In May 2017 Victoria Spackman began as leader of creative campus Te Auaha, which is set to open in Wellington in 2018. Before that she was chief executive and co-owner of Wellington company Gibson Group, whose multi-media and interactive installations and TV programmes reach a large international audience. Studies in law, film, theatre and linguistics have all fed into Spackman's work.
Composer/arranger Victoria Kelly studied music at Auckland University, and film composition at LA's University of Southern California. Since then her eclectic, award-nominated CV of soundtracks has tended to the dark or fantastical (Out of the Blue, The Ugly, Black Sheep). In 2007 Kelly won a NZ Screen Award for TV's Maddigan's Quest; in 2011 she was appointed musical director for the Rugby World Cup opening ceremony.
Russell Campbell has been analysing film and television for more than four decades. A longtime lecturer in film at Victoria University, Campbell’s books include Observations, a volume on New Zealand documentary — a field in which he has extensive first-hand experience.
Before Simon Morris became resident film reviewer and arts presenter for Radio New Zealand, he had a freelance television career encompassing scriptwriting, reporting and directing. He wrote for high-rating soaps like Close to Home, City Life and Shortland Street, directed classic music videos and was a key part of the Radio with Pictures team.
Ken Duncum, who heads the scriptwriting programme at Victoria University, has written comedy (Skitz, Willy Nilly), detective shows (Duggan) and meta dramas about television itself (Cover Story). His extensive theatrical CV is laced with plays in which music plays a major part — including the acclaimed Waterloo Sunset, and hit show Blue Sky Boys.
John Reid made his feature debut with an acclaimed version of hit Roger Hall stage play Middle Age Spread. He went on to direct three more features ranging from raw comedy to moody arthouse pieces — plus documentaries, TV dramas and commercials. Reid has also been head tutor at the New Zealand Film and Television School in Wellington, and written the definitive book on the history of Pacific Films.
Jack Body, OMNZ, composed for everything from gamelan orchestras to the Kronos Quartet, and was a leading figure in awakening local interest in Asian and Pacific music. His soundtrack work ranged across children’s tales, te reo dramas and nature films. His collaborations with director Vincent Ward include classic film Vigil, and (with John Gibson), 2008’s Rain of the Children. Body passed away on 10 May 2015.
When Peter Cox dreamed up The Insiders Guide to Happiness for his Master's scriptwriting thesis, he never thought it would be made into a TV series. But he was proved wrong when it became an award-winning drama, even spawning a prequel. Cox found further screen success by co-creating TV thriller The Cult and comedy The Pretender, as well as writing for series This Is Not My Life.
The CV of editor Jeff Hurrell splices TV documentaries — often alongside director Bryan Bruce — with a run of short films, including 2011 award-winner Lambs. The short film work lead to him editing debut features for directors Jason Lei Howden and Paul Campion, Deathgasm and The Devil’s Rock. Hurrell also cut the high profile Born to Dance, and runs Wellington production house Martin Square.
Alongside partner Shane Loader, Andrea Bosshard makes and distributes films through indie filmmaking initiative Torchlight Films. Dominion Post critic Graeme Tuckett called the pair's second feature Hook, Line and Sinker “likeable, admirable and hugely enjoyable”. Third feature The Great Maiden's Blush was released to acclaim — and awards — in 2016.