Interview

Rosemary McLeod - Funny As Interview

Rosemary McLeod devised sitcom All Things Being Equal and iconic 80s TV soap Gloss. Best-known for her outspoken columns, she talks in this extended Funny As interview about battling sexism in the 1970s, and more, including: Gloss being the most fun she had in her television career, and laughing uncontrollably with producer Janice Finn Being told her voice was too deep for the radio, because it would "make men think of bedrooms" Falling into journalism after submitting a piece to the Sunday Times about a weird weekend spent with hippies Memories — comedic and emotional — of her time in Australia writing and script editing sitcoms for the ABC Hating women being portrayed as passive and witless in 1970s TV comedies, which motivated her to write more complex parts (e.g. Ginette McDonald's character in sitcom All Things Being Equal) Finding her schtick of "offending and annoying" people, when she started writing and cartooning about feminists in The Listener 

Interview

Aileen O’Sullivan: The journey from in-front-of to behind the camera…

Interview, Camera and Editing – Andrew Whiteside

Aileen O’Sullivan has a significant screen pedigree, from acting to directing, producing and – most importantly – storytelling. Her work ranges from Gloss and The Billy T James Show to Holiday and The Great New Zealand Showdown specials. Under her production company Seannachie Productions,  O'Sullivan's has helmed a number of well received documentaries including Witi Ihimaera, Black Grace – From Cannon’s Creek to Jacob’s Pillow, Life’s a Riot and Ngaio Marsh – Crime Queen.

Interview

Victor Rodger - Funny As Interview

The work of Samoan-Kiwi writer Victor Rodger includes Shortland Street and This is Piki, and onstage explorations of sexuality, identity and race.