A woman running an Auckland laundromat finds herself accosted by a drug addict. A frustrated customer struggles with a machine that is out of order and ruining her expensive clothes. Somewhere across the city police are on their way to a drug bust. However all is not what it seems on Karangahape Road, and the consequences look to be life altering. The three tales in this film were made as part of NZ On Air funded K’ Rd Stories, a collection of short films which all tell stories set around Auckland’s most legendary, notorious, and arguably most beloved street.
After overhearing a parental argument which shows no signs of ending, a young boy (Nico Mu) decides to wander out onto the streets. Soon he is caught up in the K Road nightlife, clutching his sushi. Then a chance meeting with a talkative homeless woman (Verity George) and her dog offers him a new perspective. Inspired by an old woman who gave out mussel fritters to bus drivers, writer/director Karyn Childs set out with this short film to show K Road as a place where people of many backgrounds can feel they belong. Fritters was one of ten K' Rd Stories made in 2015.
The light-hearted but star-heavy I'll Make You Happy unapologetically showcases a group of Auckland prostitutes, united by girl power — and a general distaste for their pimp (Michael Hurst). Jodie Rimmer dons many wigs and personas as Siggy, the spunky young sex worker who fends off Hurst's pleading advances, while pulling a nerdy banker (Ian Hughes) into her plans for a game-changing heist. The eclectic soundtrack is heavy on electronica, while the cast includes Rena Owen, Jennifer Ward-Lealand, dancer Taiaroa Royal, and a one-minute cameo by Lucy Lawless.
In this excerpt from TV2's 90s late night news show, a bemused Mark Staufer interviews Jordan Luck (aka "slightly tipsy singer") as his band The Exponents plays on a rooftop on Auckland's Karangahape Road, to promote a new album and summer tour. The jokes about not falling off may have a point. Luck suggests the new release is "a magical recording of ancient times" and confirms that they will be touring the whole country, "and Greymouth as well ... and Westport". The bakery underneath is long gone — replaced by an adult shop. Bassist David Gent also says some words.
This excerpt from a 1962 edition of the National Film Unit's magazine film series features reigning Olympic 800m champion Peter Snell participating in a charity road race on Auckland streets. "Any one of 20 charities stands to make a hundred pounds as 20 roadsters hot-foot it around Auckland's Top o' the Town course." Roadsters also include Bill Baillie and Barry Magee. National hero Snell is in the bunch early on, but coming down a crowded and wet Karangahape Road he is of course, "the man to watch".
"Kevin has a strict daily routine, part of which is about to be taken away — throwing his life into turmoil." The Kevin in question is Solid Gold FM DJ Kevin Black, and the essential part of his everyday routine being removed is … sleep. This second episode of the 2001 Touchdown reality series — in which varied participants deal with deprivation — sees ’Blackie' slowly but surely disintegrating over 70 sleepless hours. Despite caffeine, gym and jigsaws, his performance at memory game Simon suffers, he faces hallucinations, and the delirious results are heard over the airwaves.
For nine years TVNZ's Top Half brought local news to Auckland and the upper North Island. In these excerpts there's a tantalising before and after glimpse of a David Bowie concert at Western Springs; the people of Ponsonby worry that their suburb's character is being lost to developers; Dylan Taite finds country rockers The Warratahs busking on Ponsonby Road; and in K Road, there is coverage of a multicultural street festival, and concerns about how encroaching sleaze is affecting local retailers; plus a cute story about a baby orangutan and a camera-shy mother.
A bold reveal of a rose tattoo opens this 1980 documentary on contemporary Kiwi tattooing. Then, a potted history of the practice punctuates visits to parlours on K Road and Hastings, plus the studios of industry legends Steve Johnson and Roger Ingerton. Interviews with tattooists and their canvases roam from stigma, the perils of permanence, and motivations for inking; to design tropes (sailors, serpents, swallows) and tā moko. Commissioned by TVNZ for the Contact documentary slot, the Geoff Steven film chronicles a time when “folk art has become high art.”
Sculptor (and Arts Foundation Icon) Greer Twiss is profiled in this episode of the early 80s series about notable artists, made for TVNZ. Twiss talks about his career and significant works, including the much loved Karangahape Rocks: an early, large scale bronze made at the limits of his ability at the time which twice caused him serious injury. His fascination with rendering functional everyday items — tools, wineglasses and rulers — as decorative sculptures is explored, along with his preference for working at home in the midst of his family life.
A trio of mysteriously bloody and bruised women order tea in a cafe in Auckland's St Kevin's Arcade. The sugar debate gets a K Road twist as they talk boobs, revenge porn, and wonder if the sugar bowl has drugs hidden in it (riffing off a local urban legend). A trip to the toilet before last orders sees the cafe transforming into a dance floor, providing a groovy testimonial to the imaginative powers of the sugar hit. This edition of the series of short films exploring life on K’ Rd was directed by Roseanne Liang (My Wedding and Other Secrets), and stars the actors from her web series Flat3.