After coming to prominence with the agit-punk Blam Blam Blam and more theatrical Front Lawn, Don McGlashan formed The Mutton Birds in 1991 with David Long and Ross Burge. Alan Gregg completed the core line-up in 1992. The tone was set by their debut single ‘Dominion Road’ — a literate, melodic McGlashan rocker unafraid to address a NZ subject — and four albums followed. ‘Anchor Me’ won the APRA Silver Scroll in 1994; but while a move to the UK in 1995 brought a degree of critical and popular acclaim, major success was elusive and they disbanded in 2002.
Don McGlashan’s anthemic plea for safe harbour — written for his band the Mutton Birds — won him his first APRA Silver Scroll and became a Kiwi classic with a life of its own. It was used in the soundtrack of a short film (Boy), a feature (Perfect Strangers) and given all star treatment by Greenpeace. But TVNZ’s use of it under National Party conference footage was a step too far for McGlashan, who famously took very public offence. Director Fane Flaws places his video in the eye of a mermaid rather than a storm, but plenty of watery perils await.
This slow burning tale of a domestic appliance with a mind of its own was The Mutton Birds’ only number one hit. The sinister, surreal and partly animated video — the band’s fourth with director Fane Flaws — hints at the short films of Don McGlashan’s other project The Front Lawn. A furtive, nerdy McGlashan takes the lead with Elizabeth McRae (in her prime as Marj on Shortland Street) as his mother; the other Mutton Birds have cameos as a seedy second hand dealer (David Long) and a Salvation Army brass section (Ross Burge and Alan Gregg).
This muscular early 90s cover of The Fourmyula’s pastoral 1969 classic (voted best NZ song in 75 years by the songwriters’ association APRA in 2001) comes from the self-titled debut album by Don McGlashan’s band The Mutton Birds. The award-winning music video was directed by Fane Flaws — the first of six he made with them (after previously working with McGlashan on The Front Lawn’s Beautiful Things clip). Guest vocalist Jan Hellriegel features amongst the battery of kaleidoscopic and psychedelic digital effects used to evoke the joys of nature.
Don McGlashan has never been scared to use NZ place names in his songs and never more so than here on the Mutton Birds’ classic debut. His imagined back story for a man he watched from a bus window one day — a resident of the fabled “half way house, half way down Dominion Road” — is a tale of loss and redemption set on one of Auckland’s busiest arterial routes. Fane Flaws directed the shots of the band, while the colour footage (showing glimpses of forgotten shops and a less multi-cultural streetscape than can be seen today) was shot by Leon Narbey.