German-born Kiwi director Florian Habicht charts the journey of Britpop band Pulp to their 2012 Sheffield farewell concert. As well as singing along with the common people, and interviews with Jarvis Cocker and band (musing on everything from ageing to fishmongering), Habicht reunites with his Love Story co-writer and cinematographer to pay tribute to the band’s hometown and fans (including a rest home rendition of ‘Help the Aged’). The film premiered to strong reviews at US festival South by Southwest, where Variety found it “warmly human” and “artfully witty”.

This 70s current affairs show does a cost benefit analysis of Trade Minister Warren Freer’s Maximum Retail Price scheme (MRP), which capped retail prices. Drawn from an era of economic theory poles that was apart from the market deregulation of the 80s, the investigation sets out to poll opinion in supermarket aisles, a grocery in Glenorchy, and factory floors (Faggs coffee, Cadbury chocolate). The checkouts are a battlefield between red tape and free range retail. The early animated sequence by Bob Stenhouse marked an early use of animation in a local TV documentary. 

Something of an antipodean Seven Up! (a series of life-chronicling British documentaries) this documentary picks up on the stories of four young Māori — now middle-aged — 24 years after they moved to the Wellington as part of a Māori Affairs Department redeployment program. It makes liberal use of the original film to contrast the cowshed to cubicle journeys; and revisits Ripeka (now in Hamilton), Moana (Guam via Japan), Grace (Wellington), and Phillip (Brisbane), who reflect on the paths their lives have followed, and on their Māori culture and where 'home' is.

Described by co-creator Jamaine Ross as a sketch show "told from a brown perspective", this Māori Television series pokes the taiaha into life in Aotearoa. Hosted by improv trio Frickin Dangerous Bro – Ross (Māori), Pax Assadi (Persian) and James Roque (Filipino) – the show adds a multicultural 21st Century update to the skit traditions of Billy T James and Pete and Pio. This first episode mines comedy from white people, brown mums, hangi, sports reporting, subtitles, service station staff, and sat nav. NZ Herald’s Gracie Taylor called it "smart, funny, relevant and insanely relatable".

Director Julie Zhu's love letter to a Chinese East Auckland community follows her grandmother as she carries out what may seem a mundane task — grocery shopping. But to Fang Ruzhen, her daily ritual of buying food is what connects her to several other aged Chinese grandparents, who hop on buses in large groups to head to the supermarket. Ruzhen moved to New Zealand nearly 20 years ago to help look after her grandson. Now she is 79 and can barely speak any English.  "Going shopping every day…well, that’s our strength. Without this, what would we do?" 

Open Door is a community-based TV series where groups or individuals make a documentary about an issue that concerns them. This episode is about Adults in Motion (AIM) - an organisation helping intellectually disabled young adults by giving them social interaction, education, life skills, and the possibility of future employment. The doco interviews AIM founder Sally O’Mara, and other parents; as well as volunteers and participants. Former All Black Robin Brooke features as the owner of a local supermarket offering work to an AIM participant.

This Shortland Street episode ended the 1995 season with a missing baby, a Christmas turkey and a bizarre accident. After being set up by conniving nurse Carla Leach (Elisabeth Easther), a drunken driver aims his Mac truck directly for the hospital's reception. Amongst the injured, Kirsty wakes up with a case of memory loss, while Carmen suffers unexpected after-effects, soon after swearing everlasting devotion to Guy Warner. Meanwhile Nick potentially faces prosecution, after accidentally leaving his girlfriend's one-year-old child at the supermarket. 

This feature documentary goes beyond the supermarket deep freeze, to look at the stories behind the meat that ends up on our plates. The film is built around three farmers and a hunter: industrial pig farmer Ian, who argues profit is not his main motivation, straight-talking 'one-woman farming operation' Jill, chicken farmer Tony (who discusses killing 1000 chickens a week), and deer hunter Josh, who thinks that many lack awareness of how food gets to their plate. Directed by David White (short film I Kill), Meat can be watched in full via The NZ Herald website (see link below). 

Billy Apple: enigma, con man, or artist? Being Billy Apple looks at one of New Zealand's most controversial contemporary artists: a man who changed his name, then turned himself into a brand. Director Leanne Pooley (The Topp Twins: Untouchable Girls) follows Apple's life, and looks at his work in the context of the development of conceptual art overseas. This opening excerpt from the 70-minute documentary sees Apple talking with the filmmaker about whether it is important his face is even seen on screen.