, to MC this popular musical talent quest (Fraser, a trained pianist, also tinkled the ivories himself during the series). There were two finals: one assessed by studio judges, and one from viewers' votes. The performers ranged from covers bands to opera singers, from country and western to soul. Future Opshop members Jason Kerrison and Shay Muddle were judged runners-up in 1996 (as Akustik Fungi). Other contestants included Lisa Tomlins, opera tenor Shaun Dixon and actor Stig Eldred. 

Series

Wayne Anderson - Singer of Songs

Television, 2006–2009

Wayne Anderson is a man out of time. His three and a half octave voice and undying devotion to the “evergreens” of popular music (Elvis, Engelbert and Tom) should surely have seen him in Vegas by now. However, despite the best attempts of hapless manager Orlando, Wayne’s star has never ascended higher than the rather less lucrative Manurewa rest home circuit. The cameras follow him in his quest for a show business career – along with the perfect perm and hot pie – in a series where the boundary between fact and fiction is as elusive as that big break.