2010 was the Year of the Tiger and on the eve of the Chinese New Year, Asia Downunder roving reporter Bharat Jamnadas shows the strength of the Auckland Chinese community by visiting festivities held at two extremely well-attended events on the same day: ASB Showgrounds in Auckland and the TelstraClear Pacific Events Centre in Manukau. There are interviews with Chinese community leaders who discuss the long history of Chinese New Year celebrations in Auckland, and footage of event highlights, including the world famous Hunan acrobat troupe.

This episode of Asia Downunder takes a look at the Chinese New Year. In the first segment, ‘Year of the Ox’, host Ling Ling Liang looks at how people born in this year are said to be strong and determined. She also examines traditional illustrations of oxen, and talks to the designers behind the NZ Post stamp series for the Year of the Ox. In the Lanterns for Sale segment, roving reporter Bharat Jamnadas visits the 10th annual Lantern Festival in Auckland's Albert Park, and talks to Barry Wah Lee, from longtime Asian goods emporium Wah Lees.

The Otago goldrush in the 1860s attracted the first wave of Chinese immigrants to New Zealand. They were greeted with fear and suspicion from the white settler community. 130 years later the racist policies of late 19th century New Zealand are gone, but old attitudes linger. This 1993 Frontline report investigates the tension between older Chinese/Kiwi families and the growing number of first generation Chinese and Taiwanese immigrants. Whatever cultural issues divide them, both groups have experienced racism from Pākehā New Zealanders.

This short film follows Vincent (Leighton Phair), a young Chinese-Kiwi rescued from a group of racist punks in a spacies parlour by a mysterious Asian (Gary Young), then drawn into a seedy Triad underworld. Vincent is struggling with his identity in a mixed race family. Directors Stuart McKenzie and Neil Pardington wrote the story with playwright Lynda Chanwai-Earle, drawing it from interviews with members of the Chinese community in Wellington and Christchurch. Early 90s Flying Nun bands feature on the score; DJ Mu (future Fat Freddys Drop frontman) cameos as a punk.

This best of special culls history and highlights from 40 seasons of the longest running show on NZ television. Farming, forestry and fishing are all on the roster, but this edition is as much about observing people and the land. There is footage of high country musters, helicopter deer capture, floods and blizzards, as well as radio-controlled dogs and mice farmers. Longtime Country Calendar figures like John Gordon and Tony Trotter share their memories, and the show sets out to catch up again with some of the colourful New Zealanders that have featured on screen.

Sixty-five years of life are condensed into three minutes in this 2016 Loading Doc, which profiles two pioneering kumara growers and Kiwi characters: Fay and Joe Gock. The Gocks were refugees from the Japanese invasion of China, who met in 1953. It was then illegal for Chinese to own land, but they went on to became the largest market gardeners in Mangere. In 2013 they won Horticulture New Zealand’s highest honour. Told as a poem, narrated by Ian Mune, the film was directed by commercials director and ex Cassandra's Ears bass player, Felicity Morgan-Rhind.

Iaheto Ah Hi's play Tautai involved an urban car thief emulating his Tokelauan fishing ancestors — only instead of hunting sharks, he hunted cars. Twelve years and 27 drafts after first seeing the play, director Michael Bennett and co-writer Gavin Strawhan intertwined Tautai's story with seven other characters, each impacted by one moment of violence. Praising the "excellent ensemble" and Don McGlashan score, Herald reviewer Peter Calder argued that Matariki delivers "a touching series of intersecting stories about the fragility of life and the redeeming power of love".

Director Julie Zhu's love letter to a Chinese East Auckland community follows her grandmother as she carries out what may seem a mundane task — grocery shopping. But to Fang Ruzhen, her daily ritual of buying food is what connects her to several other aged Chinese grandparents, who hop on buses in large groups to head to the supermarket. Ruzhen moved to New Zealand nearly 20 years ago to help look after her grandson. Now she is 79 and can barely speak any English.  "Going shopping every day…well, that’s our strength. Without this, what would we do?" 

When Vince Pierson’s old comrades tried to track him down, years after the Korean War, they couldn’t find him. Pierson had taken another surname when he joined up, to disguise the fact that at 19, he was underage. As a gunner attached to HQ, he was with the New Zealand artillery supporting Australian and Canadian infantry at the Battle of Kapyong. Pierson belies his 85 years with sharp recall and vivid stories of people and places. He shows as much empathy for the Koreans as for his comrades, while describing battling intense cold and stifling heat — and the other side.

In this full-length Intrepid Journey actor/director Katie Wolfe takes her "appalling sense of direction" to China, a country caught between old ways and new. Wolfe travels by plane, boat, cyclo and train, which she calls "the perfect way to travel". She does three days in the Blade Runner-like cityscapes of Shanghai, where she meets an 86-year-old dancer, and visits the Forbidden City of Beijing. Wolfe also heads up the Yangtze River, visiting ghostly cities and apartment blocks, drained of people by major dam construction — before stumbling upon a most effective way to haggle.