In 2009 Māori Television rebooted the classic game show first hosted by Selwyn Toogood. In this episode from the fifth season, Stacey Daniels Morrison and Pio Terei take the popular roadshow to Masterton in the Wairarapa. Contestants answer locally themed questions (ranging from local iwi to Brian Lochore, Jemaine Clement and Ladyhawke), and earn the right to barter for the money or the bag. But as Morrison says, “remember that lurking in some of those bags are the boobies…”. Prizes include a basketball stands, a 50 inch TV and the MultiKai cooker. 

Lana Coc-Kroft and her all female Extreme Team swing, fall and paddle their way through this episode from their primetime, extreme sports TV series. There's a guest appearance from actor Kevin Smith who enthusiastically investigates bridge swinging with Jayne Mitchell (near Masterton). Lana forgets her fear of heights for long enough to take a tandem sky dive and check out the sport of sky surfing — and Emma Barry and Katrina Misa keep their feet much closer to the ground, but get them wet, on a canoe safari down the Whanganui River.   

Documentary She Shears profiles five women who blow away stereotypes and sexism in the traditionally male world of sheep shearing. Two are legends of the sport: Emily Welch and Jills Angus Burney (also a High Court barrister). The other three are hoping to make their mark with the blades at the sport's pinnacle: Masterton’s Golden Shears. The event has no separate gender categories. She Shears was directed by first-timer Jack Nicol, and produced by Breaker Upperers producers Ainsley Gardiner and Georgina Conder. It debuted at the 2018 NZ International Film Festival. 

In this episode of The Gravy Warren Maxwell employs the services of Wellington architect Gerald Melling. En route the Liverpudlian recalls his path down under, via underground publishing and scandal in 60s Toronto to designing punchy, idiosyncratic Kiwi buildings. These include the Signal Box house (Home New Zealand 2008 House of the Year) which lets the brake off the metaphorical possibilities of its Masterton location. Gabe McDonnell then looks at Richard Meros' obsession with Helen Clark, and its 'adaptation' for theatre by young lover/playwright Arthur Meek.

This documentary reviews that 1983 Royal Tour downunder by Prince Charles and Princess Diana. The tour was notable for the presence of royal baby William; images of the son and heir playing with a Buzzy Bee on the lawn of Government House in Auckland were published around the world. The royals also visit the ballet, banquet, waka, hongi, plant kauri, and see Red Checkers and firemen’s displays. Prince Charles’s duties include announcing an extra holiday for school kids and he meets younger bro Edward on his gap year (tutoring at Wanganui Collegiate).

Kids of the 80s will fondly recall this after school current affairs show. Presenter Lloyd Scott was a national celebrity at the time as ‘Scotty’, Barry Crump’s hapless companion in a popular series of ads for Toyota. Items in this last edition for 1983 include traffic safety with radio hosts Lindsay Yeo and Buzz O’Bumble, and the arrival at Auckland Zoo of a pair of Galapagos tortoises (whose faces reporter Jane Dent guesses were inspirations for E.T.). Backed by children from Taita Central School, Scott signs off with ‘Merry Christmas’ in English, Māori and Samoan.

Former pro wrestler Wilbur McDougall was battling addiction and self-imposed isolation before undergoing gastric sleeve surgery. For this serio-comic documentary, he let university mate J Ollie Lucks film his journey of transformation. McDougall needs a new wrestling persona — and the "happiness and self-acceptance that has eluded him for so long". Will his friendship with Lucks survive, as the filmmaker jumps at the story from the top rope? Lucks and Julia Parnell's feature began in 2015 as a short film for Loading Docs. The long version debuted at 2017's Doc Edge Festival.

The work of artist John Reynolds takes in painting, photography, clothing, tattooing and landscaping. Shirley Horrocks frames this Artsville documentary as a series of questions. The answers reflect Reynold's exuberant personality, his strong family life, his sense of humour, and his adventurous art-making. Following a year in Reynolds' life, the film observes him as he makes and debuts a big painting (Cloud) at the 2006 Biennale of Sydney, works on large-scale outdoor works, redesigns a swanndri, and takes time out to appear in an episode of bro'Town.

This Wild South edition joins two legendary New Zealand wildlife documentarians — photographer Geoff Moon and sound recordist John Kendrick — on a 1988 trip to Kāpiti Island. Rangers are learning about, and looking after, the sanctuary’s manu (birds), who are “biological refugees” from the mainland, escaping introduced predators. Dogs monitoring kiwi, a kākā census, and tīeke (saddleback) nest boxes are featured. The two old mates narrate the visit, which includes Moon building a bush hide, and footage of a pioneering 1964 tīeke relocation from Hen Island.

Award-winner Hidden Places: Ōkārito marked an early milestone for the Natural History Unit (later to become NHNZ) — it was part of the first series made by the unit. The 15 minute episode follows birds, such as white heron, Russian godwits and royal spoonbills, all of them flocking to Ōkārito's "unique world of sea, lagoon, rivers and forests". Logging of kahikatea, the tallest endemic forest tree, also features. Robin Scholes, later to produce movie Once Were Warriors, wrote and directed this episode. It won Best Documentary at the 1979 Feltex Television Awards.