A Moment in Time is an armchair interview with historian Michael King OBE filmed in 1991. King discusses his early influences, motivation, and distinctive publications. King died in a car accident with his wife Maria Jungowska in 2004, and his reflections in A Moment in Time are testament to the tragedy of that loss: "We've got to be able to trace our own footsteps and listen to our own voices or we'll cease to be New Zealanders, or being New Zealanders will cease to have any meaning."
Kim Hill interviews historian and writer Dr Michael King at the time of the release of his acclaimed book The Penguin History of New Zealand, in 2003 (the year before King's death). King talks about his optimism about Māori and Pākehā relations. He says one of the reasons he writes books is because "information dissolves prejudice". He offers a theory that you can have two indigenous peoples in one country - that Māori are our first people and Pākehā are our second people.
Brought to you from "the Samoan Embassy" (in reality the Naked Samoans' motel room) this episode of The Living Room follows the comedic theatre troupe during their time at the Edinburgh Fringe Festival. Then it retreats to the wild west coast of the South Island, where acclaimed cinematographer Alun Bollinger reflects on his diverse life and career. Also featured is the first 'proper' exhibition of Illicit artists on K' Road (featuring the late Martin Edmond), and a visit to small town Mangaweka, setting for Michael Reihana's surrealist short film Little Gold Cowboy.
This 2013 Sunday item sees Garth Bray interviewing veteran Coronation Street actor William Roache, and being shown around the Manchester set. After defending Coro actor Michael Le Vell (later acquitted of sex abuse charges), Roache made headlines for comments that appeared to partially blame victims. He argues that people who are aware they are "pure love" won't become victims, but adds that events in our past lives can factor in. Roache later apologised for any offence caused. Two months later he faced charges of rape and indecent assault. He was found not guilty on all counts.
This 1970s talent show was a popular light entertainment programme for new channel TV2. It followed in the television footsteps of New Faces and Studio One, with wannabe stars mostly covering popular classics. The buzzers and tough judges of X Factor are decades away. This final from the 1975 season, filmed at Christchurch’s Civic Theatre, sees contestants cover everything from country and western to cabaret. Promoter Trevor Spitz awards record contracts, and talent co-ordinator Ray Columbus joins host Rhys Jones to announce the winner.
The Camera on the Shore is a feature-length portrait of a man who argued eloquently for the rights of indigenous people to control the camera. Based on extensive interviews with Barry Barclay and those who knew him — and footage from his work — it traces the path of one of the first people to bring a Māori perspective to the screen. The documentary ranges from Barclay's early years in a monastery to speeches at his tangi, touching en route on landmark TV series Tangata Whenua, battling corporations on doco The Neglected Miracle, and behind the scenes conflict on Te Rua.
Brit MP Austin Mitchell began his career as a lecturer and broadcaster in New Zealand, back in the 1960s. He went on to write about Aotearoa in classic 1972 book The Half Gallon Quarter Acre Pavlova Paradise. In this final part of his 2002 return to Godzone, Mitchell takes Auckland's pulse in a pre-Supercity era, with John Banks as mayor and the America’s Cup in the cabinet. He also examines music and sport. The series ends with musings on Kiwi identity from Helen Clark, Sam Neill, and Michael King. Look out for a young Valerie Adams roughly 4 minutes 30 seconds into clip four.
This episode of Pioneer Women dramatises the life of Waikato leader Te Puea Herangi: from prodigal daughter to leader of the Tainui people. Te Puea helped establish the Kingitanga movement, and led Tainui to prosperity through wars, confiscation of their land, and an influenza epidemic. Future TV3 newsreader Joanna Paul plays Te Puea. Produced by Pamela Meekings-Stewart, the Pioneer Women series screened in a high profile slot on TV One, and challenged the view that white male statesmen were the only noteworthy figures in New Zealand colonial history.
This Coming Home episode introduces two Kiwi "pioneers in their fields": psychologist John Money and horse expert Wayne McIlwraith. Colorado-based McIlwraith works on top racehorses around the globe, then goes climbing on his rare days off. Money was celebrated and criticised for his game-changing work on gender and sexuality. Returning for a visit downunder, he sets about donating his artworks to a museum in Gore. The episode was made soon after doubts were first raised about the success of Money's most famous case of gender reassignment, David Reimer.
John O'Shea was godfather to generations of Kiwi filmmakers; he was an inspirational force committed to bringing new perspectives to the screen. As Ngati actor Wi Kuki Kaa put it, "had he been a Māori, he would have been a kaumatua years ago". This documentary backgrounds O'Shea and his pioneering indie production company Pacific Films, ranging from his efforts to put Māori on screen, to banned 60s ads. The cast provides proof positive of O'Shea's influence — amongst the ex-Pacific staff interviewed are the late Barry Barclay, Tony Williams and Gaylene Preston.