Extraordinary Kiwis screened on Prime TV. Each episode showcases a New Zealander in their natural habitat and looks at what makes them extraordinary; subjects ranged from household names (Scott Dixon, Colin Meads) to unsung heroes. The third season introduced an on-screen presenter, with Clarke Gayford willingly stepping up to the plate Paper Lion-style to experience the subject's world: from trying to keep up with All Black star Dan Carter, to duck shooting with a fashion designer, fishing in Antarctica, and playing for laughs as a stand-up comedian.
This 38 episode series revolved around the ups and downs of a community house run by Tony Van Der Berg (Frank Whitten). The series was devised by Liddy Holloway to meet a network call for an Eastenders-style drama that might tackle social issue storylines. It was the first drama series to put a Māori whānau (the Mitchells) at its centre. Despite being well-reviewed, it was perhaps the last gasp of Avalon-produced uncompromisingly local drama (satirised as the ‘Wellington style’), before TV production largely shifted to Auckland to face up to commercial pressures.
A flagbearer for Māori storytelling on primetime television, E Tipu e Rea (Grow up tender young shoot) was a series of 30 minute dramas touching on a range of Māori experiences of the Pākehā world — from rural horse-back riding and eeling, to urban hostility and cultural estrangement. It marked the first anthology of Māori television plays, and the first TV production to use predominantly Māori personnel. E Tipu e Rea's mandate and achievement was to tell Māori stories in a Māori way.
Company Touchdown Productions dominated Kiwi reality television in the early 2000s, thanks to a run of shows (Miss Popularity, The Chair, DIY Rescue). In 2004 they produced The Player, which featured a group of bachelors housed together in an apartment, exuberantly ‘playing’ the Auckland dating scene. Hosted by model Nicky Watson, the series was short-lived. Later Duncan Greive of website The Spinoff would proclaim that the show "remains one of the earthiest and most brilliantly base moments in New Zealand’s television history.”
Sticky TV was one of New Zealand's longest-running kids programmes, lasting 16 years. Aimed at preschoolers through to 12-year-olds, it introduced many emerging presenters, including future TV weatherman Sam Wallace, Kanoa Llloyd (The Project) and Erin Simpson (The Erin Simpson Show). Made by Pickled Possum Productions, Sticky TV broadcast on TV3, except for four years when it aired on Four. Segments included children handing out advice to other kids, mud fights, and contests involving singing, cooking, fashion and survival. The last episode screened on Christmas Day 2017.
Weddings was a real life romance series from Julie Christie’s reality TV powerhouse Touchdown Productions. It followed couples on their way to the altar — from abstinent Christians, nudists and cross-dressers, to a Days of Our Lives devotee. Among the challenges faced were obstinate mother-in-laws, and finding the cash to pay for the function. Presented by Jayne Kiely, Weddings proved a ratings success for TV2. Follow-up series Weddings: Happily ever after? (2001) caught up with couples to see if married life was wedded bliss, or something else.
The five-part series told the story of colonial outlaw James Mackenzie: accused of rustling 1000 sheep in the high country that would bear his name. His escapades on the lam elevated him to folk hero status. Like producer John McRae’s prior series, Hunter’s Gold, the South Pacific Television ‘prestige’ drama was made with export in mind. Adapted from James McNeish’s book, the early co-production — with Scottish TV, where the opening episode was shot — imported Caledonian lead actor James Cosmo (Braveheart, Game of Thrones) and veteran UK TV director Joan Craft.
Orange Roughies was a 'border security' drama series following a Police and Customs task force led by Danny Wilder (Australian actor Nicholas Coughan). Made for TV ONE, the ScreenWorks production was a Kiwi attempt at the Aussie water police procedural, with the action transferred from Sydney to Auckland Harbour and CBD. Storylines included drugs busts, child trafficking, undercover ops and plenty of land-sea motorised chase action. Created by Scott McJorrow and Rod Johns, the script team was rounded out by Kristen Warner and series writer Greg McGee.
Greenstone Productions are prolific and award-winning makers of observational reality shows (The Zoo, Border Patrol, Coastwatch). This series saw their cameras go behind the scenes of Wellington Hospital's Emergency Department, to showcase the skills and compassion of medical staff as they treat patients ranging from lost diver Rob Hewitt and a near-fatally inebriated man, to the ubiquitous broken bones and beads stuck up nostrils. The 12-part series won the Best Observational Reality (non-format) Award at the 2007 Qantas Television Awards.
Nothing Trivial was a dramedy that kept score on the lives and loves of five friends in a pub quiz team called Sex on a Stick. The cast of City Lifers shifted to the suburbs and nearing middle age was led by Shane Cortese, Tandi Wright, Nicole Whippy, Debbie Newby-Ward and Blair Strang. Created by Rachel Lang and Gavin Strawhan, (the veteran writers behind Go Girls, Maddigan’s Quest, and Mercy Peak) the popular South Pacific Pictures production screened for three seasons on TV ONE. A fan-driven campaign saw NZ On Air fund a tele-movie to wrap up the series.