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GinLoane

  • Cinematographer
PROFILE_Gin Loane

Gin Loane began attracting award nominations in 2007 with Fog, one of many short films they have shot that made a mark overseas. By then, Loane had already shot their first feature, dark family tale Christmas. In 2013 they won praise — and a Moa Award — for another family drama, Shopping. Loane went on to win three awards from the NZ Cinematographers Society, two for Mahana (2016), Lee Tamahori's first Kiwi feature since Once Were Warriors, and one a year later for telefeature Jean. Their work also includes Tamahori's The Convert, Rob Sarkies' Consent: The Louise Nicholas Story, and Pike River, alongside 2025 festival hit Mārama.

Biography

In October 2016, Gin Loane won Cinematographer of the Year at the inaugural NZ Cinematographers Society Awards for their work on Mahana, the first feature Lee Tamahori had directed in Aotearoa since Once Were Warriors two decades earlier. Loane worked with Tamahori again on his next feature, The Convert, going on to win the Best Cinematography award at the 2025 New Zealand Screen Awards, and delivering a heartfelt tribute to the late director during their acceptance speech.

Screenography

2025 Cinematographer Film
2025 Cinematographer Film
The Sea Inside Her
2024 Cinematographer Short film
Addition
2024 Cinematographer Film
2023 Cinematographer Film

Awards

2026 Copenhagen Headliner Film Festival (Denmark)
Best Cinematography: for Mārama

2025 New Zealand Screen Awards
Best Cinematography: Feature Film: for The Convert

“It's nice on set when there's a mix of people. I love it when there's a few more women on set. I love it when there's a few more ethnicities; when there's just a reflection of our society on set. It's much nicer. I mean no one wants to play in the sandpit alone with the same people, do they?”

Gin Loane, in a July 2015 interview for RNZ National

Related images

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Cinematographer Gin Loane on the set of Mārama

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Director Taratoa Stappard and Cinematographer Gin Loane on the set of Mārama

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Cinematographer Gin Loane at work on short film Eleven (2014). Director Abigail Greenwood is on the left in the grey coat.

Supplied by Gin Loane