After first picking up a guitar while growing up in South Africa, Tom Fox went on to become a session guitarist and award-winning music producer. Emigrating to New Zealand in 2003, he met Kiwi musician Marshall Smith, and they set up company The Sound Room in Auckland. Since then the duo have collaborated on music and sound mixes for almost every type of screen project, from a long run of commercials, to arcade games and documentaries — including award-winning Cambodian tragedy Brother Number One and the quirky, music-heavy Hip Hop-eration and The Coffin Club.
Professional, prompt and most of all, dope at what they do. Musician Kings, on working with Tom Fox and Marshall Smith
This documentary chronicles the story of Waikato women’s refuge Te Whakaruruhau, and shines a light on a subject not often shown in mainstream New Zealand media: family violence in rural areas. Written "by the women of the Waikato", the film features interviews with the women behind the refuge, who have created a space for victims of domestic violence, safe from danger. Directed by Richard Allan Litt, the documentary screens in Kiwi cinemas from March 2018, with proceeds going to the refuge. Te Whakaruruhau, founded in 1987, was the first Māori women’s refuge.
Hip Hop-eration chronicles a mission to bust some moves, and demonstrate that ageing need not be a barrier to joy. The stars of this documentary are a group of self-deprecating, young at heart Waiheke Islanders — some in their 90s — who head to Las Vegas to compete in the World Hip Hop Championships. Hip Hop-eration won Moa awards for Best Documentary and Documentary Director, plus rave reviews from Metro, The Dominion Post and the Herald's Francesca Rudkin; Rudkin called the film heartwarming:"full of laughs, colourful characters and Kiwi attitude".
At the age of eight, filmmaker Robyn Paterson (white) and her best friend Mercy (black) greeted Comrade Robert Mugabe with flowers at a Zimbabwe air-force base. They became poster children of the new Zimbabwe. But the country was soon to descend into turmoil under Mugabe’s rule, and Paterson’s family was forced to flee to New Zealand. This documentary traces Paterson’s return to her birthplace a generation later, and a high-risk undercover search to find the fate of her childhood friend. Mercy won Paterson the Best Emerging Director Award at 2013 DocEdge Festival.
The 1978 death of Kerry Hamill in Khmer Rouge prison S21 provided a tangible link for New Zealanders to a genocide that claimed two million Cambodian lives. Thirty years later, this acclaimed documentary by filmmaker Annie Goldson follows Hamill’s brother Rob — an Olympian and Trans-Atlantic rowing champion — as he attends the war crimes trial of Comrade Duch, one of the architects of the slaughter. Hamill is there to make a victim impact statement, but also to understand how his brother died, confront the man responsible, and discover if forgiveness is possible.
This short documentary follows refugee Mitchell Pham from a Vietnam War prison camp to a new home in New Zealand. Director Sally Tran — a 2013 Killer Films Internship Scholarship recipient — uses an interview with Pham as an adult, and live action mixed with animation to recreate the harrowing childhood journey. DIY more than CGI, the animation process was based on Vietnamese folded paper-craft. Requiring 20 volunteers, the 10,000 animated pieces of paper (and a rich score from The Sound Room) provide suggestive weight to Pham’s story of survival and courage.
Climate change is not just a theory for the people of Takuu, a tiny atoll in Papua New Guinea. Floods and climate-related impacts have forced Teloo, Endar and Satty to consider whether they should stay on their slowly-drowning home, or accept a proposal that would see them move to Bougainville, away from the sea. In this award-winning documentary they also learn more about the impact of climate change from two visiting scientists (an oceanographer and geomorphologist). Director Briar March’s second feature-length doco travelled to over 50 film festivals.
Some argue that if the 1981 Springbok rugby tour of New Zealand had been halted from the outset, the impact on the hearts and minds of South Africans would not have been as profound. This Leanne Pooley-directed film aims to show how events in Aotearoa (captured in Merata Mita's documentary Patu!) played out in South Africa; how the tour protests energized blacks, shamed the regime, and provoked democratic change. Says Archbishop Desmond Tutu: "You really can't even compute its value, it said the world has not forgotten us, we are not alone."