In this acclaimed investigation for Three's current affairs show The Hui, Mihingarangi Forbes interviews four Māori men who were victims of abuse while in state care as boys. They talk about the lead-up to being in custody, the mental, physical and sexual abuse they suffered at the hands of other wards and staff, and the cycle it created. The screening drew public attention to systemic abuse, and played a key role in provoking the government to launch an official inquiry the following year. Warning: contains confronting themes and language. 

Founded in 1977 by ex-vacuum salesman Bert Potter, Centrepoint was an alternative lifestyle settlement that promoted intimate communal living, along with personal and sexual freedom. This documentary observes members' struggles to reconcile the values of their new home with the outside world. Director Geoff Steven threatened to take his name off the credits, in a successful bid to avoid the cutting of emotional scenes of 'encounter group' style psychotherapy. Potter and others were later convicted for a spate of child sex abuse and drugs charges. 

This documentary from director Costa Botes (The Last Dogs of Winter, Forgotten Silver) explores the life of Angie Meiklejohn. Growing up, Meiklejohn and her siblings spent time in Bert Potter’s alternative lifestyle settlement Centrepoint, where they suffered sexual abuse. Through the lens of Meiklejohn’s experiences as both child and adult, Botes explores the dynamics of abuse, and how its victims are impacted. Says Botes: "whatever her past hurts, Angie is an engaging and loveable human being." Angie debuted at the 2018 New Zealand International Film Festival. 

This 2013 Sunday item sees Garth Bray interviewing veteran Coronation Street actor William Roache, and being shown around the Manchester set. After defending Coro actor Michael Le Vell (later acquitted of sex abuse charges), Roache made headlines for comments that appeared to partially blame victims. He argues that people who are aware they are "pure love" won't become victims, but adds that events in our past lives can factor in. Roache later apologised for any offence caused. Two months later he faced charges of rape and indecent assault. He was found not guilty on all counts.

On 27 July 1965, Auckland fish’n’chip shop owners Sam and Shirley Ann Lawson became parents of a boy — Samuel — and four girls — Deborah, Lisa, Shirlene and Selina. The birth made world headlines as the first set of quintuplets conceived using hormone treatment. But out of the public eye it wasn't happy families: Sam and Ann split up when the quins were six and in 1982 their mother was murdered by her abusive second husband. Director Mark Everton’s award-winning doco regathers the quins, who discuss the ‘quin bond’, tragedy, resilience and their tumultuous lives.

This Vice documentary, made as part of its women's suffrage series, asks four past and present politicians — Golriz Ghahraman, Paula Bennett, Louisa Wall and former Prime Minister Helen Clark — about their experience of being a female MP in Aotearoa. It's a mixed picture. Clark celebrates the fact that issues facing half the population are now being addressed by a more equal Parliament, but Ghahraman, whose family fled Iran for New Zealand, regularly receives abusive communications. While each politician responds differently, they all share strong personal beliefs.

In this short film, 14-year-old Jimmy (Waka Rowlands) faces a tough decision: stay in his abusive home to protect his younger siblings, or escape to start a new life of his own. Written and directed by Sam Kelly, Lambs was inspired by true stories. It competed at the 2012 Clermont-Ferrand and Berlin Film Festivals, and won the Jury Prize and Audience Award at the 2012 NZ Film Festival; judge Roger Donaldson raved: “It reminded me of Once Were Warriors in the best possible way.” Lambs was one of the first products of the NZ Film Commission’s ‘Fresh Shorts’ funding scheme. 

This 2005 documentary tells the story of four New Zealand-born women whose parents come from villages in Samoa, Tonga and Niue. Social worker and photographer Emily Mafile'o, students and mothers Pule Puletaua and Lanni Liuvaie, and playwright Louise Tu’u face the challenges of combining two cultures to forge an identity in Aotearoa — from family, language, food and religion, to flatting and hair cutting rituals. As narrator Sandra Kailali says, "to be true to both is hard work: success in one often comes at a cost to the other." 

For this 2017 feature film, eight Māori women each directed a 10 minute segment of events circling around the tangi of a boy named Waru. Each director had a day and a single shot to capture their take on the context behind a tragedy. After its debut at the 2017 NZ International Film Festival, Waru won a rush of social media attention, and screened at the Toronto and ImagineNATIVE festivals. The Hollywood Reporter praised it for bringing "a sense of dramatic, urgent realism to a story that plays out like a suspenseful mystery". Waru was produced by Kerry Warkia and Kiel McNaughton.

Set in gritty backstreets somewhere in downtown Auckland, this short film follows the vicissitudes of Evan, a teenager whose life changes when he skips school and meets a beautiful and troubled stranger. Directed by Michael Duignan (A New Way Home) and produced by Rachel Gardner (Apron Strings, A Show of Hands), Truant is a convincing portrayal of that potent mixture of curiosity and desperation peculiar to adolescence. Truant screened at a number of festivals including the prestigious short film festival in Clermont-Ferrand, France, and the London Film Festival.