Lana Coc-Kroft and her all female Extreme Team swing, fall and paddle their way through this episode from their primetime, extreme sports TV series. There's a guest appearance from actor Kevin Smith who enthusiastically investigates bridge swinging with Jayne Mitchell (near Masterton). Lana forgets her fear of heights for long enough to take a tandem sky dive and check out the sport of sky surfing — and Emma Barry and Katrina Misa keep their feet much closer to the ground, but get them wet, on a canoe safari down the Whanganui River.
The departure of Ramones bassist Dee Dee Ramone dominates this 1989 interview with the pioneering punk rockers, represented here by guitarist Johnny Ramone and new member CJ (Ramone). Johnny talks with contained amazement about Dee Dee leaving the band, and flirting with rap. He also mentions playing on Stephen King film Pet Sematary, and fails to recall the movie that features a “great” performance by The Swingers (Australia's Starstruck). Alongside offering staunch support from behind his sunglasses, CJ describes the joy of joining the Ramones, having been a big fan.
This short promo was part of a mid '70s Tourist and Publicity Department campaign touting New Zealand to New Zealanders. It focuses on nightlife to highlight the swinging face of our cities: bars, bands, dancing, floor shows and restaurants. As the jingle says: "Share it, share it, you've got to share it with each other." Delight in fast-cut '70s fashion and styles even if the chop stick, champagne and ciggie-filled affair has a faintly ominous vibe (just what is the bartender slipping in the cocktail?). The film ends with the Orwellian instruction to "go there ... now".
The original launchpad for Billy T’s rise to TV superstar, Radio Times travels back in time to find a fresh angle on the musical variety show. Inspired by 30s and 40s era radio shows, the series features a swinging dancehall band, fake singing stars, German villains, and coconut shell sound effects. Creator Tom Parkinson’s masterstroke: casting Billy T James as oh-so-British compere Dexter Fitzgibbons. In this episode the cast go South American, forgotten bombshell Alita Gotti channels Marlene Dietrich, and The Yandall Sisters cover Fats Waller classic 'Handful of Keys'.
On Camera interviewer Judith Fyfe encounters American jazz bandleader William ‘Count’ Basie (1904 - 1984) on a 1971 NZ tour, 35 years after founding his legendary band. The Count Basie Orchestra defined the big band era, scoring multiple Grammys and backing Holiday, Crosby, Sinatra, King Cole, Bennett and Fitzgerald. In this interview the former silent movie pianist smokes, smiles and seems simultaneously laid-back and a tad testy, as he talks touring and early days, side-steps personal questions and laughs about rain impeding his gee-gees gambling habit in NZ.
This 1982 film, made for the New Zealand Council for Recreation and Sport, is an impressionistic exploration of play. Child narrators talk about what play means to them, while the images capture young people engaged in recreation. The focus is on informal play: kids and teenagers at playgrounds, hunting for frogs, reading, skylarking in the snow, doing cartwheels on the beach, fixing motorbikes, skipping, stargazing and playing Space Attack. Seagulls inspire dreams of flight for a young girl, and a fancy dress ball for adults shows the enduring spirit of play.
This edition of Prime TV’s history of New Zealand television looks at 50 years of entertainment. The smorgasbord of music, comedy and variety shows ranges from 60s pop stars to Popstars, from the anarchy of Blerta to the anarchy of Telethon, from Radio with Pictures to Dancing with the Stars. Music television moves from C’mon and country, to punk and hip hop videos. Comedy follows the formative Fred Dagg and Billy T, through to Eating Media Lunch and 7 Days. A roll call of New Zealand entertainers muse on seeing Kiwis laugh, sing and shimmy on the small screen.
The legendary Dylan Taite hosts this RWP special on the first Sweetwaters music festival. The event took 12 months and half a million dollars to set up. Headliner Elvis Costello proved media-shy; some heavy-handed attempts to keep the cameras away are seen. Meanwhile, Taite muses on the impact of late 70s bands on the future of festivals. Sweetwaters would go on, although financial problems in 1999 led to the jailing of organiser Daniel Keighley. As this documentary shows, the Ngaruawahia edition attracted an audience of 45,000 concertgoers.
This Feltex Award-winning documentary dives, abseils and squeezes under the mountain — Mt Arthur in Kahurangi National Park — to record the exploration of the subterranean world of the Nettlebed Cave System. At nearly one kilometre underground the system is New Zealand’s deepest cave, and a mecca for cavers from around the world. The cavers relay their motivations and anxieties as they negotiate the uncharted water-carved limestone labyrinth. Directed by Ian Taylor, it screened in the Lookout series. Claustrophobes beware: there are no lattes at Soft Rock Cafe.
Pirate radio hit Kiwi airwaves on 4 December 1966 when Radio Hauraki broadcast from the Colville Channel aboard the vessel Tiri. Made by Sally Aitken, this film reunited the original pirates for the first time in 30 years to recall their battle to bring rock’n’roll to the youth of NZ. Featuring rare archive footage, the tale of radio rebels, conservative stooges, stoners, ship-wrecks and lost-at-sea DJs was originally made as a student film. It was bought by TVNZ and screened in primetime to praise: “Top of the dial, top of the class” (Greg Dixon, NZ Herald).