Holiday for Susan

Short Film, 1962 (Full Length)

Directed by David Fowler for the National Film Unit, tourism promo Holiday For Susan enthusiastically follows 22-year-old Aussie Susan's tour of Godzone with Kiwi lass Lorraine Clark. En route, Susan finds a husband in Auckland's David Thomas. Abounding with shots of scenic wonder (cleverly integrated with signs of the country's industrial progress), and Susan's legs (many aspects of the film would have had Kate Sheppard rolling in her grave), the film presents a jaunty portrait of 60s NZ as a destination for young, well-to-do, globetrotters.

Just Across the Tasman - Your South Island Holiday

Short Film, 1952 (Full Length)

This 1952 tourism film promoted New Zealand as a destination to Australians. In the 1950s the Kiwi tourist industry lacked accommodation and investment. But new opportunities were offered by international air travel — like the Melbourne to Christchurch route shown here, flown by TEAL (which later became Air New Zealand). Produced by the National Film Unit, this promo touts the South Island as an antidote to crowded city life in Melbourne and Sydney. Road trips offer glaciers, lakes, snow sports, motoring, angling, racing, and scenic delight aplenty.

Rain

Film, 2001 (Trailer and Excerpts)

Rain evokes an idyllic 1970s beach holiday. But as the title hints, all is not sunny at the bach. Mum (Sarah Peirse) is drowning in drink, Dad is defeated, and 13-year-old Janey is awakening to a new kind of power. Adapted from Kirsty Gunn's novel, Rain marked the acclaimed first feature for director Christine Jeffs. Invited to screen at the Cannes Film Festival, it won awards back home for actors Peirse, Alistair Browning and teenager Alicia Fulford-Wierzbicki. Neil Finn and Edmund Cake composed the soundtrack. LA Times critic Kevin Thomas called it "an important feature debut".

The End of the Golden Weather

Film, 1991 (Excerpts)

Set over a Christmas beach holiday in 1935, The End of the Golden Weather chronicles the friendship between a teenage boy and the wild-limbed Firpo, dreamer and social outcast. Writer/director Ian Mune spent more than 15 years "massaging" Bruce Mason's classic solo play into a movie, before assembling a dream team to bring it to the screen. The finished film captures the world view of a boy for whom fantasy, hope and disappointment intermingle. Among an impressive awards haul, 12-year-old star Stephen Fulford was recognised at America's Youth in Film Awards.   

Swagger - Series Four, Episode One

Television, 2017 (Full Length Episode)

This Māori Television series merged old media and new: giving a group of young people iPhones and storytelling workshops, and empowering them to tell their own fun stories. In this fourth season episode, the slices of life include: swimming with whales off Tonga, a Te Tai Tokerau marae challenge, holidaying in Sydney and learning to surf in Bali, filming live rugby league at Mt Smart, basketball trials, farewelling a mate at the airport with a haka, and a stage-shaking kapa haka act. Press on the 'CC' symbol below the screen to find subtitles for (occasional) te reo.

Weekly Review No. 367 - Crippled Children Society

Short Film, 1948 (Full Length)

This postwar Weekly Review joins a welfare officer from the Crippled Children’s Society on her Wellington rounds: advising parents, chaperoning children to hospitals to undergo physical and speech therapy, and overseeing the supply of specialist footwear and splints. There’s also a Kiwi take on Heidi as a boy is offered a farm holiday, walking on crutches among the cows: “No care and treatment can substitute for the uplift of two weeks in the country.” Released in September 1948, the film was made by decorated war correspondent Stan Wemyss (grandfather of Russell Crowe).

The Family - First Episode

Television, 2003 (Full Length Episode)

Never mind Keeping Up with the Kardashians; in 2003 New Zealand reality TV had The Rippins. Denise (aka Peach) is the second wife for property developer Pat 'Spider' Rippin. This first episode follows the pair on a holiday to Port Douglas, Australia, accompanied by three of Denise’s four adult children. The fly-on-the-Sheraton-hotel-suite-wall camera captures the champagne, smoking, tanning, breast implants and false teeth over the passage of a New Year's Eve party. NZ Herald reviewer Fiona Rae described the show as "classic car-crash television".

Dixie Chicken - Episode Two

Television, 1987 (Full Length Episode)

This episode of the 1987 "mainly country" music show starts with host Andy Anderson touting homegrown talent. Al Hunter sings about Queen Street’s neon cowboy. Auckland’s Working Holiday sing Aretha's blues number 'Won't Be Long' with harmonica player Brendan Power. Jodi Vaughan performs a plaintive country ditty. Gore’s Dusty Spittle suggests listening to Mum's advice about overdoing it, accompanied by an illustrative skit (with actors Mark Hadlow and Alice Fraser). Then it’s Andy’s favourite Kiwi singer, Hammond Gamble. All the guests jam onstage to conclude.

Jo Seagar's Easy Peasy Xmas - First Episode

Television, 1998 (Full Length)

Continuing her quest to help you effortlessly delight your houseguests, Jo Seagar unveils her secrets for a perfect Christmas drinks party in this debut episode of Jo Seagar’s Easy Peasy Xmas. Canapés are the order of the day, as she makes tandoori egg sandwiches and homemade crostini with caviar, before getting into mini toad in the hole and spicy popcorn noodle mix. Punch is on the menu (God forbid the guests go without a drink) before Christmas nut pies top off the evening. The episode was the first of three; it was later followed by a one-off Easter special.

Kombi Nation

Film, 2003 (Trailer and Excerpts)

The ‘OE’ is a Kiwi rite of passage, but for those travelling in a Kombi van, the trip can feel “like mixed flatting in a space the size of a ping-pong table” (Peter Calder). In Kombi Nation, Sal sets off to tour Europe with her older sister and friend; they’re joined by a dodgy male and a TV crew, recording the shenanigans. Shot guerilla style after workshopping with the young cast, Grant Lahood’s well-reviewed second feature anticipated the rise of observational ‘reality TV’, but its release was hindered by the collapse of production company Kahukura Films.